Repp kevin (31 Ergebnisse)

Zustand: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Zustand: New. pp. 340.

Zustand: New.

Paperback. Zustand: Brand New. 1st edition. 325 pages. 9.50x5.75x0.75 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. Reprint 2014. "Modernity" was an inescapable fact of life for the first generation to come of age in the German Empire. Even the most extreme political opponents saw the chaotic transformation of all spheres of life in the wake of industrial capitalism as the central problem facing young men and women at the fin de siècle. This fresh look at Wilhelmine perceptions of modernity challenges both the traditional emphasis on anti-modernism as a peculiarly German response that led to the rise of National Socialism, and the more recent post-Foucauldian studies on the "pathologies of modernity," which point instead to an unreflective faith in science and efficiency on the part of German progressives. Shifting the focus away from radical extremes on either side, Kevin Repp explores the more moderate agendas of hundreds of mainstream intellectuals and activists from diverse social backgrounds who sought to surmount the human costs of industrialization without relinquishing its positive potential. Repp combines detailed case studies of Adolf Damaschke, Gertrud Bäumer, and Werner Sombart with an innovative prosopography of their milieu to show how leading reformers enlisted familiar tropes of popular nationalism, eugenics, and cultural pessimism in formulating pragmatic solutions that would be at once modern and humane. Easily obscured by radical voices on right and left, this quiet search for alternatives nevertheless succeeded in building a nationwide network of educational centers, associative ties, and institutions that substantially altered the landscape of Wilhelmine political culture in the decades before the First World War.…

, Repp, Kevin. Reformers, critics, and the paths of German modernity. Anti-politics and the search for alternatives, 1890-1914. Cambridge, Mass. : Harvard University Press, 2000, x, 358pp., very good blue cloth BUT ex-library with only the slightest of markings: library stamp on front pastedown, unmarked due date slip glued to rear endpaper, library stamp on top foredge, external labels neatly removed with only light shadow remaining, otherwise fresh copy. CONTENTS: The generation of 1890 -- Adolf Damaschke and the language of popular nationalism -- Gertrud Bäumer's new liberalism and the politics of womanhood -- Werner Sombart's "anti-politick" and the vicissitudes of Socialism "as a cultural factor" -- The Wilhelmine reform milieu. 9780674000575 ISBN 0674000579. …

Brossura. Zustand: nuovo. Venezia, Scala Contarini del Bovolo, 9 maggio - 15 ottobre 2017. Sin dagli esordi, tra la fine degli anni sessanta e i primi settanta, Pablo Echaurren manifesta il suo interesse per Marcel Duchamp quando esegue la serie dei cosiddetti quadratini , opere fondate sulla miniaturizzazione e la ripetizione del segno, sulla commistione tra fonti alte e basse, sull intreccio straniante tra parola e immagine. A distanza di quarant anni Echaurren torna a riflettere sull opera duchampiana, realizzando un nuovo ciclo di cinquanta collage dedicati alla Boîte verte (1934), da cui emerge una rilettura del modello più cerebrale e meditata che in passato, sintomo dell urgenza di riannodare i fili di un dialogo avviato in gioventù e mai interrotto, che oggi ha un intonazione autobiografica e il carattere di un primo bilancio retrospettivo sul proprio percorso artistico ed esistenziale. Confrontandosi oggi con l opera di Duchamp, Echaurren rilegge la sua storia personale, le passioni, le idiosincrasie e le ossessioni di una vita spesa a demistificare il culto dell arte, intesa come ambito separato dall esistenza, e i valori di unicità e genialità a essa associati. Since the beginning of his career between the end of the sixties and the early seventies, Pablo Echaurren made clear his interest in the work of Marcel Duchamp, when he produced the series of so-called quadratini or little squares , works based on a miniaturisation and repetition of the sign, on the mingling of highbrow and lowbrow sources, on the disconcerting interweaving of word and image. Today, at a distance of forty years, Echaurren has gone back to reflecting on Duchamp s work, creating a new series of fifty collages dedicated to the Boîte verte (The Green Box, 1934). What emerges from them is a more cerebral and considered reinterpretation of the model than in the past, a sign of his pressing need to pick up the threads of a dialogue commenced in his youth and never interrupted; a dialogue that today has an autobiographical tone and the character of a first retrospective stocktaking of the course of his own artistic and existential development. Taking on the work of Duchamp today, Echaurren re-examines his own, personal story, the passions, idiosyncrasies and obsessions of a life spent demystifying the cult of art, viewed as a realm separate from that of existence, and the values of uniqueness and genius associated with it. (T-CA) Autore/i a cura di Raffaella Perna, Kevin Repp Editore Silvana Editoriale Luogo Milano Anno 2017 Pagine 152 Dimensioni 24x29 (cm) Illustrazioni 110 ill. a colori e b/n n.t. - colors and b/w ills Legatura brossura olandese - papaerback Conservazione Nuovo - New Lingua Italiano/Inglese - Italian/English text Peso 1100 (gr) ISBN 8836637000 EAN-13 9788836637003.…

Zustand: New.

Kartoniert / Broschiert. Zustand: New. This book examines how one aspect of the social and technological situation of literature-namely, the postal system as a mode of transmission-determined how literature was produced and what was produced within literature.&Uumlber den Autorrn.

Zustand: New. 2014. Hardcover. . . . . .

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 368 pages. 6.14x0.88x9.21 inches. In Stock.

Gebundene Ausgabe. Zustand: Neu. Neuware, Lieferung aus Deutschland. Sprache: Englisch Gewicht in Gramm: 651.

Zustand: New. 2014. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: NEW.

Gebunden. Zustand: New. Kevin Repp,s carefully-researched and powerfully-argued book is an important contribution to the scholarly reassessment of German politics and culture at the beginning of the twentieth century. Repp focuses on three neglected social critics--Adolf Damaschke.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780674000575.…

Hardcover. Zustand: Brand New. 368 pages. 6.14x0.88x9.21 inches. In Stock.

Hardback. Zustand: New. Reprint 2014. "Modernity" was an inescapable fact of life for the first generation to come of age in the German Empire. Even the most extreme political opponents saw the chaotic transformation of all spheres of life in the wake of industrial capitalism as the central problem facing young men and women at the fin de siècle. This fresh look at Wilhelmine perceptions of modernity challenges both the traditional emphasis on anti-modernism as a peculiarly German response that led to the rise of National Socialism, and the more recent post-Foucauldian studies on the "pathologies of modernity," which point instead to an unreflective faith in science and efficiency on the part of German progressives. Shifting the focus away from radical extremes on either side, Kevin Repp explores the more moderate agendas of hundreds of mainstream intellectuals and activists from diverse social backgrounds who sought to surmount the human costs of industrialization without relinquishing its positive potential. Repp combines detailed case studies of Adolf Damaschke, Gertrud Bäumer, and Werner Sombart with an innovative prosopography of their milieu to show how leading reformers enlisted familiar tropes of popular nationalism, eugenics, and cultural pessimism in formulating pragmatic solutions that would be at once modern and humane. Easily obscured by radical voices on right and left, this quiet search for alternatives nevertheless succeeded in building a nationwide network of educational centers, associative ties, and institutions that substantially altered the landscape of Wilhelmine political culture in the decades before the First World War.…

1. Auflage. gr.-8vo. 358 S. Orig.-Leinwand mit Schutzumschlag. Neuwertig.