Ripley colin (13 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Backhouse, Colin (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Backhouse, Colin (illustrator).

Zustand: Very Good. Unused, minor shelf wear to outer edges, otherwise book content is in very good condition.

Zustand: Very Good. The books cover is in very good condition with wear such as scuffs and scratches. The content is in new condition.

Zustand: New. In English.

Paperback. Zustand: Brand New. 203 pages. 9.50x6.75x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 32 pages. 10.55x8.35x0.12 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First Edition / First Print. Hardback copy in black cloth boards with gold gilt lettering to spine. Unclipped dustjacket in new removable protective clear sleeve. 183pp. 10 short stories from Colin Dexter, Elizabeth Ferrars, Christine Green, Bill James, Lynda La Plante, John Malcolm, Stephen Murray, Ian rankin, Mike Ripley and David Williams. Not library copy, no inscriptions. (67/4).…

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Brand New. 368 pages. 8.00x6.00x7.99 inches. In Stock.

Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Where is sexuality, especially queer sexuality, in architecture The House Is (Not) a Prison approaches this question from a radically new position, looking not for a theory of queer architecture, but rather for a queer theory of architecture. Starting from a reconsideration of the foundational principles of architecture, Colin Ripley demonstrates how the division of space steals land from the commons and forces separations and categories. In the process, queerness is created as an indispensable outside to architecture's disciplinary interior. Tracing the evolution of architecture from the late Enlightenment to the postwar twentieth century, Ripley shows how distinctions between the prison and the domestic home began to collapse in nineteenth-century initiatives to rehabilitate the criminalized, and blurred even further with the popularization of glass and concrete in the modernist cell.He examines sites such as Jeremy Bentham's Panopticon, Guillaume-Abel Blouet's Mettray penal colony, Fontevrault prison, Le Corbusier's Villa Savoye, Philip Johnson's Glass House, and the architecture of North American suburbs to better understand how structures both facilitate and regulate queer sexuality. A parallel text in the endnotes connects Jean Genet's prison-set writings to buttress the relationship between architectural features and queerness. A provocative and surprising work, with a foreword by Slavoj Zizek, The House Is (Not) a Prison advances understandings of queer space.…