Rimbaud j a (14 Ergebnisse)

Encuadernación de tapa blanda. Zustand: Bien. Librería Aves Del Paraíso. Descripción del libro. Título: Una Temporada En El Infierno Autor: J. A. Rimbaud Editorial: Seneca Lugar: México D. F. Año: 1942 Encuadernación: Rustica con sobrecubierta Páginas: 72 Estado General: Bueno Traducción: J. Ferrel Medidas: 16x10,5cm Peso: 60grs Idioma: Español Detalles: Colección El Clavo Ardiendo. Desgaste y roturas en la sobrecubierta. El lomo del libro está partido. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS.…

Zustand: New.

Zustand: New.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New.

Zustand: New.

Zustand: Gut. Zustand: Gut | Seiten: 352 | Sprache: Französisch | Produktart: Bücher | Réimpression inchangée de l'édition originale de 1869.

Hardcover. Zustand: gut. 2022. L'Industrie des Eaux Salées In deutscher Sprache. pages.

Muy Buena a Media Piel. Zustand: Muy bueno. Primera edición. 29 x 23,5 cm. Cubierta original ilustrada - 3 hojas - portada - 33 hojas y 10 láminas, litografías originales a color, firmadas en plancha por el artista. También ilustraciones acompañando al texto. Todo en buen papel de hilo. Edición total de 273 ejemplares. El nuestro de de los 50 fuera de comercio (nº XXVIII). Numerado y firmado a lápiz de color por el artista. Muy elegante encuadernación firmada por Manuel Bueno a media piel decorada con dos dibujos. Lomera con puntillado en pequeño mosaico. Corte superior dorado. Couverture originale illustrée - 3 feuilles - page de titre - 33 feuilles et 10 planches, lithographies originales en couleurs, signées dans la planche par l'artiste. Des illustrations accompagnent également le texte. Le tout dans un bon papier à fil. Tirage total de 273 exemplaires. Nos des années 50 hors du commerce (nº XXVIII). Numéroté et signé au crayon de couleur par l'artiste. Très élégante reliure signée par Manuel Bueno en demi-cuir décorée de deux dessins. Dos avec de petits points de mosaïque. Bord supérieur doré. Grau Sala (illustrator). Firmada por el ilustrador.…

Couverture souple. Zustand: Très bon. Edition originale. La Louvière (Belgique), Éditions Daily-Bul, du n°1, 1965 au n°61, 1979 (il manque les numéros 3, 26 et 35, 53 et 62). Agrafés, 11 cm x 13,5 cm, non paginés. Textes et dessins de P. Colinet, Maurice Henry, Pol Bury, Marcel et Gabriel Piqueray, Lourdes Castro, C. Valogne, Jacqueline de Jong, A. Chavée, R. Bertholo, Ernest Pirotte, Arrabal, L. Scutenaire, Folon, P. Alechinsky, L. Bénal, F. Squatriti, Anatole Jakowsky, Van der Steen, P. Puttemans, A. Rimbaud traduit en wallon par Ernest Haucotte, Robert Filliou & Cie, De Lussanet, Th. Koenig, Julio Cortazar avec dessins de P. Alechinsky, Maglione, Topor, P.Bourgoignie, P. Kervan, A. Calderara, M. Mariën, B. Miot, S. Embo, A. Balthazar, A. Martel , Joyce Mansour, Reinhoud, J. Calonne (2 vol.), J. Raine, avec V. Brauner, Irine, A. Dax, Ronald Searle, Villeglé, J. Groenen, N. Florence, Philippe Geluck, Robert Willems, C. Haumont, G. Belle, M. Béalu, J. Leppien, Pol Bury, L. Del Pezzo, Tom Gutt, Jean Tardieu, (2 vol.), Ivan Alechine, É. Angelini, A. Borer, Pol Bury, O. Descargues. Très bon état. …

°°° [Ultimate POST-SUMMERSALE: PRICE-REDUCTION of 50% until Monday, October 05, 2026; previously EUR 1.800,-] --- RARE AND BIBLIOPHILLY BOUND EXTENSIVE EPITAPH OF THE CELEBRATED ARTIST: Publisher's titled vellum-tinted papercover, bound in a possibly slightly later gilt-titled night-blue 3/4-morocco binding with black-and-blue marbled panels, gilt topedge green marker-ribbon and colourful marbled endpapers, 3 additional blank largepaper-sheets with watermark 'Hallines Dambricourt Frères' before and after the publ. papercover; 4to.(28 x 19 cm). - *) ''When it came time to auction off everything that made up the studio of our dear and missed Diaz, his studies which he showed us with such joy and happiness, the paintings and drawings of his friends and those of the old masters whom he most loved, these works of art for which he had such a great passion, it seemed to us that we would be grateful to reproduce, in a short summary, the opinions and judgments of our most authoritative critics, opinions and judgments formulated at different times in this very full artistic career. We have therefore borrowed from Th. Silvestre his biography; from Thoré, Th. Gautier, MM. Ed. About and J. Claretie their appreciations on the works exhibited at the various Salons, or on the general work of the painter; then from MM. Albert Wolff, Émile Bergerat, E. Véron, Ph. Burty, E. Gonzalès, Privat, their farewells to the artist whom we have just lost. . .''(translated Introduction, followed by a detailed chronological list of Diaz' works exhibited ''. . . aux divers Salons de 1831 à 1850.''). - Corners of the binding slightly rubbed, frontpanel with superficial horizontal scratch, some of the additional blank endpapers slightly foxy. A BEAUTIFUL COPY; inner frontpanel with engraved 19th-century pictorial exlibris 'Alexis Martin'((1834-1904, Literate and Collector, Author of 'Le Bibliophile amoureux', 1866), signed 'Aglaüs Bouvenne'(1829-1903, Engraver, also for Victor Hugo). --- DIAZ WAS BORN IN BORDEAUX to Spanish parents, became an orphan at the age of ten and lost one of his legs after his foot was bitten by a reptile in Meudon-Wood, near Sèvres where he started his artistic career at the age of fifteen in the Porcelain-Studios. He also spent much time at Barbizon, near the Fontainebleau Forest, where he painted some of his most famous works. One of his teachers and friends in Paris was Francois Souchon and he admired the painter Théodore Rousseau. Diaz exhibited at many 'Paris Salons' and the World Expo of 1855, and became 'Chevalier de la Légion d'Honneur' in 1851; Auguste Renoir once said ''My hero was Diaz.''. Diaz' paintings and drawings are held by the Louvre, The Metropolitan Museum of Art and many other famous institutions. - THE CONTENT IN DETAIL: (to be continued. . . --- **) A Photoglyptie (or 'Woodburytype') is a photomechanical printing process to create high quality continuous-tone images with surfaces that show a slight relief-effect, a mold-produced copy of an original photographic negative. It had been invented by the pioneering English photographer Walter Bentley Woodbury (1834-1885), one of the earliest photographers in Australia and the Dutch East Indies and was in use during the final third of the 19th century, most commonly for illustrating fine books with photographic portraits.…

329, (1) S., 8 Taf., davon 1 farbig. OLwd (Einbd gebräunt u. angestaubt, Kapitale etwas bestoßen, innen gering gebräunt). Erste Ausgabe der Nachdichtungen Zechs mit einem mehr als 130 Seiten umfassenden "Querschnitt durch (Rimbauds) Leben und Werk".- Raabe 339.80. Sprache: Deutsch.

Trad. de J. Farrel. Ed. Seneca. México. 1942. 72pp. El Clavo Ardiendo. 16 x 11 cm. Rústica con manchas.(75.490).