richard bas (19 Ergebnisse)

Paperback. Zustand: Brand New. 256 pages. 8.43x5.35x0.71 inches. In Stock.

Zustand: Very good.

Zustand: Very good.

Soft cover. Zustand: Very Good. 1st Edition. Stiff paper wrappers (softcover) with dust jacket, [252] p. : illustrations ; 33 cm. Very good, clean, no internal marks, light wear to dj. Text in English and Dutch.

Zustand: Sehr gut. XX, 375 Seiten. With some illustrations. Dust jacket with but the slightest signs of storage. Otherwise very good copy. ISBN: 9782503530505 Sprache: Englisch Gewicht in Gramm: 1600 4° (26 x 18,5 cm). Orig.-Leinenband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].

Zustand: New. How To Teach Grammar offers accessible and authoritative advice and guidance on teaching grammar. It covers both subject knowledge and classroom practice, providing practical recommendations to help English teachers improve their own depth of understanding .

Hardcover/Pappeinband. Zustand: Gut. Explar no. 1334 In französischer Sprache,kartonierter Einband nummeriertes Exemplarder Erstausgabe.Seiten nicht beschnitten,alles gut erhalten. Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: Good. 4to. Folded Page, Very Good with sun-staining, minor creasing, & some rubbing. Letterpress on rag. Poem printed on page facing page with a fern leaf embedded in paper. From series: Flora--Vingt Quatre Poemes. En Francais. From series: Flora--Vingt Quatre Poemes.

Hardcover. Zustand: Gut. 2. Ausgabe. 123 Seiten Eine Sammlung humorvoller Geschichten aus Solingen, verfasst von Arthur Linder und illustriert von Richard Bloos. Die Erzählungen gewähren Einblicke in die lokale Kultur und den speziellen Humor der Region. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-739-6/8-00405801 Sprache: Deutsch Gewicht in Gramm: 123.

Amsterdam, De Buitenkant, 2009, 1st ed., 252 pag., illustrations in colours and b/w, design by Claudi Kessels, Dutch and English text, sewn in original wrappers with fold-out poster dustjacket, folio (33 x 22 cm.). = "Self initiated: 'Op basis van Bas Oudt' is an initiative of Niessen & de Vries. The aim was to show Oudt's unknown oeuvre, emphasizing the physical aspects of his prints. Furthermore, the book had to show the width of Oudt's influence. For this purpose seven of his former students were invited to make a section on and with his work. Uta Eisenreich was asked to photograph Oudt's work. Chris Reinewald wrote the texts and Claudi Kessles (in her turn one of Richard's students) tended to the general design.'The project was generously sponsored by the Netherlands Foundation for Visual Arts, Design and Architecture & Uitgeverij de Buitenkant." (Richard Niessen on the project).

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 286 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 338 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Fine. John Davies; Ruth Lindsay; Michael Clark; Bas Teunis; Paul Benson; Samantha Elmhurst; Lyn Wells; Roy Leverton (illustrator). First edition. A smart collection of five first edition natural history studies from T & A D Poyser, with illustrations throughout. Five volumes. First edition. Newts and Salamanders of Europe is signed by the illustrator Bas Teunis to the title page. Illustrated throughout with numerous photographs, figures, and tables, many of which are in colour. Published by T. & A. D. Poyser, a British publishing house founded by Trevor and Anna Poyser in 1973 to specialise in ornithology and natural history books. They often worked in conjunction with the British Trust for Ornithology to print important and informative studies. The publishing house quickly gained a reputation for issuing definitive, often ground-breaking monographs, focused on a single species, such as the volumes below. This set contains: The Mink, 1993. Written by Nigel Dunstone, an English lecturer of Zoology at the University of Durham and scientific advisor for television. Illustrated by John Davies, a British photographer and artist. Hedgehogs, 1994. Written by Nigel Reeve, an English ecologist who acted as the Head of Ecology for The Royal Parks, and aspiring artist. Illustrated by Ruth Lindsay, a British artist and illustrator. Badgers, 1996. Written by Ernest Neal, a British naturalist, and Chris Cheeseman, a British scientist noted for his studies in linking TB in badgers and cattle. Illustrated by John Davies, a British photographer and artist, and Michael Clark, a contemporary British artist. Newts and Salamanders of Europe, 1996. Signed by the illustrator. Written by Richard A. Griffiths, an English zoology professor specialising in areas of population biology, threatened species recovery, conflict mitigation. Illustrated by Bas Teunis, Paul Benson, and Samantha Elmhurst. The Natural History of Moths, 1997. Written by Mark Young, a British author noted for his books about nature and the environment. Illustrated by Lyn Wells, a British wildlife artist and illustrator, and Roy Leverton, an English photographer. In the original full cloth binding. Externally, excellent. Original unclipped dust wrappers are also excellent. Internally, firmly bound. Pages are very bright and clean throughout. Fine. signed by author. book.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

Paperback. Zustand: Very Good. Book. Frieze - Contemporary Art and Culture. Editor at large - Stuart Morgan. Issues 1,2, 4-20. 19 numbers in total.1991-1995. Groundbreaking and historic art periodical that morphed into the all important art fair that we have today. Condition - used/ very good. The magazine used stiff laminated softcovers that, despite the occasional scuff etc tend to age well. An essential art reference resource. (Extra Shipping will be charged).

64 Seiten, wunderbares handgeschöpftes Büttenpapier mit Blüten, Blättern, Farnen, Zustand: erstklassiges, neuwertiges Exemplar. Prominente Autoren von Gilles Durant, Ronsard, Baudelaire, Francois Maynard, Jean Antoine du Baif, Marie de France, Pontus de Thiard, Paul Verlaine, Mellin de Saint-Gelais, Charles d'Orleans, Theophile Gautier, Marceline Desbordes-Valmore, Jean de la Taille, Victor Hugo, Grecourt bis Chaulieu. Beigefügt ist ein fadengeheftetes Heft über die fast 700 Jahre alte Papiermühle "Richard de Bas" und eine ebenfalls fadengeheftete Broschüre zum 650-jährigen Jubiläum mit dem Titel " Le Bonheur de ce Monde. Variations Epicuriennes sur le Sonnet du Bonheur dit de Christophe Plantin". Beide ebenfalls auf handgeschöpftem Bütten. Die Mühle ist eines der ältesten noch bestehenden Unternehmen Frankreichs! Ein außergewöhnliches, nur für Sammler gedachtes Stück. Sprache: Deutsch Gewicht in Gramm: 1100 26,0 x 17,0 cm, lose zusammen gelegtes, unbeschnittenes Büttenpapier, Umschlag aus ebenfalls handgeschöpftem Hadern-Bütten, blindgeprägt. Schuber aus gleichen Bezugsstoff limitierte und nummerierte Auflage von 500 Exemplaren, hier Nr. 23, signiert von P. Perandeau!.

Zustand: Very good +. 210 x 210. 64pp. Booklet glue bound in black card wraps printed white. Internally printed black and white, and illustrated with b/w photoreproductions. With text in Dutch and English. Exhibition included the following artists: Bas Jan Ader, Carl Andre, Lothar Baumgarten, Didier Bay, Joseph Beuys, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Jan Dibbets, Hamish Fulton, Jochen Gerz, Paul-Armand Gette, Gilbert & George, Douglas Huebler, Servie Janssen, On Kawara, Toon Leemans, Jean le Gac, Richard Long, Danny Matthys, Panamarenko, Robert Smithson, David Tremlett. Condition: light wear and handling marks to black covers, with some discoloration along the spine. 5mm closed tear to edge of back cover. Internally clean. Overall VG+.

Illustrations de Pablo Picasso comportant 5 empreintes originales, 4 bois en couleurs à pleine page, 10 bois in-texte en noir. L'impression des bois gravés par Guy Descouens ainsi que celle du texte, composé à la main en caractère Bodoni de corps 30, ont été confiées à Pierre Jean Mathan. Les empreintes originales ont été tirées sur les presses des ateliers Desclais. Tirage total à 306 exemplaires. Un des 30 exemplaires sur papier à la main du Moulin Richard de Bas (N°13), signé par l'éditeur et visés par le Ministère d'Huissier de Justice au justificatif, 2e papier après 6 exemplaires sur Japon Nacré et avant 270 Grand Vélin d'Arches.Cet exemplaire comprend, en plus de l'état définitif dans le texte, encartés dans des chemises à part :- Une suite des bois en couleurs hors-texte sur soie- Une suite des bois en couleurs hors-texte sur Japon Nacré- Une suite de tous les bois in-texte sur Japon Impérial- Une suite des cinq empreintes originales sur Tissu Harpagon vieil or- Une épreuve d'une empreinte originale sur Japon Nacré de couleurEtonnamment, par rapport à ce qui est annoncé dans le justificatif, nous n'avons pas la suite des bois en couleurs sur Grand Vélin d'Arches, la moins prestigieuse parmi tous les extras de ce tirage !

1960? . 21 Suite signée sur RICHARD DE BAS. 29x21 cm. Encuar. en carpeta edit. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.