Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 13,01
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 15,63
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: The New Museum of Contemporary Art New York, NY, 1987
ISBN 10: 0915557584 ISBN 13: 9780915557585
Anbieter: Specific Object / David Platzker, New York, NY, USA
B/w Photos (illustrator). 50 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 7 - July 12, 1987. Essays by Lynne Tillman, Phil Mariani, and William Olander. Participating artists include Dennis Balk, Nancy Burson, David Cabrera, Laurel Chiten, Cheryl Qamar, Clegg & Guttmann, Mark Dion, Jason Simon, Duvet Brothers, Tim Ebner, John Glascock, Gorilla Tapes, Day Gleeson, Dennis Thomas, Fariba Hajamadi, Reginald Hudlin, Joan Jubela, Stanton Davis, Annette Lemieux, MICA-TV, Paul McMahon, Branda Miller, Peter Nagy, David Robbins, John Scarlett-Davis, Andres Serrano, Shelly Silver, Michael Smith, and Sarah Tuft. Includes list of works in the exhibition. Very Good. Light rubbing of cover edges and gentle bumping of corners. Light dust soiling of text block edges, contents are clean and unmarked.
Sprache: Englisch
Verlag: The New Museum of Contemporary Art New York, NY, 1987
ISBN 10: 0915557584 ISBN 13: 9780915557585
Anbieter: Specific Object / David Platzker, New York, NY, USA
B/w Photos (illustrator). 50 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 7 - July 12, 1987. Essays by Lynne Tillman, Phil Mariani, and William Olander. Participating artists include Dennis Balk, Nancy Burson, David Cabrera, Laurel Chiten, Cheryl Qamar, Clegg & Guttmann, Mark Dion, Jason Simon, Duvet Brothers, Tim Ebner, John Glascock, Gorilla Tapes, Day Gleeson, Dennis Thomas, Fariba Hajamadi, Reginald Hudlin, Joan Jubela, Stanton Davis, Annette Lemieux, MICA-TV, Paul McMahon, Branda Miller, Peter Nagy, David Robbins, John Scarlett-Davis, Andres Serrano, Shelly Silver, Michael Smith, and Sarah Tuft. Includes list of works in the exhibition. Fine. Covers and contents clean and unmarked.
Verlag: Oxford : at the Clarendon Press, 1927
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xiii, [1], 483, [1]p., [ca. 4] leaves of plates : ill., plates, col. map ; 23cm. Subjects: Poole, Reginald Lane (1857-1939) -- Bibliography. Middle Ages -- History. 3 Kg.
Verlag: Published by the Author at 16 Bassett Road, North Kensington, London First Edition . London 1927., 1927
Anbieter: Little Stour Books PBFA Member, Canterbury, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
EUR 89,57
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. First edition hard back binding in slate blue cloth covers, gilt title and author lettering to the upper panel. 8vo. 9'' x 6''. Contains 48 printed pages of text. Light surface damp soiling to the boards, Gilbert & Sullivan Society Library Rules label inside the front cover, light foxing to the end papers and in Good condition, no dust wrapper as published. Member of the P.B.F.A. GILBERT W. S. & A. SULLIVAN.
Verlag: Exit Art New York, NY, 1993
Anbieter: Specific Object / David Platzker, New York, NY, USA
12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.