Reid mark a a (65 Ergebnisse)

Paperback. Zustand: Very Good. Can films about black characters, produced by white filmmakers, be considered 'black films'? In answering this question, this title assesses black film history, distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites.…

Paperback. Zustand: Good. Can films about black characters, produced by white filmmakers, be considered 'black films'? In answering this question, this title assesses black film history, distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites.…

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Edition Unstated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. J.A. Ives (illustrator).

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

softcover. Zustand: Fine copy. Later prt. 8vo, 170 pp. Illus. with photos (illustrator).

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. J.A. Ives; J.P. Gibson (illustrator).

hardcover. Zustand: Like New. Like New. 2018. Black cloth covered boards with gold spine titles; jacket has light shelf wear; 8vo, 7 3/4" to 9 3/4" tall; inscribed to previous owner and signed by the author on half title page; interior is clean and unmarked; 178 pages. Signed by Author.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Soft Cover. Zustand: Good. 2026 light surface wear/stain on bottom edge and library stamp on front leaf.

Zustand: New.

Paperback. Zustand: New. Spike Lee's Do the Right Thing brings together essays, specially written for this edition, that analyse this controversial film from a variety of methodological perspectives. Among the issues examined in this volume are the production history of the film, the use of music, and the urban sociology of New York in the 1980s. Collectively, these essays connect the inter-racial strife of New York as treated in Do the Right Thing with the contemporary social climate and racism in America. Also included are reviews of the film by influential critics, a large selection of production stills, and a complete bibliography. …

Paperback. Zustand: New. Can films about black characters, produced by white filmmakers, be considered 'black films'? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has 'buried' the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film.He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the 'black-image' language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.…

Paperback. Zustand: New. Can films about black characters, produced by white filmmakers, be considered 'black films'? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has 'buried' the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film.He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the 'black-image' language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.…

Zustand: New.

Paperback. Zustand: New. Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a ""Black Lives Consciousness,"" which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism.The volume includes essays such as Gerald R. Butters's, ""Blaxploitation Film,"" which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's ""African-American Film Noir"" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, ""Who's that Nigga on that Nag"": Django Unchained and the Return of the Blaxploitation Hero"", argues that the film provides cultural and historical insight, ""signifi es"" on blackface stereotypes and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality.The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.…

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 176 pages. 9.25x6.25x0.50 inches. In Stock.