riley peter reed (23 Ergebnisse)

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Good. Markings on prelim pages. Pages are overall clean. Spine/cover have slight shelf wear.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

344pp. 411 illus. (partly color). Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Museum of Modern Art, New York, Feb.-May 1994.

Zustand: Very good.

Zustand: Good. 8vo. 168 pp. Stiff printed wraps with decorative silver wrap. Very good with marginal edgewear and scratchings along wrap surface. Mostly black and white plates. Part of the Museum of Modern Art Studies in Modern Art Series.

Wraps. Zustand: Good. 344 pages. 484 illustrations (183 in color). Index. Decorative covers. The cover has some edgewear and soiling. The contents include a Foreword by Richard E. Oldenburg; Inconstant Unity: The Passion of Frank Lloyd Wright by William Cronon; Frank Lloyd Wright and Modernism by Anthony Alofsin; Modernization and Mediation: Frank Lloyd Wright and the Impact of Technology by Kenneth Frampton; Frank Lloyd Wright and the Domestic Landscape by Gwendolyn Wright; and The Landscapes of Frank Lloyd Wright: A Pattern of Work by Terence Riley. Terence Riley (November 6, 1954 May 17, 2021) was an American architect and museum curator. He was the chief curator of architecture and design at the Museum of Modern Art from 1992 to 2006. In 1984, Riley formed the firm Keenen/Riley in 1984 with John Keenen. As a member of ACT UP, Riley worked on Let The Record Show, a window installation that opened at the New Museum in 1987. In 1990, he opened the Arthur Ross Architecture Gallery at Columbia, and was recruited by Philip Johnson a year later to work at the Museum of Modern Art, becoming Philip Johnson Chief Curator for architecture and design in 1992. He helped to found the MoMA/P.S.1 Young Architects Program. In 2006 he became director of the Miami Art Museum, leaving in 2009 to return to architectural practice in Miami. At MoMA, he curated a number of important shows during his 14-year tenure. Glenn Lowry, the museum's director since 1995, said that his work on "Frank Lloyd Wright: Architect" (1994), and "Mies in Berlin" (2001) "reflected a high level of scholarship." Undeniably the greatest architectural genius of his time, Frank Lloyd Wright produced a vast body of work that defined and redefined American architecture. This book, published to accompany a retrospective exhibition at The Museum of Modern Art, New York, presents a comprehensive summary of his vision--from the turn of the century until his death in1959--and a new assessment of his a rmarkable achievement. The Museum of Modern Art included Frank Lloyd Wright's work in its inaugural architectural exhibition, Modern Architecture, International Exhibition, in 1932. The inclusion was an uneasy one. Organizers Philip Johnson and Henry-Russell Hitchcock acknowledged the genius of Wright's earlier work, but saw Europe as the cutting edge of architectural innovation. Wright himself rejected the International Style and was offended by being grouped with other architects. Wright's achievements of the late 1930s forced a re-evaluation of his position. In 1940, the Museum mounted Frank Lloyd Wright: American Architect, a major retrospective of his work to date. Wright himself arrived with an entourage of apprentices, amid a fanfare of publicity, to supervise the installation of the one-man show. In 1962, three years after his death, the architect's lifetime achievements were surveyed in Frank Lloyd Wright Drawings. Individual Wright projects were the subject of a series of focused exhibitions during the 1930s, 1940s, and 1950s. The single-project exhibitions began in 1938, with Fallingwater. This was followed by A New Country House (1946), featuring Wright's model for the then-unbuilt G.M. Loeb House in Redding, Connecticut; Frank Lloyd Wright: Taliesin and Taliesin West (1947); and Frank Lloyd Wright: A New Theatre (1949). In 1952, Frank Lloyd Wright: Building for Johnson's Wax Company was installed as a peep show of three-dimensional slides in individual viewers. This book is published in conjunction with the exhibition Frank Lloyd Wright: Architect, a comprehensive retrospective of the achievement of this genius of American architecture. Coming thirty-five years after his death, this exhibition presents a new generational view of Wright and his architecture, as the Museum's first retrospective of his work, presented in 1940, reflected that of an earlier generation. Developed from a broad cultural perspective, Frank Lloyd Wright: Architect addresses critical contemporary issues: the architect and society, the nature and character of domestic space and expression, the relationship of architecture and the environment, particularly in the design of communities. The exhibition has benefited enormously from the unprecedented access to its archives granted to the Museum by The Frank Lloyd Wright Foundation. This cooperation was critical to the exhibition's inception, and it was provided graciously and most professionally by the Foundation. We are also very grateful to the other lenders, public and private, whose generosity helped to make this exhibition possible. Terence Riley, the director of the exhibition and contributor to this volume, ably assisted by Peter Reed, deserves our warm gratitude and admiration for the energy and insight he has brought to bear on Frank Lloyd Wright: Architect over the past two and a half years. Building on the initiatives of his predecessor as head of the Museum's Department of Architecture and Design, Stuart Wrede, he has ensured that this unusually ambitious project is stimulating both aesthetically and intellectually and will have lasting value and importance. Richard E. Oldenburg Director The Museum of Modern Art. Presumed First Paperback Edition, First printing.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 344 pp., 484 illustrations (183 in colour). Accompanying the retrospective exhibition at MOMA, this book has a wealth of illustration, including many in full colour, some newly restored original drawings and photographs of finished works. Still shrinkwrapped 087070642x 4to.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Sehr guter Zustand. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Hardcover with dust jacket, 344 pages, with numerous colored and black an white illustrations, 31 x 25 cm. Good / very good condition. Gewicht: 2010.

31 x 25 cm. Zustand: Gut. Profusely Illustrated (illustrator). 344 Seiten Originalleinenband. Einband etwas gelockert, Kleiner Fleck auf unterem Schnitt sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1.

(Englischsprachig). The Museum of Modern Art New York. With essays by Anthony Alofsin, William Cronon, Kenneth Frampton, Terence Riley, Gwendolyn Wright - with several drawings, photos and plates, some of them coloured - first edition, cloth with dj., 344 p, 4to. - Aufgrund der PPWR-Verpackungsbestimmungen kein Versand nach Österreich. Spine of dustjacket bleached/little trail of a sticker on inside dustjacket, very good condition. Sprache: EN.

(Englischsprachig). The Museum of Modern Art New York. With essays by Anthony Alofsin, William Cronon, Kenneth Frampton, Terence Riley, Gwendolyn Wright - with several drawings, photos and plates, some of them coloured - first edition, softcover, 344 p, 4to. - Aufgrund der PPWR-Verpackungsbestimmungen kein Versand nach Österreich. Very good condition. Sprache: EN.

4to. Mit 484 Ill. (183 in Farbe). 344 S. OLwd. m. zweifarb. geprägt. Deckel- u. Rückentitel sowie illustr. OSchutzumschlag. Schutzumschl. minimal berieben. Frisches Ex. gr.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. 4° - 413pp - Color & B/w reproductions. Monograph on Frank-Lloyd Wright (1867-1959) American architect, interior designer, writer, and educator, who designed more than 1,000 structures, 532 of which were completed. First Italian edition, translated from English by Giorgio Magrini. Original boards, dust-jacket and editor's slipcase. As New.

New York, Museum of Modern Art, 1994. Big size paperback. With illustrations in b/w. and col. 344 pages. [near] FINE COPY [Architecture / international [Algemene Architectuur] ].

Soft Cover. Zustand: Good. Edited by. with. Essays by Anthony Alofsin, William Cronon, Kenneth Frampton, Terence Riley, Gwendolyn Wright. The Museum of Modern Art. New York. 1994. De 30,5x24 cm. Com 344 págs. Brochado. Ilustrado a preto e branco e a cores. Exemplar com ligeira perda de cor na lombada. Language: Inglês / English Location/localizacao: I-87-A-34.