Richard gillette (31 Ergebnisse)

Paperback. Zustand: Very Good. 4. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: As New. Like New condition. 3rd edition. Revised and Updated edition. A near perfect copy that may have very minor cosmetic defects.

Zustand: Very Good. Very Good condition. 3rd edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. Very Good condition. 4th edition. Revised and Updated edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Softcover. Zustand: Très bon. Edition 1993. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 1993. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Chronicle Books. . 3rd edition. English 119 page ,format In 4 oblongue broché en TBe Avec une notation discrète de cadeau pour Noel 2000. Envoi soigné.

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. Very good to fine condition. Bottom corners of covers are very lightly bumped. Cover art by Diane Szaro. Articles about The Ozarks; Kites; Blue Mesa Lake in Colorado; Lake Pleasant, New York; and Conservation. 64 pages.

Zustand: very good. from the summary, "This is a study of the potential for the production of gold and silver from undiscovered resources in five types of mineral deposits-polymetallic vein, epithermal, polymetallic replacement, carbonate hosted and hot spring in the Tonopah Quadrangle, Nevada." softcover, 11" x 8.5", 32 pages, illustrated. …

Zustand: New. In English.

Soft cover. Zustand: Very Good. No Jacket. 5th printing ; ix, 136 pages : illustrations ; 26 cm ; ISBN: 0930764129 (pbk.); 9780930764128 (pbk.); 0408004231 (pbk.); 9780408004237 (pbk.) LCCN: 78-27444 ; LC: TR263.M47; Dewey: 771.3/1; OCLC: 4515320 ; stiff paper wrappers ; clipped corner on front flyleaf ; Contents: The Minolta camera -- The Minolta lens -- Film and exposure -- Color -- SPecial techniques -- Lighting -- How to see like a camera -- Guide to Minolta equipment and accessories ; "Introduces and simplifies the procedures and techniques of taking 35mm photographs using drawings and examples to illustrate the principles of lighting, composition, color, and special attachments" ; crease on back cover, else VG. Book.…

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. German language. 7.09x4.72x1.42 inches. In Stock.

Paperback. Zustand: Brand New. new edition. 336 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: New. In English.

1st Edition. weight: 1.8 lb. Very good, label removal scar to pastedown, contents tight and unmarked. 17.5x11.,7 cm. xvii, 1739 pp. Maroon leatherette, gilt spine title, red speckled edges.

Gebunden. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Gebunden. Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 378 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Zustand: Brand New. 2nd revised updated edition. 118 pages. 9.75x10.00x0.75 inches. In Stock.

Hardcover. Zustand: Very Good +. 1st Edition. Viii, 338 Pp.Brown Cloth Lettered In White. First Printing, 1967. Lght Wear. Fine Essays, First Published Here. Bookplate Of Garrett Hardin, Which Is Signed By Someone Else And With That Person's Signature On Front Free Endpaper. Garrett James Hardin (1915 -2003) Was An American Ecologist. He Focused His Career On The Issue Of Human Overpopulation, And Is Best Known For His Exposition Of The Tragedy Of The Commons In A 1968 Paper Of The Same Title In Science, Which Called Attention To "The Damage That Innocent Actions By Individuals Can Inflict On The Environment". He Is Also Known For Hardin's First Law Of Human Ecology: "We Can Never Do Merely One Thing. Any Intrusion Into Nature Has Numerous Effects, Many Of Which Are Unpredictable." A Major Focus Of His Career, And One To Which He Returned Repeatedly, Was The Issue Of Human Overpopulation. This Led To Writings On Controversial Subjects Such As Advocating Abortion Rights, Which Earned Him Criticism From The Political Right, And Advocating Strict Limits To All Immigration, Which Earned Him Criticism From The Political Left. In His Essays, He Also Tackled Subjects Such As Conservation And Creationism. He Was Also A Proponent Of Eugenics And A Vice-President Of American Eugenics Society. In 1968, Hardin Applied His Conceptual Model Developed In His Essay "The Tragedy Of The Commons" To Human Population Growth, The Use Of The Earth's Natural Resources, And The Welfare State. His Essay Cited An 1833 Pamphlet By The English Economist William Forster Lloyd Which Included An Example Of Herders Sharing A Common Parcel Of Land, Which Would Lead To Overgrazing. Hardin Blamed The Welfare State For Allowing The Tragedy Of The Commons; Where The State Provides For Children And Supports Over-Breeding As A Fundamental Human Right.] Malthusian Catastrophe Is Inevitable. Hardin Stated In His Analysis Of The Tragedy Of The Commons That "Freedom In A Commons Brings Ruin To All." Environmental Historians Joachim Radkau, Alfred Thomas Grove And Oliver Rackham Criticized Hardin "As An American With No Notion At All How Commons Actually Work". In Addition, Hardin's Pessimistic Outlook Was Subsequently Contradicted By Elinor Ostrom's Later Work On Success Of Co-Operative Structures Like The Management Of Common Land, For Which She Shared The 2009 Nobel Memorial Prize In Economic Sciences With Oliver E. Williamson. In Contrast To Hardin, They Stated Neither Commons Or "Allmende" In The Generic Nor Classical Meaning Are Bound To Fail; To The Contrary "The Wealth Of The Commons" Has Gained Renewed Interest In The Scientific Community. Hardin's Work Was Also Criticized As Historically Inaccurate In Failing To Account For The Demographic Transition, And For Failing To Distinguish Between Common Property And Open Access Resources. Despite The Criticisms, The Theory Has Nonetheless Been Influential. In 1993, Garrett Hardin Published Living Within Limits: Ecology, Economics, And Population Taboos, Which He Described At The Time As A Summation Of All His Previous Works. The Book Won The 1993 Phi Beta Kappa Award In Science. In The Book, He Argues That The Natural Sciences Are Grounded In The Concept Of Limits (Such As The Speed Of Light), While Social Sciences, Such As Economics, Are Grounded In Concepts That Have No Limits (Such As The Widespread "Infinite-Earth" Economic Models). He Notes That Most Of The More Notable Scientific (As Opposed To Political) Debates Concerning Ecological Economics Are Between Natural Scientists, Such As Paul R. Ehrlich, And Economists, Such As Julian Simon, One Of Ehrlich's Most Well Known And Vocal Detractors. A Strong Theme Throughout The Book Is That Economics, As A Discipline, Can Be As Much About Mythology And Ideology As It Is About Real Science. Hardin Goes On To Label Those Who Reflexively Argue For Growth As "Growthmaniacs", And Argues Against The Institutional Faith In Exponential Growth On A Finite Planet.…

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.…

[2] pp.; 11 x 21 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard published in conjunction with meeting the artists held at Project Studio One / P.S. 1 on November 25, 1979. Good. Mailed copy mailing marks on recto and verso, otherwise Very Good.…

[1] pp.; 74 x 18.5 cm.; accordion; duotone; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 7th Annual New York Avant Garde Festival presented by Charlotte Moorman held September 28 - October 4, 1969. Performers included Charlotte Moorman, Jon Aldefer, Billy Apple, Ay-o, Norman Bauman, David Behrman, Lois Bernard, Robert Breer, Darlene Butsch, Luis Camnitzer, Jackie Cassen, Jaropolk Cigash, Michael Cooper, Philip Corner, Arthur Corwin, Ian Crofts, Douglas Davis, Lindsay Decker, Ken Dewey, Juan Downey, Sean Emmett, Jeni Engel, Charles Frazier, Frank Gillette, Jimmy Giuffre, Michael Gurian, Al Hansen, Gary Harris, Don Heckman, Piero Heliczer, Bici Hendricks, Geoffrey Hendricks, Jon Hendricks, Dick Hogle, Richard Hyatt, Yukihisa Isobe, Ken jacobs, Poppy Johnson, Ray Johnson, Joe Jones, Kenneth Knowlton, Gilles Larrain, Fred Lieberman, Ernst Lurker, Jackson Mac Low, Max V. Mathews, Preston McClanahan, Jim McWilliams, Peter Neumann, Henry Niese, Andrew Noren, Ralph Ortiz, Nam June Paik, Benjamin Patterson, Lil Picard, John Pierce, Dick Preston, Ely Raman, Jim Raridon, Earl Reiback, Jean Claude Risset, Sal Romano, Paul Ryan, Ira Schneider, Michael Snow, Rudi Stern, Tal Streeter, Sandra Sutton, Aldo Tambellini, Jean Toche, Jerry Tublin, John van Alstine, John Van Saun, Frank Lincoln Viner, Gerald Vis, Laurence Warshaw, Todd Watts, Joyce Wieland, Kenneth Werner, Pat Willard, David Wise, Ted Wolf, Jud Yalkut, and Gary Zeller performing works by Les Levine, Allan Kaprow, Philip Corner, Stan Brakhage, Jean Toche and many others. Very Good. Hand addressed mailed copy with mailing marks and wear including two 7 mm. tears to bottom edge along closure on either side of 1.6 cm. stain from removed tape. 1 cm. glue staining on verso from closure. Otherwise clean and unmarked.…