robert blake scott wilson john (3 Ergebnisse)

Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso, along with the stamp of still photographer James Johnson. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus, with light creasing and edgewear, one Very Good, with a tear to the top right corner, repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.

Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101.

Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book, and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus, some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US.