Reed clare (13 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In English.

Zustand: New. 2014. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. Idioma/Language: Español. Estos cuentos que imaginan los peores futuros posibles fueron escritos entre 1928 y 1969 por Kit Reed, Kathe Wilhelm, Clare Winger Harris, Alice Glaser, James Tiptree Jr. , Marion Zimmer Bradley, John Jay Wells, Alice Eleanor Jones y Ursula K. Le Guin, juntos completan la tercera entrega de la antología ¡El futuro es mujer! editada por Lisa Yaszek, un viaje por las ficciones creadas por las mujeres que se atrevieron a mirar el futuro, experimentar con las formas narrativas y confrontar las ideas políticas de su época, participando así en la construcción de la Ciencia Ficción, un lenguaje que atraviesa culturas, continentes y géneros. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good mass market paperback with clean pages, very minor wear. First printing: September 1999.

Zustand: New. In English.

Tapa blanda. Zustand: New. Futuros distópicos es el tercer tomo temático agrupado por el colectivo de traductoras Falsos Amigos, a partir de la colección ¡El futuro es mujer!, antología editada por la académica Lisa Yaszek, publicada en 2018 y ahora traducida por primera vez al castellano. La colección reúne relatos escritos por mujeres estadounidenses, publicados entre los años veinte y los setenta del siglo XX, imprescindibles para cimentar las bases de la ciencia ficción y su desarrollo.En este volumen aparecen cuentos de Kit Reed, Kathe Wilhelm, Clare Winger Harris, Alice Glaser, James Tiptree Jr., Marion Zimmer Bradley, John Jay Wells, Alice Eleanor Jones y Ursula K. Le Guin, quienes, a partir de imaginar los peores futuros posibles, se preguntaron cómo serían las interacciones de los seres humanos consigo mismos y con los otros, en medio de las guerras, la devastación del planeta Tierra y los viajes espaciales.…

Taschenbuch. Zustand: Neu. Neuware - 'Constructive Harmony and Improvisation' provides a detailed and systematic guide to the fundamental principles of music theory and the art of spontaneous musical creation. Written by Clare Osborne Reed, an influential figure in early 20th-century music education, this instructional work aims to bridge the gap between abstract harmonic rules and the living practice of performance.The text emphasizes a 'constructive' method, encouraging students to build their understanding of chords, progressions, and scales through active application. By focusing on the relationship between ear training and theoretical structure, Reed helps musicians develop the skills necessary to improvise with confidence and clarity. The book explores key concepts such as tonality, modulation, and rhythmic phrasing, presenting them as essential tools for both the aspiring composer and the performing pianist.With its practical exercises and clear pedagogical approach, 'Constructive Harmony and Improvisation' is an enduring resource for anyone looking to master the mechanics of music. It remains a significant text for students of piano and theory, offering insights into the creative process that are as relevant today as they were upon its initial release. Its focus on fostering a deep, intuitive sense of harmony makes it a staple for those dedicated to musical excellence.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

Buch. Zustand: Neu. Neuware - 'Constructive Harmony and Improvisation' provides a detailed and systematic guide to the fundamental principles of music theory and the art of spontaneous musical creation. Written by Clare Osborne Reed, an influential figure in early 20th-century music education, this instructional work aims to bridge the gap between abstract harmonic rules and the living practice of performance.The text emphasizes a 'constructive' method, encouraging students to build their understanding of chords, progressions, and scales through active application. By focusing on the relationship between ear training and theoretical structure, Reed helps musicians develop the skills necessary to improvise with confidence and clarity. The book explores key concepts such as tonality, modulation, and rhythmic phrasing, presenting them as essential tools for both the aspiring composer and the performing pianist.With its practical exercises and clear pedagogical approach, 'Constructive Harmony and Improvisation' is an enduring resource for anyone looking to master the mechanics of music. It remains a significant text for students of piano and theory, offering insights into the creative process that are as relevant today as they were upon its initial release. Its focus on fostering a deep, intuitive sense of harmony makes it a staple for those dedicated to musical excellence.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…