registan (6 Ergebnisse)

Hardcover. Zustand: Fair. Unterschrift / Widmung ohne Bezug; Beschriftungen / Markierungen bis 20 %; Ohne Umschlag; Spuren von Feuchtigkeit / Nässe; Leichte Rillen / Abschürfungen / Risse / Knicke.

2 Bll. mit Noten. 4°, OBrosch. Einer der ersten und seltenen deutschen Versionen mit Noten, der am 1. Januar 1944 eingeführten Hymne, die die bis dahin als Hymne benutzte Internationale ersetzte. 1977 wurde der Lobgesang auf Stalin umgedichtet. Die Hymne war dann bis zur Auflösung der UdSSR im Gebrauch. 2001 wurde die Melodie mit neuem Text zur Hymne der Russischen Föderation. - Exemplar randrissig, sonst guter Zustand. 300 gr.

Paperback. Zustand: vg. First edition. Quarto. Unpaginated. [4]pp. Original illustrated wrappers with red and black lettering on front cover. Striking first German-language edition of this 4-page booklet presenting the new national hymn of the Soviet Union written by Sergei Michalkov, a Soviet and Russian author of children's books and satirical fables. Mikhalkov penned words to accompany a musical score by the composer Alexander Alexandrov (18831946). The new anthem was presented to Stalin in the summer of 1943 and was introduced as the country's new anthem on January 1, 1944. This work contains the musical score as well as the German lyrics on back cover. Wrappers and interior in very good condition.

Hardcover. Zustand: Near Fine. Dmitry Debabov (illustrator). 1st Edition. Quarto 29x22 cm., cardboard, 112pp. Illustrated with photographs. The book is dedicated to the story of the life of Siberian hunter-trackers living in the Yenisei taiga and in the tundra on the vast expanses of the Taimyr Peninsula. These were mainly representatives of indigenous peoples, but also Russian hunters and hunters. Attention to this topic in the 1930s. increased sharply, as furs, or as sable skins were then called - "soft gold", which was almost entirely for export, became a significant source of state income. The organization of procurement was carried out by Zagotpushnina, which employed hundreds of hunting farms in Siberia and the European North. The work of commercial hunters was supervised by game managers, graduates of the Institute of Fur Farming, created in the late 1920s. in the estate of the princes Golitsyn in Balashikha near Moscow and known as the Moscow Fur Institute. The story is told by the famous journalist El-Registan and his colleague photographer Dmitry Debabov. Both wandered with hunters on dogs and deer during the hunting season in winter quarters and distant taiga huts, skied along long hunting routes, observed the process of fur hunting, recorded fascinating stories of trappers who read the hidden life of wildlife from tracks in the snow. The journey was unique in many ways, since for the first time the writers were able to reach such remote and almost untouched places by civilization thanks to the active development of the Northern Sea Route and the beginning of aviation flights to Taimyr and the mouth of the Yenisei. Furs began to be exported from the taiga and tundra by plane in risky flights. The book describes the life of Evenk hunters from the Paris Commune hunting collective farm, located in the Podkamennaya Tunguska region; Russian taiga trackers who worked in the North as a family contract; Nenets reindeer herders of Taimyr, who were also involved in fur farming. Many of the characters in the book could easily hit a squirrel with pellets in the eye without damaging the skin. Evenk Pavel Tolstykh had a pipe made of mammoth tusk, and his knife had 38 notches. He made each new one when he caught another bear. And that's why he got his nickname: "Pasha Bear Death." Night hunting of sable using launches is described. The photographs depict portraits of hunters, the life of the taiga and rich trophies: the skins of sable, squirrels, wolverines, foxes, arctic foxes, etc. The writer-journalist El-Registan (Gabriel Arshakovich Ureklyants, 1899-1945) became famous in the 1930s in covering the great construction projects of the first five-year plans. In 1943, as a front-line correspondent for the newspaper "Stalinsky Falcon", the press organ of the Air Force, he co-authored the anthem of the Soviet Union together with S.V. Mikhalkov and A.V. Aleksandrov. Dmitry Georgievich Debabov (1899-1949) - an outstanding Soviet photographer and journalist. After graduating from four classes of school in 1914, D. Debabov went to work at the Bromley plant (later "Red Proletarian") as a turner's apprentice. In 1921-1925 he became an actor in the First Workers' Theater of Proletkult, whose director at that time was Sergei Eisenstein. It was S. Eisenstein who encouraged the young actor to take up photography, and in 1930 he graduated from the State Institute of Cinematography with a degree in camera director. In the early 1930s D. Debabov became a professional photojournalist, and since 1933 - a photojournalist for the Izvestia newspaper. He filmed a lot in the North: the Arctic, the Arctic, the Narym taiga, Chukotka, the volcanoes of Kamchatka, Taimyr, Dudinka, Tiksi Bay, Wrangel Island, etc. OCLC locates one holding of this remarkable book (Harvard FA Library). Near fin.

First and only edition. Uncommon, WorldCat locates just 4 copies - BL, Princeton University, Indiana University and Yale University - and a single copy of a Yiddish edition at the Center for Jewish History. "The Kara Kum (or Black Sand) desert of central Turkmenistan became, briefly, a Soviet cultural obsession when, in July 1933, a team of 23 cars from the Gor'kii and Stalin auto plants embarked on the Moscow-Kara Kum-Moscow motor rally. The front pages of Pravda and Izvestiia followed the team led by geochemist Aleksandr Fersman over the course of nearly three months and 5,800 miles as they forded streams, climbed sand dunes, and traversed the roadless "white spots" on the map of Turkmenistan. Aside from promoting the new Soviet automobile and inaugurating exploration of a largely unstudied environment, the expedition had the effect of fixing the remote Kara Kum desert of Turkmenistan in a Soviet cultural geography and installing it in the public imagination. Over the course of the following year, Kara Kum was the site of several high-profile expeditions, both scientific and cultural. The insuperable Kara Kum, "the largest sandy desert in the world," came to represent, for readers of Pravda and Izvestiia, not only a test of Soviet technology, but an ecological, economic, and cultural challenge to Soviet civilisation" (Erley, Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s, pp.41-2). Events were recorded by a team of leading Soviet artists and writers; the expedition cinematographer was eventual three-time Stalin Prize winner Roman Karmen (1906-78); the party of photographers included Mikhail Prekhner, recently rediscovered and recognized as one of the outstanding practitioners of the Russian avant garde, both of whose work is represented here. The text was provided by Armenian-born, Uzbekistan-based journalist and poet El-Registan (1899-1945), co-author of the lyrics of the Soviet national anthem, and Lazar Brontman (1905-1953) subsequently the first journalist to visit the North Pole, accompanying the Soviet Arctic expedition of 1937. The brilliantly striking design scheme was entirely the work of constructivist book designer Mikhail Miloslavsky (1907-1965). Wonderful Soviet propaganda travelogue, truly uncommon thus. Octavo. Profusely illustrated from photographs. Red lithographically printed paper-covered boards, spine in silver with repeated wheel device lapping onto the boards, spine lettered in red, three colour printed stylised map to the endpapers. With pictorial dust jacket in sepia, silver and red. Boards a little chafed at the edges, corners a touch bumped, spine crumpled head and tail with some associated chipping, pale toning to the text, jacket slightly rubbed and soiled, some scuffing at the spine, minor edge-splits, old paper tape repair/support verso, but overall very good.

Hardcover/Pappeinband. Zustand: Befriedigend. 226 pages : illustrations, portraits ; 27 cm Zustand: befriedigend - ausreichend ; Original-Schutzumschlag mit Einrissen und Ausrissen (siehe Foto); Feuchtigkeitsrand auf den unteren Blattseiten; Ecken und Kanten bestoßen h6731 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. ru Gewicht in Gramm: 660.