rené clair screenwriter (18 Ergebnisse)

Original black-and-white single weight photograph from the 1961 French film. Actor Philippe Noiret is seen anxiously conversing on a telephone. Rubber-stamped on the verso, crediting photographer Limot, and with numerical annotations 641 in manuscript pencil. A businessman (Noiret) wants to buy land around the village of Cabosse, claiming his desire for seclusion but with intentions to sell the water from the village fountain, purportedly a fountain of youth. One of Clair's final films. Shot on location throughout France. 5 x 7 inches, tiny white border at the foot. Near Fine, with light curling and faint foxing.

Vintage black-and-white still photograph from the British release of the 1957 US film. Compilation of scenes from classic silent films from the Mack Sennet and Hal Roach studios, with narration written by filmmaker René Clair (in cooperation with Youngson). 8 x 10 inches. About Near Fine.

Original single weight film still for the 1955 French film, showing actress Michele Morgan sipping tea in long black gloves. Numerical notation stamped on the verso. Director René Clair's first color film, based largely on his childhood experiences. Winner of two French film awards, the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Serge Beauvarlet remains uncredited for the film, perhaps overshadowed by the film's prolific cinematographer, Robert Lefebvre. In the years just before World War I, a womanizing lieutenant bets that he can seduce a woman in time for his company to begin its summer maneuvers. The woman in question is a divorcée who runs a milliner's shop, and is also being courted by another man. 9 x 7 inches, with short white border. Very Good plus, with light curling and brief wear to lower corners.

Vintage publicity photograph from the 1941 film, showing actor Mischa Auer. Date stamp, photographer's stamp, and provenance stamp on the verso. In 1841 New Orleans, a young woman seeks the fortune of a wealthy banker through marriage while romancing a handsome but poor sailor. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Slightly wavy, else about Near Fine.

Vintage photograph of director René Clair on the set of the 1935 film. With the stamp of Pathe-RKO on the verso. Based on the 1935 short story "Sir Tristram Goes West" by Eric Keown, first published in "Punch" magazine, about an American who buys a Scottish castle and has it moved to Florida, unaware that the castle's ghost comes with it. 9.25 x 7 inches. Near Fine.

Archive of press material related to the 1961 French-Italian film. Includes film production-related material, like shooting schedules and synopses, a cinema magazine reviewing the film, and several leaves of correspondence addressed from various members of film production to Maryse Martin (Martres), a prolific French actress who was also involved in press relations in France. Brief annotations in manuscript ink throughout. More than 150 leaves of correspondence and notes. A glimpse inside the behind-the-scenes process of French press and the attention paid to prolific French figures of cinema, notably René Clair. Maryse Martin, whose film credits include "The Happy Road" (1957), "Bonjour Tristesse (1958), and several films each for directors Jacqueline Audry, Maurice Labro, and Jean Gourguet, was a popular "B" actress who played supporting roles in over 40 films. She presumably worked for a press agency involved in publication of film reviews, press kits, photographs, and more. Several letters are represented, addressed to and from Maryse from persons like Gay-Lussac, Gordon Reid, A. Sergio Berrocal, George L. George, Monsieur Bergougnous, Monsieur Lourau, J.D. van Leeuwen, Edmundo Duran, members of UniFrance Film, Alessandro Ferrau, R. Betmalle, Clare Simpson, Pierre Lazareff, Francois Timmory, I. Dally, and even René Clair's secretary. A businessman (Noiret) wants to buy land around the village of Cabosse, claiming his desire for seclusion but with intentions to sell the water from the village fountain, purportedly a fountain of youth. Shot on location throughout France. All material Very Good overall, housed in Martin's file folder with the film title in manuscript ink.

Archive of 867 original keybook still photographs from the 1955 French film, pasted on thick stock in three large quarto "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and a paper title label affixed on the front wrapper. Nearly all photos numbered in manuscript ink inside a small white border on the recto, and all numbered in mimeograph on the verso. One notebook full of photos crediting photographer Beauvarlet on the rectos. Director Rene's first color film, based largely on his childhood experiences. Winner of two important French film awards, the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Beauvarlet remains uncredited for the film, perhaps overshadowed by the film's prolific cinematographer, Robert Lefebvre. Beauvarlet stuck close to Bardot throughout her career, snapping stills in "Her Bridal Night" (1956), "Naughty Girl" (1956), "La Parisienne" (1957), and "The Night Heaven Fell" (1958). His quick-draw style is amply captured here, in candid images of the cast and crew, a jovial celebrity signing, and softer, posed studio portraits. Armand (Philipe) is a lieutenant in the French cavalry just before WWI, a notorious womanizer and gambler who bets that he can seduce a woman in time for his company to being its summer maneuvers. The woman is Marie-Louise (Morgan), a divorcee who runs a milliner's shop, and who is also being courted by Victor (Desailly). A subplot involving Armand's friend Felix (Yves Robert) and Lucie (Bardot), a photographer's daughter. Photos 3.5 x 4.5 inches. Very Good overall, several with bruises from offsetting paste, several are loose.

Four vintage borderless double weight publicity photographs from the 1961 film. With stamp on verso identifying photographer H. Martin. Also with file folder with the film title in manuscript ink. A businessman wants to buy land around the village of Cabosse, claiming his desire for seclusion but with intentions to sell the water from the village fountain, purportedly a fountain of youth. Set in France, shot on location in Lot-et-Geronne, Hauts-de-Seine, and Paris, Fracne. Photographs 9.5 x 7.25 inches, Folder 10.25 x 12.75 inches. Photographs Very Good plus, Folder Very Good plus with one small tear at one of the folds.

Vintage French program, and two invitations, for the 1961 film, here under the original French titles. The collection both predates and postdates November 1, 1961, generally considered the original release. A small invitation "for two" doubles as a folding RSVP, for the October 17 showing at the Cyrano theatre in Villeneuve-sur-Lot, a Southwest France commune with the Lot River running through the middle. The invitee's RSVP is unsigned. The two remaining pieces are from a slightly later November 15, 1961, showing at the Gaumont-Palace in Nice, in the Southeast of France, the Riviera. A folding invitation stamped in blind with the theatre's coat of arms, credits the president of the Societe Nouvelle des Etablissements Gaumont, Jean Le Duc, suggests formal wear, and the invitee has inscribed in manuscript blue ink, in French, "one chair." A large program accompanies, printed by Havas for the Gaumont-Palace showing details film credits and synopsis, greetings from the Gaumont, and advertisements for businesses in Nice. Formal programs often omitted still images from the film, like this example, opting for candor instead of promotion. The film echoes director's Clair's early silent films, interweaving separate themes of comedy and fantasy, involving a well with supernatural powers that lengthens life expectancy. Cyrano invitation 4 x 5.25 inches, Gaumont invitation 4 x 8.25 inches, the program 8.25 x 10.75 inches. Light rubbing and foxing overall, and a vertical crease to the Gaumont invitation, else Near Fine.

Vintage double weight studio still photograph from the US release of the 1925 French silent film, showing actress Sandra Milovanoff. Contemporary annotation in manuscript ink on the verso, noting the film's title in English. From the archive of film historian and author Joel Finler. A man's soul is released from his body by a hypnotist at the Moulin Rouge nightclub, leading him to go on a mischievous, havoc-wreaking spree around the city of Paris. Set in Paris. 8 x 10 inches. Good only, with brief creasing at the corners and faint overall age toning.

Vintage reference photograph from the 1931 French film, showing the exterior of the phonograph factory where the film's protagonist Louis begins to find prosperity. With manuscript ink and pencil annotations to the verso. Director René Clair's third sound film, a lyrical, proletarian satire about friendship, wealth, and the price of success. 10 x 8 inches. Near Fine. Criterion Collection 160.

Three borderless candid reference photographs from the 1955 French film, one a close-up of actress Brigitte Bardot sitting alone, the other two showing Bardot with director René Clair. French agency stamp on the versos. Clair's first color film, based largely on his childhood experiences. A womanizing French lieutenant bets that he can seduce a woman in time for his company to being its summer maneuvers, only to discover that his chosen target, a Parisian divorcée, is not like other girls. Photographs ranging in size from 10.25 x 7 inches to 10.25 x 6.5 inches. Very Good plus overall.

Collection of 32 vintage borderless reference photographs of director René Clair with members of the cast and crew at a release party for the 1961 film. Approximately half the photographs bear the stamp of photographer Walter Limot on the verso. Clair is seen with fans, giving a speech, signing autographs, presumably conducting a radio interview, and cavorting with stars of the film like Colette Castel, Alfred Adam, and Annie Fratellini, The festivities were located perhaps at a music hall, with several musicians and traditional instruments appearing in a few photos. A businessman wants to buy land around the village of Cabosse, claiming his desire for seclusion, but harbors a secret desire to sell the water from the village fountain, purportedly a fountain of youth. Shot on location throughout France. 7.25 x 9.25 inches. About Very Good plus or better, lightly curled, with some faint foxing on the verso.

Collection of six vintage double weight photographs from the 1933 film. One with provenance stamps on the verso. A quintessential entry in René Clair's oeuvre, about a young cab driver who falls in love with his neighbor, with the couple forced to persevere in a world where all odds are against them. Five photographs approximately 9 x 7 inches, one photograph 6.75 x 5 inches. Generally Near Fine, five with neat pinholes at each corner.

Archive of 86 original single weight photographs from the set of 1961 film. Members of the cast and crew are seen in action shots, pinup images of actress Castel, Bourvil mending fences, and several images of the camera crew during filming. Sprawling landscapes, gunfights in the town square, and charming taproom images candidly showcase one of Clair's final films. Nearly all are rubber-stamped on the verso, crediting photographer Limot, and all with numerical annotations in manuscript pencil. Housed in an original French Kodak photo paper box. One photograph shown. Please inquire for others. A businessman (Noiret) wants to buy land around the village of Cabosse, claiming his desire for seclusion but with intentions to sell the water from the village fountain, purportedly a fountain of youth. Shot on location throughout France. Photos 5 x 7 inches, with a few trimmed slightly smaller, and box slightly larger. Photos Near Fine, with light curling and faint foxing, and box Very Good Plus, two splits to the lid.

Vintage borderless oversize double weight reference photograph from the 1930 French film, showing Pola Illery and Edmond T. Greville dancing at the bottom left corner, with Gaston Modot looking on in a jealous sulk to the far right. With a provenance stamp and the stamp of Societe Nouvelle des Acacias to the verso. A seductive Romanian woman named Pola enchants working class street singer Albert, but he must compete for her affections with his best friend Louis and a local gangster named Fred. 11.5 x 9.25 inches. Very Good plus, with light creases to the corners. Criterion Collection 161. Rosenbaum 1000.

Archive of 91 vintage candid photographs featuring director René Clair and members of the cast and crew at release parties for the 1961 film. Clair is seen with fans, giving a speech, signing autographs, conducting a recorded interview, and cavorting with stars of the film like Colette Castel, Alfred Adam, and Annie Fratellini. The festivities seem to take place in a large music hall, with musicians and traditional instruments appearing in a few photos. Bourvil is also present in two contact prints, seen traveling, cavorting with Clair, getting a shave, and playing bocce. Several with brief numerical annotations in manuscript pencil, and a few double weight photographs with rubberstamps crediting photographer Martin, on the versos. A businessman (Noiret) wants to buy land around the village of Cabosse, claiming his desire for seclusion but with intentions to sell the water from the village fountain, purportedly a fountain of youth. Shot on location throughout France. Photos range from 4.5 x 7 inches to 8 x 10.5 inches, most are 7.25 x 9.25 inches, with 87 frames on 35mm and medium-format negative strips. Very Good plus overall, with light curling and foxing, negatives lightly rubbed.

Archive of 749 vintage keybook photographs from the 1961 French-Italian film. Over 200 are loose, the remainder being affixed with cello tape on thick stock in two folio sized spiral bound notebooks with one title label present. Each photograph is numbered in manuscript pencil on the versos, 13 photographs credit photographer Water Limot, 18 with his name stamped on the verso, and each notebook page with corresponding numerical annotations in manuscript pencil. Also included is a vintage Cinedis manila mailing envelope. Limot's action photographs are poignantly interlaced with on-the-set images, including tender exchanged between actors Bourvil, Annie Fratellini, and Colette Castel, herself seen in striking authority behind a handheld camera. A few feature Black musicians in the background, surrounded by paparazzi, and a few photos are slightly more candid, with subjects hamming for the camera. A businessman wants to buy land around the village of Cabosse, claiming his desire for seclusion but with intentions to sell the water from the village fountain, purportedly a fountain of youth. 747 photos are 3.5 x 4.5 inches or slightly smaller, with small white borders at the foot, and 2 photos are 5 x 7 inches. Light curling, and most with tape ghosts and discoloration, else Near Fine. Envelope and notebooks Very Good overall.