Richard mark coleman (8 Ergebnisse)

Paperback. Zustand: Very Good. First Edition; First Printing. Light cover ceeases and shelf wear, marker pen initials to inside front cover and old price to front endpaper. ; Nice tight flat copy, no names inside. ; B&W Illustrations; 128 pages; If you ever dreaded taking home a school report you're not the only one. Here, for the first time, are revealed the school secrets of some noted figures from history. Mass Market PB. Illustrated by Duszczak, Richard (illustrator).…

Zustand: Very Good.

Softcover. Zustand: Very Good. Single issue. Contains pages 359-440pp. Pictorial cream wrappers. Light stains on wrappers, very good. Contributions by Jean Garrigue, Josephine Miles, David Posner, Tim Reynolds, Aram Saroyan, Jon Anderson, George Quasha, Paul Zweig, Philip Legler, Gibbons Ruark, Richard Tillinghast, Theodore Enslin, Richard Eberhart, Galway Kinnell, Daniel Hoffman, Richard Howard, Elliott Coleman, Hayden Carruth, S.P. Zitner, Barbara Howes, Mark Mc Closkey. …

Soft cover. Zustand: Very Good. No Jacket. 1st printing ; 383 p. : ill. ; 26 cm. ; ISBN: 0806966947 (pbk.); 9780806966946 (pbk.) LCCN: 87-33674 ; LC: TT203.5; Dewey: 684/.083 ; OCLC: 17353982 ; color photographic stiff paper wrappers ; ex-lib, stamps, label ; "Hundreds of before-you-buy tips and how-to-use techniques for dozens of jigs, bits, aids, and devices, with 800 photos and draftsman drawings. Includes dozens of jig inventions. Bonus: plans for the ultimate router table." "The latest in router usage and technology.neatly illustrated."--Booklist. "The best.a gold-mine."--Popular Woodworking. ; "Spielman is the leading author on woodworking throughout the world with over 65 books published. He has taught high school and vocational wodworking in Wisconsin public schools for 27 years. He has also owned and operated a wood product manufacturing company for 20 years." ; Contents : Bits -- Bit developments and innovations -- Bit quality -- Selecting bits -- Special router bits -- Safety -- Matching bits and routers -- Safety devices -- Commercial aids and devices -- Routing aids -- Commercial aids and services -- Routing aids -- Commercial mortising and tenoning jigs -- The precision dowel maker -- Dovetail jigs -- Commercial router machines -- The joint-matic -- The multi-router -- Ryobi radial-arm-saw / router -- The mill-route machine -- Mini-Max mitre-joining system -- Overarm pin routers -- Router tables -- Shop-made jigs, fixtures, and useful devices -- Making special router bases -- Straight-cutting guides -- Adjustable square / rectangle guide -- Circle- and oval-routing jigs -- Joint-making jigs -- Plunger-router boring jigs -- Jigs for letter-carving and wood signs -- Miscellaneous jigs and techniques -- Vacuum pumps, clamps and templates -- The ultimate router table -- The basic router/shaper table -- SPecial fences and guides -- Vacuum cluck and swivel chuck -- Horizontal ajoint-making attachment -- Swinging and tilting overarm router -- Inverted pin-routing attachment -- Metric equivalency chart ; nicks to front covers, else VG. Book.…

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in silver embossed stiff card covers, 48pp on stiff art paper, plates in colour and (mainly) b/w in text. Scarce . [CONDITION: A well preserved FINE very clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked. …

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. Please inquire about pricing. First edition, first printing Limited edition of 235 signed and numbered copies (this being copy number 95). Signed in pencil on the limitation page by Bernard Faucon, Michael Kenna, Luis González Palma, Keith Carter, Holly Wright, Sandy Skoglund, Mark Klett, Jock Sturges, Duane Michals, Ernestine Rubin, Patrick Mailly-Maître-Grand, Willie Middlebrook, John Metoyer, Olivia Parker, Steven Albahari and Leonard Baskin. Hardcover. Fine black Japanese silk-covered boards with title stamped in black on cover, with burgundy quarter Morocco goatskin binding, no dust jacket as issued. The book is contained in a handmade black Japanese silk cloth-covered basswood clamshell box. 218 pp., with 15 hand-pulled bound photogravures by Jon Goodman Photogravure, one bound woodcut and 32 tritone plates exquisitely printed on Mohawk Superfine matte art paper by The Stinehour Press, Lunenburg, Vermont. Book measures 15-1/4 x 13-3/4 inches, clamshell box is 16-7/8 x 14-3/4 inches. New (a Mint flawless copy). Hand-pulled bound photogravures by Bernard Faucon, Michael Kenna, Luis González Palma, Keith Carter, Holly Wright, Sandy Skoglund, Mark Klett, Jock Sturges, Duane Michals, Ernestine Rubin, Patrick Mailly-Maître-Grand, Willie Middlebrook, John Metoyer, Olivia Parker and Steven Albahari, and one original bound woodblock print by Leonard Baskin. Essays by John Wood, Steven Albahari, Leonard Baskin, Frederick Turner, Jahn Stauffer, John Bennette, Christopher Mahoney, John Stilgoe, A.D. Coleman, Anne Wilkes Tucker, Paul Zimmer, Duane Michals, Robert Olen Butler, Amy Fleury, Ann Beattie, Daile Kaplan, Dana Gioia, Thomas W. Southall, Rixon Reed, John Stevenson, Denise Bethel and Lance Speer. Poems by Richard Wilbur, Morri Creech, Raúl Peschiera, Kevin Meaux and R. S. Thomas. Conversation with Holly Wright by Ann Beattie. Includes notes on the contributors. Designed by Paul McMenamin. Signed by Author.…

[1] pp.; 35.5 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Flyer published by Anthology Film Archives Video Program to promote screenings held at Millenium Film Workshop in the Winter of 1986. Screenings by Shigeko Kubota, Kirk von Heflin, Mark Brady, Paul Lamarre, Richard Layzell, Tony Cokes, Laura Kipnis, Diana Formisand, Miles Green, Joan Grossman, Francis Lackey, David Lyons, Paul Sandresky, The Space Program, Richard Rosenbaum, Ann-Sargent Wooster, Stephen Meyer, Steve Fagin, Julie Harrison, Robert Kleyn, Lyn Hershman, Louis Hock, Jill Kroesen, Connie Coleman, Alan Powell and Mark Magill. Good. Folded in four with moderate handling and edge-wear including a 2.4 cm. dog-ear with 4 cm. crease to bottom left corner, 1 cm. dog-ear to top right corner and 1 cm. tear to top edge of page. Yellow discoloration of page. THIS COPY INSCRIBED AND SIGNED IN GREEN AND RED INK BY SHIGEKO KUBOTA. …