robert jaffe roger hirson (2 Ergebnisse)

Archive of seven vintage double weight, borderless photographs from the 1977 film by special photographer Alan Pappe. Included is are four striking photographs of Julie Christie, two photographs showing Fritz Weaver and Julie Christie with "the creature," and one photograph of director Donald Cammell on the set. With the stamp of photographer Alan Pappe on the verso of each photograph. Pappe worked as a film still and press photographer for 30 years, covering a who's who of film and music stars, including iconic images of Sharon Tate, Jimi Hendrix, and Liza Minnelli, as well as album cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. Based on Dean Koontz 1973 novel of the same name, about a scientist who creates an artificial intelligence, which becomes obsessed with procreating with the scientist's wife. Roughly 9.75 x 6.75 inches, slightly irregularly trimmed. Near Fine.

Final Shooting script for the 1977 film. With 33 revision pages bound in at the rear. Copy belonging to uncredited cast or crew member Robert Harrison, with his name in manuscript pencil at the top right corner of the front wrapper, and his name in manuscript pencil or ink at the top right corner of several leaves. Several of the aforementioned revision pages rubber stamped "RECEIVED / [DATE] / ROBERT HARRISON." Based on the 1973 novel. The story of a woman held captive and forcibly impregnated by a rogue supercomputer that has attained artificial intelligence. Goldenrod titled wrappers, noted as FINAL SHOOTING SCRIPT on the front wrapper, rubber-stamped copy No. 101, dated May 17, 1976, with credits for novelist Dean Koontz and screenwriters Robert J. Jaffe and Roger O. Hirson. Title page integral to the first page of text. 129 leaves, on white stock, with last page of principal text numbered 96. 33 blue and gray revision pages bound in at the rear, all intended as replacements for pages in the principal text, but have been added rather than substituted. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.