Robert k huber (11 Ergebnisse)
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Soft cover. Zustand: Very Good. 1999. North America, Native Americans, Journals. Statistical Research Inc. Technical Series, No. 66, 310p., very good paperback/monograph 3rd floor 9/25.
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China - Crossroads of Modernism: East-West Encounters in 20th Century Architecture
Flierl, Thomas (Editor)/ Kögel, Eduard (Editor)/ Huber, Robert K. (Author)
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Paperback. Zustand: Brand New. 160 pages. 8.50x0.67x10.83 inches. In Stock.
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Zustand: New. Modernism did not only take place in Europe, but also in multiple variations in East Asia. For example, Chinese students in the West came into contact with the themes and transformed them after returning home. This book brings together selected perspectives.
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Taschenbuch. Zustand: Neu. Neuware -Modernism did not only take place in Europe, but also in multiple variations in East Asia. For example, Chinese students in the West came into contact with the themes and transformed them after returning home. This book brings together selected perspectives from China and (mainly) Germany that… discuss the mutual influence.As an introduction, Eduard Kögel presents a panorama of architectural development in China from the 1920s to the 1970s. For the first time ever, Chunyan Zhang addresses how the ideas of the Bauhaus entered the Chinese discourse in the 1940s and how important the Bauhaus books were in this context. Li Hou takes up Richard Paulick's period of emigration to Shanghai (1933-1949) and discusses his enormous influence on urban planning. Wen-chi Wang explains the intercultural practice of Chen-kuan Lee, who founded the Chinese Werkbund in Berlin in 1941 together with Hugo Häring and Hans Scharoun, whose ideas also influenced the protagonists in West Germany in the 1950s. Wolfgang Thöner traces how Bauhausler Marianne Brandt found her love for Chinese culture as artistic director of the exhibition 'German Applied Art from the GDR' (Beijing and Shanghai, 1953/54). A real discovery in this context was the 'German-German Architecture Trip to China in 1957', an all-German interlude in the thaw period, the minutes of which were discovered by Eduard Kögel. In his contribution, Jiang Feng shows how Hsia Changshi, who trained in Karlsruhe and Tübingen, developed architecture in Guangzhou in the 1950s that was orientated towards the subtropical climate and was clearly influenced by the ideas of Le Corbusier. Angelika Schnell traces the 14-day journey (1973) of the Austrian Roland Rainer to Shanghai, Suzhou, Nanjing, Beijing and Guangzhou, where he hoped to find the essence of Chinese culture, which, among other things, served as a model for his courtyard house settlements.The contributions collected in this volume vividly demonstrate the cross-fertilisation in China and Europe beyond bold copy-cat architecture, which has not yet been presented in this way, and which make it clear that cultural discourse is essential for new developments.Lukas Verlag, Kollwitzstraße 57, 10405 Berlin 200 pp. Englisch.
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Taschenbuch. Zustand: Neu. Neuware - Modernism did not only take place in Europe, but also in multiple variations in East Asia. For example, Chinese students in the West came into contact with the themes and transformed them after returning home. This book brings together selected perspectives from China and (mainly) Germany tha…t discuss the mutual influence.As an introduction, Eduard Kögel presents a panorama of architectural development in China from the 1920s to the 1970s. For the first time ever, Chunyan Zhang addresses how the ideas of the Bauhaus entered the Chinese discourse in the 1940s and how important the Bauhaus books were in this context. Li Hou takes up Richard Paulick's period of emigration to Shanghai (1933-1949) and discusses his enormous influence on urban planning. Wen-chi Wang explains the intercultural practice of Chen-kuan Lee, who founded the Chinese Werkbund in Berlin in 1941 together with Hugo Häring and Hans Scharoun, whose ideas also influenced the protagonists in West Germany in the 1950s. Wolfgang Thöner traces how Bauhausler Marianne Brandt found her love for Chinese culture as artistic director of the exhibition «German Applied Art from the GDR» (Beijing and Shanghai, 1953/54). A real discovery in this context was the «German-German Architecture Trip to China in 1957», an all-German interlude in the thaw period, the minutes of which were discovered by Eduard Kögel. In his contribution, Jiang Feng shows how Hsia Changshi, who trained in Karlsruhe and Tübingen, developed architecture in Guangzhou in the 1950s that was orientated towards the subtropical climate and was clearly influenced by the ideas of Le Corbusier. Angelika Schnell traces the 14-day journey (1973) of the Austrian Roland Rainer to Shanghai, Suzhou, Nanjing, Beijing and Guangzhou, where he hoped to find the essence of Chinese culture, which, among other things, served as a model for his courtyard house settlements.The contributions collected in this volume vividly demonstrate the cross-fertilisation in China and Europe beyond bold copy-cat architecture, which has not yet been presented in this way, and which make it clear that cultural discourse is essential for new developments.
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Taschenbuch. Zustand: Neu. China - Crossroads of Modernism | East-West Encounters in 20th Century Architecture | Robert K. Huber | Taschenbuch | Gegenstand und Raum, Neue Folge / Herausgegeben von Thomas Flierl | 200 S. | Englisch | 2025 | Lukas Verlag | EAN 9783867324717 | Verantwortliche Person für die EU: Lukas Verlag, Kollwi…tzstr. 57, 10405 Berlin, lukas[dot]verlag[at]t-online[dot]de | Anbieter: preigu.
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Taschenbuch. Zustand: Neu. Neuware -Modernism did not only take place in Europe, but also in multiple variations in East Asia. For example, Chinese students in the West came into contact with the themes and transformed them after returning home. This book brings together selected perspectives from China and (mainly) Germany that… discuss the mutual influence.As an introduction, Eduard Kögel presents a panorama of architectural development in China from the 1920s to the 1970s. For the first time ever, Chunyan Zhang addresses how the ideas of the Bauhaus entered the Chinese discourse in the 1940s and how important the Bauhaus books were in this context. Li Hou takes up Richard Paulick's period of emigration to Shanghai (1933-1949) and discusses his enormous influence on urban planning. Wen-chi Wang explains the intercultural practice of Chen-kuan Lee, who founded the Chinese Werkbund in Berlin in 1941 together with Hugo Häring and Hans Scharoun, whose ideas also influenced the protagonists in West Germany in the 1950s. Wolfgang Thöner traces how Bauhausler Marianne Brandt found her love for Chinese culture as artistic director of the exhibition 'German Applied Art from the GDR' (Beijing and Shanghai, 1953/54). A real discovery in this context was the 'German-German Architecture Trip to China in 1957', an all-German interlude in the thaw period, the minutes of which were discovered by Eduard Kögel. In his contribution, Jiang Feng shows how Hsia Changshi, who trained in Karlsruhe and Tübingen, developed architecture in Guangzhou in the 1950s that was orientated towards the subtropical climate and was clearly influenced by the ideas of Le Corbusier. Angelika Schnell traces the 14-day journey (1973) of the Austrian Roland Rainer to Shanghai, Suzhou, Nanjing, Beijing and Guangzhou, where he hoped to find the essence of Chinese culture, which, among other things, served as a model for his courtyard house settlements.The contributions collected in this volume vividly demonstrate the cross-fertilisation in China and Europe beyond bold copy-cat architecture, which has not yet been presented in this way, and which make it clear that cultural discourse is essential for new developments. 200 pp. Englisch.
Verlag: Francke, Bern, 1979
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In den WarenkorbUntertitel: I. Materialien Reihe: Romanica helvetica Vol.VIII Untergebiet: Raetica Abbildungen: Gefalt.Karte in Schleife Zustand: Guter Zustand Seiten: XLVIII/ 592 S. Format: Gr.-8°. Einband: Hldr. marm. Gebiet: Kultur.
G. C. C. ALBUM, 1914 - 1916. (Umschlag) / ''ZUR ERINNERUNG AN MEINE KRIEGSGEFANGENSCHAFT. - G.C.C. 191*, AUSTRALIEN'': Zeitschrift der Internierten des 'German Concentration Camp' in Holdsworthy, Liverpool; New South Wales, Australien. / Memorial-Sheet of the Prisoners of the G.C.C.: 'Das G. C. C. von dem Observationsturme gesehen'; 'Appell (5:30 Nachm.)'. / 'Der Weg vom Hospital nach dem Lager.', 'Kaiser Wilhelm Strasse.'; 'Innenansicht des D.T.L.', 'Deutsche Theater, Liverpool.' / 'Obere Kueche.', 'Essenempfang.'; 'Rueckkehr von der Arbeit.' / 'Krankenappell.' / 'Stacheldrahtidyll', 'Badeanstalt und Waschplatz.'; 'Der Observationsturm.' / 'Innenansicht einer Messe.' / . . .(FORTSETZUNG s. unten)
German Concentration Camp at Holdsworthy, Liverpool; New South Wales, Australia (Commander: Major Robert Sydney Sands) / Stefan Pokora; Otto Hermann; Richard Kunze (Bilder, Zeichnungen und Entwürfe) / Heinrich Jacobsen, G.C.C. Liverpool (Hrsg.) / Richard Kunze (spätes Jugendstil-Design) / A. Goldmann, W. Himmelmann, D. Voss, H. Grimme, L. Schroeder, (Leiter) F. Hageboeck, H. Broich, E. Schumacher; K. Michaelsen, R. Vogelsang, R. Wuerzberger, K. Kruse, C. Lange, H. Baum, O. Leisner, G. Merten, K. Hollaender, W. Patzke; R. Bannmann, K. Egbert-Emler, G, Huck, A. Kalewe, M. Blank, F. Giesemann (Mitglieder der Schausspiel-Gruppe); Michuletz, Klein, Ottiger, Feukert, Aden, Woehner, Bordeaux, Lehnigk, Hartung, Olschewski, Redlich, Siat; Winter, Wahlmann, Kammer, Saake, Dolezych, Kern, Steidel, Huber, Huch, Daams, Guhrack, Fruechtnicht, Rode, Eckstein, Koehler, Hilgenstock, Mischel; Patzig, Kliemt, Kaiser, Engel W., Piduch, Becker, Heinrich, Linnemann, Klein (Mitglieder der internierten Besatz
Verlag: Sydney, printed by Max Politzky (1916). / 24 unnumbered pages on medium-glossy paper, mainly photographically - partly wholepage - illustrated throughout (''Die Original-Aufnahmen sind mit gütiger Erlaubnis des Kommandanten, Major S.R. Sands, hergestellt''). - Grey-brown original illustrated cardboard-cover (decent art-nouveau design: Richard Kunze), stapled; oblong-4to.(ca. 22 x 29 cm), 1916
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In den Warenkorb°°° [ULTIMATELY EXPANDED SUMMER-SALE, ending soon: PRICE-REDUCTION of 50% until Monday, August 31, 2026; originally EUR 480,-] --- 1. AUFLAGE, GRÖSSERFORMATIGE BROSCHIERTE ORIGINALAUSGABE. - Umschlag mit leichter Randläsur, Heftklammern angerostet; SEHR GUTES EXEMPLAR DER FRAGILEN PUBLIKATION. / FIRST EDITION, SOFTCOVER ORIGINAL…. - FORTSETZUNG des Inhalt: . . . 'D. T. L. Schauspieler und technisches Personal'; 'Scene aus Arthur Schnitzlers 'Liebelei', 'Scene aus Hermann Sudermanns 'Ehre'. / 'D.T.L. Schauspieler' (tlw. Männer in Frauenrollen). / 'Ein Teil der im G.C.C. internierten Besatzung von S.M.S. 'Emden' (nach den Namen jew. Stellung auf dem Schiff, Rang, etc.); 'Promenaden Concert.' / 'G.C.C. Typen' / 'Camp Orchester, Liverpool.'; 'Sportfest, 7ten November 1915.' / 'Kegelbahn.', 'Offiziersbaracke und Tennisplatz.'; 'Cafe Stacheldraht'. / 'Garkueche zur Boomrinde.' / 'Programme des Deutschen Theaters, Liverpool: Entwuerfe von Richard Kunze.' ---Wrapper minimally used, staples somewhat rusty; A VERY GOOD COPY OF THE FRAGILE PUBLICATION. - ''Before the beginning of the World War I, the Australia Defence Forces acquired 80,000 acres (approximately 32,375 hectares) of land at Holsworthy. When the Commonwealth Government assented to the War Precautions Act in 1914, it was decided that people who were of German origin or descent, as well as those from countries allied with Germany, might be a security risk, and so places had to be found to detain them. At first people were detained in army barracks or training camps but the government soon realised they would need more permanent accommodation and set up camps in specific locations, one of these being the German Concentration Camp at Holsworthy in the Liverpool district. As early as September 1914 about 100 seamen who had been taken from German and English ships arrived at the camp. Others soon followed from various locations. . .''(see 'The Dictionary of Sydney', online); letzendlich waren es bis zu 6.000 Internierte . . .
