Richard parncutt (29 Ergebnisse)

Hardback. Zustand: Fair. Music educators and practicing musicians have failed to benefit as much as they could from music psychology research. Parncutt and McPherson propose to improve the situation by describing new approaches, informed by recent psychological research, to teaching music, learning music, and making music at all educational levels.…

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. In excellent condition.

paperback. Zustand: Good. Bruise/tear to cover.

paperback. Zustand: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

paperback. Zustand: Very Good.

paperback. Zustand: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

paperback. Zustand: Fine.

Hardcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Interculturality has always been a part of the human condition, but in an era of accelerating globalization, intercultural issues have become crucial. Intercultural issues are approached in different ways by practitioners (e.g. governmental and non-governmental organisations) and researchers in diverse disciplines (mainly in universities). The aim of this book is to create a platform for dialogue between practitioners and researchers in concrete case studies to highlight the many different aspects that come into play under the umbrella of 'interculturality'. It provides models of good practice for bringing together and synergizing intercultural practices and interculturality research within educational, social, and political projects. All contributions were first presented at the first Conference on Applied Interculturality Research at the University of Graz, Austria, 7-10 April 2010. cAIR aims to promote constructive intercultural communication and understanding, and to combat racism and xenophobia.…

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2024. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - A fascinating interdisciplinary approach to how everyday Western music works, and why the tones, melodies, and chords combine as they do.Despite the cultural diversity of our globalized world, most Western music is still structured around major and minor scales and chords. Countless thinkers and scientists of the past have struggled to explain the nature and origin of musical structures. In Psychoacoustic Foundations of Major-Minor Tonality, music psychologist Richard Parncutt offers a fresh take, combining music theoryRameau's fundamental bass, Riemann's harmonic function, Schenker's hierarchic analysis, Forte's pitch-class set theorywith psychologyBregman's auditory scene, Terhardt's virtual pitch, Krumhansl's tonal hierarchy. Drawing on statistical analyses of notated music corpora, Parncutt charts a middle path between cultural relativism and scientific positivism to bring music theory into meaningful discourse with empirical research.Our musical subjectivity, Parncutt explains, depends on our past musical experience and hence on music history and its social contexts. It also depends on physical sound properties, as investigated in psychoacoustics with auditory experiments and mathematical models. Parncutt's evidence-based theory of major-minor tonality draws on his interdisciplinary background to present a theory that is comprehensive, creative, and critical. Examining concepts of interval, consonance, chord root, leading tone, harmonic progression, and modulation, he asks:- Why are some scale tones and chord progressions more common than others - What aspects of major-minor tonality are based on human biology or general perceptual principles What aspects are culturally arbitrary And what about colonial history Original and provocative, Psychoacoustic Foundations of Major-Minor Tonality promises to become a foundational text in both music theory and music cognition.…

Zustand: New. Richard Parncutt is Professor of Systematic Musicology at the University of Graz, Austria.&ldquoThis is a significant work that is an important piece of an enduring puzzle in understanding music. It is unique in the broad philosophical and historical n.

Taschenbuch. Zustand: Neu. Psychoacoustic Foundations of Major-Minor Tonality | Richard Parncutt | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | MIT Press | EAN 9780262547352 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Zustand: New. In English.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

gebundene Ausgabe. Zustand: Gut. 206 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 500. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - My first encounter with the theory of harmony was during my last year at school (1975). This fascinating system of rules crystallized the intuitive knowledge of harmony I had acquired from years of piano playing, and facilitated memorization, transcription, arrangement and composition. For the next five years, I studied music (piano) and science (Physics) at the Univer sity of Melbourne. This 'strange combination' started me wondering about the origins of those music theory 'rules'. To what extent were they determined or influenced by physics mathematics physiology conditioning In 1981, the supervisor of my honours project in musical acoustics, Neville Fletcher, showed me an article entitled 'Pitch, consonance, and harmony', by a certain Ernst Terhardt of the Technical University of Munich. By that stage, I had devoured a considerable amount of (largely unsatisfactory) material on the nature and origins of harmony, which enabled me to recognize the significance of Terhardt's article. But it was not until I arrived in Munich the following year (on Terhardt's invitation) that I began to appreciate the conse quences of his 'psychoacoustical' approach for the theory of harmony. That is what this book is about. The book presents Terhardt's work against the broad context of music perception research, past and present. Music perception is a multidisciplinary mixture of physics, psychology and music. Where different theoretical ap proaches appear contradictory, I try to show instead that they complement and enrich one another.…

Hardcover. Zustand: Brand New. illustrated edition. 400 pages. 9.25x6.25x1.50 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 224 pages. 9.00x6.10x0.50 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: gut. 1989. Harmony: A Psychoacoustical Approach Springer Series in Information Sciences, 19 In deutscher Sprache. pages.