Rigg diana (40 Ergebnisse)

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Zustand: Very Good. A selection of more than 250 poems celebrating the beauty of the British countryside, grouped by season and subject matter, such as flowers, animals, birds, insects and landscape. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Good. A selection of more than 250 poems celebrating the beauty of the British countryside, grouped by season and subject matter, such as flowers, animals, birds, insects and landscape.

First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 267p. Subjects: Poetry Collections. English poetry (Collections). Country life in literature. Genre: Biography. Language: English. 1 Kg. …

Hardcover. Zustand: Fine. Leichte Verschmutzung / Farbtonveränderung. Book by Rigg.

Hardcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Book by Rigg.

Paperback. Zustand: Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Boards may have fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Pages unmarked. Sealed in plastic for shipping. Secure packaging for safe delivery.…

Hardcover. Zustand: Near Fine. No Dj. First Edition. 192pp. Red boards. Gilt lettering on the spine. Minor ding on the lower edge, otherwise a near fine, unmarked copy. Lacks the jacket. "The noted British actress presents an entertaining collection of blistering critics' reviews, contributed by a number of illustrious actors and actresses, directors, producers, and playwrights.Diana Rigg was once the victim of an extremely cruel and personal theatrical review in London (she had a brief nude scene in Abelard and Heloise and the critic said that she was "built like a brick mausoleum with insufficient flying buttresses."). Her response? She wrote to all of the actors she knew and asked them to send her copies of their worst reviews. She compiled this book. The shortest review, I believe, is Dorothy Parker's of Katherine Hepburn in Antony and Cleopatra: "Ms Hepburn's performance as Cleopatra runs the emotional gamut from A to B." Size: Octavo. Book.…

DVD. Zustand: Gut. 8 DVD + Booklet - im Schuber C0-13KT-KP4M Sprache: Englisch Gewicht in Gramm: 481.

8°, Hardcover. Zustand: Gut. first of this Edition. 3 Blu-rays good condition Sprache: Englisch Gewicht in Gramm: 1100.

Hard Cover. Zustand: F-. Zustand des Schutzumschlags: VG+. First Edition. F-/VG+. 8vo. original red boards gilt (inscrip. to FFE) in dustwrapper priced £6.95 (a little rubbed & creased); pp. 192, with illustrations. A very good copy.

Zustand: Fine. Original stapled illustrated souvenir theatre programme 9'' x 6''. Contains 4 printed pages of text, advertisements and photographs of the characters from the play. In Fine condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 290 pages. 9.25x6.12x9.49 inches. In Stock.

Zustand: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Original colour card wrap covers [soft back]. 4to. 12½'' x 9½''. Contains 72 pp + covers with monochrome photographic stills throughout, colour illustrated advertisements to front and rear. Thin wavy damp tide mark to the bottom edge of the first 20 leaves, diagonal crease line across the rear corner. Member of the P.B.F.A. THEATRE PROGRAMMES.…

Zustand: Sehr gut. Standard Version. B4043-15 7613059700796 Sprache: Deutsch Gewicht in Gramm: 80 unknown_binding, Maße: 19.2 cm x 13.6 cm x 1.6 cm.

dvd. Zustand: Wie neu. Seiten; 8 DVD + Booklet im Schuber - 6-71-5-L2 Z5-TPNE-8MJH Sprache: Deutsch Gewicht in Gramm: 1.

VHS. Zustand: Gut. B3527-144 4012878921116 Sprache: Deutsch Gewicht in Gramm: 300.

Shooting script for the 1999 film. Single annotation in manuscript ink on the first page of the text. Black comedy about a failed photographer who, after a fatal stomach cancer diagnosis, decides to spend his last six weeks of life violently murdering everyone who has wronged him. Director Michael Winner's final film. Shot on location in Guildford, London, Surrey, and Hertfordshire, England. Black untitled wrappers with a die-cut title window in the British style. Title page present, dated June 1997, noted as SHOOTING SCRIPT, with credits for Winner and screenwriter Nick Mead. 103 leaves, with last page of text numbered 102. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three silver brads.…

Vintage borderless satin finish photograph of actress Diana Rigg being held aloft by British weightlifter George Manners, taken during "Dressed to Kill," a 1965 charity fashion show inspired by "The Avengers." Mimeo snipe on the verso, along with the printed label of PIX agency and the stamp of St. Cross Features. The fashion show featured creations by noted English fashion designer Jean Varon. Varon's designs for Rigg's character in "The Avengers," Emma Peel, were particularly influential on the mod craze of the decade. From the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 7 x 11 inches. Near Fine. …

Vintage double weight satin-finish test photograph of actors Diana Rigg and Patrick Macnee in costume as Emma Peel and John Steed, respectively, in a promotional shot for "The Avengers," circa 1967. With a printed mimeo snipe affixed to the verso, along with a stamp for St. Cross Features. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Here, Rigg and Macnee sport designs by Pierre Cardin, an avant-garde Italian designer, and costumer Alun Hughes. Cardin was hired to update the characters' wardrobe for the series' international debut and transition to being filmed in color, and subsequently brought the costuming in an edgier, unprecedentedly groovy direction. 7 x 11 inches. Near Fine.…

Vintage press photograph of Diana Rigg as Emma Peel, the iconic female character in the classic British television series, "The Avengers." Here Rigg stands on a polar bear skin rug laid out near the shoreline of an unknown British locale. Shot by photographer Terry O'Neill to promote the hiring of John Bates (who worked for noted designer Jean Varon). A mimeo snipe on the verso of the photograph goes into some detail regarding Varon, Bates, and O'Neill. Bates became Ms. Riggs' costume designer in the second half of the show's fourth series in January 1966. He created for the character a wardrobe of black and white op-art mod clothing and mini skirts. Prior to this then-radical shift, it was believed that lines, circles and other bold patterns would not work well with the television cameras of the day. Too, this fashion change was introduced prior to the mini skirt becoming mainstream, and weighed heavily in that fashion shift in the UK. Bates licensed his designs to several manufacturers under the Avengerswear label and these pieces were sold in various shops throughout the country. Emma Peel's character was iconic in the 1960s from the standpoint of both fashion and female liberation. She was a heroine, rarely bested in a fight, and routinely rescued her male counterpart Steed from trouble. She was a master of martial arts and a formidable fencer. She was a certified genius, specializing in chemistry and other sciences, and was often seen in episodes engaging in artistic hobbies. Just to leave no vista unconquered, she also had success in industry at the helm of the company of her late father, Sir John Knight. She drove a convertible Lotus Elan at high speeds, and convincingly portrayed any series of undercover roles, from nurse to nanny. Her favorite guise was that of a women's magazine reporter, trying to interview big business tycoons and rich playboys. The name "Emma Peel" was a play on the phrase "Man Appeal" or "M. Appeal," which the production team stated was one of the required elements of the character. 8 x 10 inches, Fine. In a custom museum-quality frame, archivally mounted, with UV glass, double mounted with both sides exposed for viewing.…

Collection of six vintage black-and-white still photographs from the 1973 UK film. In a film tailor made for his unique screen presence, Price plays a Shakespearean actor who exacts bloody revenge on the critics who denied him an acting award, using scenes from the Bard's plays as inspiration for each murder. An undeniably appealing cult crossover between high literature and lowbrow horror-comedy. A story set and shot on location in London. 8 x 10 inches. About Fine.…