Reason akela (14 Ergebnisse)

Hardcover. Zustand: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

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Zustand: New.

Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 304 pages. 10.50x8.25x1.00 inches. In Stock.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 304 pages. 10.50x8.25x1.00 inches. In Stock.

Zustand: NEW.

Zustand: New.

Zustand: New. The first book-length study to explore the Philadelphia realist artist s lifelong fascination with historical themes, this examination of Eakins reveals that he envisioned his artistic legacy in terms different from those by which twentieth-century art hist.

Hardcover. Zustand: Brand New. 232 pages. 10.75x7.25x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - A rich history of Gilded Age partisan politics, aesthetics, and the creation of New York City's Civil War monuments In the decades following the Civil War, New York City built more monuments to the Union cause than any other city in the nation outside of Washington, DC. Ranging from simple standing soldiers to grand triumphal arches and temples, these monuments shaped commemorative aesthetics and iconography at the local and national levels. Unlike Confederate monuments, which were mostly initiated by private organizations, New York's soldiers' monuments were largely supported through city and state funding. These civic projects attracted the interest of competing groups, including artists, politicians, veterans, and the public, that all sought to influence the growing commemorative landscape. Works such as the Brooklyn Soldiers' and Sailors' Monument outside Prospect Park and the New York Soldiers' and Sailors' Monument in Riverside Park were created in a fractious political landscape and defined as much by municipal maneuvering as by artistic principle. Illuminating the historical context of Civil War soldiers' monuments in New York City, Akela Reason explores the complex and fascinating intersection of art, politics, and memory within these works, while also highlighting the ever-changing ways different constituencies have engaged with them in symbolic and physical terms. …

Buch. Zustand: Neu. Politics and Memory | Civil War Monuments in Gilded Age New York | Akela Reason | Buch | Einband - fest (Hardcover) | Englisch | 2025 | Yale University Press | EAN 9780300256499 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Buch. Zustand: Neu. Neuware - Thomas Eakins (1844-1916) was one of America's foremost painters and a highly respected sculptor, photographer, and fine arts teacher. He is often celebrated for his realist depictions of contemporary life in late nineteenth-century Philadelphia. Yet, in addition to his iconic paintings of rowers, doctors, and wrestlers, he completed a number of works that reflected his deep and abiding interest in the historical past. Thomas Eakins and the Uses of History is the first book to examine the artist's lifelong fascination with historical themes. Akela Reason delves deeply into unpublished letters, diaries of friends and contemporaries, and period newspapers to offer new insights into this aspect of the artist's career. Probing the complex motivations behind his choice of historical subjects, Reason argues that Eakins used these images to express his most deeply held professional aspirations, most notably his self-conscious desire to measure himself against master artists of the distant past. The author begins with Eakins's first foray into historical painting at the time of Philadelphia's Centennial Fair of 1876, when he conceived William Rush Carving His Allegorical Figure of the Schuylkill River. A careful analysis of his historical images reveals how Eakins's acute awareness of the historical tradition influenced his teaching and shaped his artistic career. Indeed, his insistent placement of the historical works in major exhibitions alongside his better-known realist paintings reveals his desire to carve out a place within this tradition. The artist not only considered these works important to his career; he sometimes suggested that they were among his best. Eakins's partiality for these historical images makes clear that he envisioned his artistic legacy in terms different from those by which modern art historians have typically defined his art.…