Reddaway chloe (18 Ergebnisse)

hardcover. Zustand: New. 1st.

Hardcover. Zustand: Brand New. 01 edition. 220 pages. 11.00x8.50x0.50 inches. In Stock.

hardcover. Zustand: New. 1st.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: New. 1st.

Gebunden. Zustand: New.

Hardcover. Zustand: Brand New. 01 edition. 300 pages. 11.00x8.75x1.00 inches. In Stock.

Zustand: New. In English.

Buch. Zustand: Neu. Neuware - How do you paint a figure who is fully human and fully divine How do you paint Christ Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'strange' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chloe Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public.…

Zustand: New.

Zustand: gut. 2019. Strangeness and Recognition: Mystery and Familiarity in Renaissance Paintings of Christ In deutscher Sprache. pages.

Zustand: gut. 2024. Theology, Modernity, and the Visual Arts In deutscher Sprache. pages.

Zustand: New. Editor(s): Quash, Ben; Rosen, Aaron; Reddaway, Chloe. Num Pages: 304 pages. BIC Classification: 1DBKESL; AGR; WQH. Category: (G) General (US: Trade). Dimension: 151 x 224 x 35. Weight in Grams: 598. . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - How can pictures help people to relate to God, and what can historical Christian images offer the viewer today A compelling theological encounter between Renaissance frescoes and the modern viewer. Transformations in Persons and Paint looks at images from the viewer's position, standing in a series of Florentine chapels, surrounded by frescoes, and discovering their powerful capacity to communicate what it means to live in a post-Resurrection world. Proving that there is still plenty to say about works by Giotto, Taddeo Gaddi, Masolino, Masaccio, Fra Angelico, and Ghirlandaio, this book uncovers previously overlooked theological content, and demonstrates the rewards of attentive interaction between a modern viewer and historical images. Within the growing body of work on theology and the arts, this is a rare example of what can happen when a theological gaze is turned towards some of the classics in the canon of Christian art, while speaking directly to the modern viewer. Chloe Reddaway offers a new model of theological viewing, inhabiting both period and modern perspectives, and reinvigorating our understanding of the incarnational nature of Christian art by taking account of the particular physicality of images, especially as it is experienced through sacred space within and around them. Through close and imaginative encounters with images, a series of critical-devotional interpretations transforms beautiful artefacts into living explorations of the Incarnation and its consequences, the transformation and transfiguration that it enables, the particularity and interconnectedness of the created world, the generative capacity of liminal and (apparently) empty spaces, and the nature of vocation and conformity to Christ.…

Zustand: New. 2024. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 304 pages. 8.75x5.50x1.00 inches. In Stock.

Hardback, 230 pages, Size:216 x 280 mm, Illustrations:69 col., Language: English. ISBN 9782503581200. Summary How do you paint a figure who is fully human and fully divine? How do you paint Christ? Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'strange' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chloë Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public. TABLE OF CONTENTS Introduction Part 1: Strangeness and Recognition Chapter 1: The problem and potential of religious language and art Chapter 2: Naming Strangeness Chapter 3: Recognising Christ Part 2: Making Strange Chapter 4: Strangeness in Renaissance Painting Chapter 5: Unexpected Iconography Chapter 6: Time and Place Chapter 7: Always and Nowhere Chapter 8: Revelation Chapter 9: Open Images Conclusions: Attending 0 g.…

Hardback, 330 pages, Size:225 x 300 mm, Illustrations:78 col., Language: English. ISBN 9782503607122. Summary In an increasingly visual age, images are the new lingua franca and Christian theology must ask how it can be 'spoken' with nuance and integrity. This book brings together theologians, biblical scholars, art historians, and curators to consider what questions about Christ and modernity might be posed by the visual arts, and what truths about Christ and modernity they might ask us to face. Its authors explore modern and contemporary artists from Pablo Picasso to Kent Monkman and Paul Cézanne to Cornelia Parker, addressing questions of theory, practice, and interpretation. Their contributions are orientated by an enquiring and critical focus on how modern and contemporary visual art coexists with, counters, illuminates, and serves Christianity. TABLE OF CONTENTS Introduction Art with Christianity Thinking with Christianity: A Grammar of Doubt and Belief in Contemporary Art (Jonathan Anderson) The Right Eyes: Curating a Theology of Modernist Painting (Daniel A. Siedell) Making Pain Incarnate: An Iconophilic Interpretation of Pablo Picasso's Guernica (Christina Carnes Ananias) Secularization as Realization? (Johann H. Claussen) Art instead of Christianity Missionary Position: Kent Monkman and Christianity (Matthew J. Milliner) Monochromes and Monotheisms: An Apophatic Dialogue with Ad Reinhardt (Aaron Rosen) Lines of the Sacred: Toward a Heterology of Drawing (Jeremy Biles) Squinting at the Invisible: Spiritual Seeing and the Art of Michael Simpson (Jennifer Sliwka) Inheriting the Mantle: Modern and Contemporary Art as the Inheritor of the Prophetic and Apocalyptic Tradition (C.A. Strine) Art about Christianity How About.? R.G. Collingwood, T.J. Clark, and the Conditions of a Haveable World (Ben Quash) Scandalous Particularity: Visual Depictions of Jesus in Modern Art (Rebekah Eklund) Optical Allusions? Exploring the Ambiguity of Biblical Texts in Modern and Contemporary Art (Christine E. Joynes) A Search for Symbols and Images Adequate to Our Predicament (Neil MacGregor) Strange Flesh: The Body of the Risen Jesus in the Art of Edward Knippers (W. David O. Taylor) Art for Christianity Showing People Jesus: Sight and the Visual Arts at Canterbury (Felicity Harley-McGowan) Vision and Mission: Making Art for a World in Danger (Frances Spalding) Re-Visiting Creation (Chloë Reddaway) Bibliography Index 0 g. …