robert audenaerde (9 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Il Mosè a S. Pietro in Vincoli | Capo d'opera in iscultura di Michelangelo Buonarruoti | Robert van Audenaerde | Taschenbuch | Italienisch | 2025 | Antigonos Verlag | EAN 9783388030012 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Gravure du flamand Robert van Audenaerde (1663 - Gand, 1748), début XVIII [1725 ?], 24,4 x 22, représentant au recto sous forme d'allégorie Pietro Barbarigo (1671-1725) - Petrus Barbadicus - Patriarche de Venise et au verso un texte latin imprimé partiel qui évoque la mort du Patriarche en 1725. Signature "R.V.A Fec." en bas au centre de la gravure. Doyen de la Basilique Saint-Marc de Venise, Pietro Barbarigo avait été élevé au rang du Patriarcat de Venise en 1706. La gravure est extraite vraisemblablement du recueil dédié au Cardinal Barbarigo "Numismata virorum illustrium ex Barbadicâ gente" édité en 1732. Le document est un hommage de l'artiste à son mécène à l'occasion de sa mort et témoigne de la proximité de l'artiste flamand avec la dynastie des Barbarigo à Venise. Belle gravure. PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST Size: 36,5 x 26. Estampes - Gravures - Dessins.

Zustand: Good. Engravings. 48 x 36 cm, sheet size. Old thick laid paper.Olschki 17449 , Cicognara 3523 , Berlin Kat. 4206).

Complete series of 9 engraved prints by Robert van Audenaerde after Andrea Mantegna's paintings of Caesar's triumphs, preceded by the title-print, commissioned by Cardinal Panciatico, with his arms at the foot of the title-print. Mantegna (1430/31-1506) created these paintings between 1484 and 1492 for the Ducal Palace in Mantua, commissioned by Duke Federico I Gonzago, or more likely his son Francesco II. They show the triumphal military parade celebrating Julius Caesar's victory in the Gallic Wars: a procession of Roman soldiers, musicians, exotic animals, war equipment and captives. These paintings are often acknowledged as Mantegna's greatest masterpiece, because they form the most complete pictorial representation of a Roman triumph. His paintings became very popular, also for engravers and printmakers, and many print series followed, including one from his own workshop. The present series by the Ghent engraver Robert van Audenaerde (1663-1743) is one of the most beautiful and gracious renderings of these paintings, with beautiful and highly detailed images. Paperboard folder a little worn, front hinge cracked, so that the front board is nearly detached, boards reinforced at some places with transparent tape. Each print with a vertical crease (hardly affecting the plates), a few with very small marginal tears, some plates with an occasional stain or slightly browned or dust-soiled, but otherwise in good condition.l Berlin Kat. 4060; Le Blanc, Manuel de l'amateur d'estampes, Audenaerde 79-88 (p. 68); not in Hollstein. The 10 prints are preserved in a paperboard folder covered with half green cloth and green marbled sides (ca. 57 x 47 cm). With an engraved allegorical title-print showing Minerva on a throne pointing towards a medallion with Caesar's profile, and 9 engraved prints (ca. 43.5 x 41 cm except print 1 ca. 51.5 x 41 cm) by Robert van Audenaerde after Andrea Mantegna's paintings, showing the triumphal military parade celebrating Caesar's victory in the Gallic Wars. Each is numbered at the lower right and captioned below with an engraved description. Pages: [1], 9 engraved ll.

Zustand: Good. Oblong folio. 50 x 39cm. 83 numbered plates.New half parchment and marbled board binding by the artisan binder, Sasha Mosalov.Title and dedication included in numbering of plates. Single letterpress leaf bears bibliographical information by Domenco de' Rossi. Dedicatory leaf incorporates port. of Cardinal Flavio Chigi, to whom first ed. was dedicated, engraved by V. Guigou. Plate 30 signed with initials by Robert van Audenaerd, who was responsible for other plates as well. Thirty-one of the plates by Bartoli are copies in reverse of plates from François Perrier's Icones et segmenta (Rome, 1645). Perrier's monogram appears on plates 53 & 54. See Indice.First ed. appeared probably in 1666 and comprised 81 plates. Plates 60 & 61 of the present ed., devoted to the Roman fresco known as the Aldobrandini Wedding, were etched by Bartoli in 1677 and added to the work. In 1690 a group of 31 plates was transferred to another de Rossi publication (Veteres arcus Augustorum), and replaced with 31 others in part by Bartoli. .References; OCLC Number874380230;RIBA, Early printed, 1 (1994), no. 206, p.116-7 [describes mainly a pre-1693 edition].Summary Note:The sculptures shown are accompanied by a short explanatory caption, and statement of location. Several are from the collections of the Barberini, Medici, Borghese, Mattei, Giustiniani and Pamphili; a smaller number from the collections of the Mazarins, Montalto, Della Valle, the Queen of Sweden, Farnese, Massimi, Sacchetti and Vitelleschi; one is from the collection of Cardinal Flavio Chigi, to whom the work is dedicated. Others are from the Vatican and Capitoline collections, from churches and from the Forum of Nerva. Only one is shown from outside Rome, from the royal collection in Madrid.

Je ca. 13,5 x 19 cm. In der Platte bezeichnet "C.M. pinxit Rome". Auf feinem Bütten, teils mit der Plattenkante, teils auf diese geschnitten. Zwei Blätter mit Wasserzeichen "Drei Kugeln und Vogel im Kreis mit Anhänger". Vorhanden sind: Die Geburt Christi mit Anbeitung der Heiligen nach dem Fresko von Carlo Maratti, Rom, San Giuseppe dei Falegnami. - Die Verhöhnung Christi. - Ein Engel erscheint Petrus im Gefängnis. - Todesangst im Garten. - Der belgische Maler, Stecher und Radierer Robert Audenaerd (oder Auden-Aer) war Schüler von Francis van Mierhop und Hans von Cleef. 1685 ging Audenaerde nach Rom, wo er knapp vierzig Jahre blieb. In Rom war er zunächst Schüler von Carlo Maratti, dessen Stil einen großen Einfluss auf sein Werk hatte. Maratti erkannte auch sehr bald Audenaeres grafisches Talent und ließ ihn zahlreiche Blätter nach seinen Zeichnungen und Gemälden stechen. - Ein Blatt mit blassen Farbspuren im Rand. Sprache: Deutsch.

Sin Encuadernar. Zustand: Regular. Size: 64 x 34 cm. Engraving by Robert van Audenaerde after the painting The martyrdom of Saint Blasius which Carlo Maratta executed in 1680 for Santa Maria Assunta di Carignano in Genova. The drawing is a little bit faded.