raymond wagner (28 Ergebnisse)

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Sticker on spine. Library markings on inner cover. First Edition - Second Impression. Ex-Library.

pamphlet. Zustand: Very Good. 1980; off-white paper covers with black titles; covers contain minimal rubbing and edge wear; interior clean and unmarked; pages 264- 293.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

1st edition. 8vo. x + 265pp. B/w. illustrations. Original boards. Pictorial red d/w. lettered in white, rubbed to edges. ISBN 080158356X US$9.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

1st edition. Small 4to. ix + 523pp. B/w. illustrations, diagrams. Ownership inscription to title page. Original Pictorial black boards lettered in red, lightly faded to spine. Please note that additional postage charges may be necessary. ISBN 047156124X US$12.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 2nd Edition. [Rev. and enl. ed, 1st printing] ; 336 pp. ; illustrations (some color) ; 25 cm ; ISBN 9780853830153, 0853830150 OCLC 655181429 ; brown cloth with gold lettering, in color illustrated dustjacket ; detailed color photos of aircraft of the period. Contents: Polikarpov I-16, Reggiane Re 2000, Sopwith 1 1/2 Strutter, Vickers Wellington I & II, Curtiss SB2C-1 Helldiver, Hawker Sea Fury, Albatros D I-III, Curtiss A-12 Shrike, Mitsubishi A5M2 Zero-Sen, Messerschmitt Me262, LOckheed F-104G/CF-104, De Havilland Toger Moth, BE 2, 2a and 2b, Fokker G-1, Dewoitine D.520, Curtiss P-40F-N Kittyhawk, Bristol Beaufighter I & II, Bristol Scouts C & D, SAAB J-21, Hawker Audaz, Nakajima B5N Kate, Dassault Ouragan, Short Stirling, De Havilland Rapide ; Copy of Lt. Col. Charles Oliver Fikes (1935-2020), who served in the U.S. Air Force for 22 years, at first as an aviation cadet in B-47s at Chennault AFB in 1955, and later as a B-52 pilot. He retired as a Lt. Colonel, and began a career with Eastern Airlines. He retired from Eastern in 1985. ; nick in dustjacket, else FINE/FINE. Book.

Zustand: New.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 544.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Bon. Poids: 410gr, Petites tâches et une petite déchirure sur la jaquette sinon ouvrage en très bon état général.

Zustand: New. Reproduction in the Long Eighteenth Century. Num Pages: 544 pages. . . 2015. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Bon. 85 pages ; 24,5 x 17,5 x 1,5 cm ; 405 gr.

Zustand: New. The definitive collection on eighteenth-century generation and its many milieus, The Secrets of Generation will be an essential resource for studying this topic for years to come.KlappentextThe definitive collection on eighteenth-.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Robert Storr on Al Held," by Robert Storr; "Books: Michael Hardt on 'Afflicted Powers,'" by Michael Hardt; "Books: T.J. Clark on Retort," by T.J. Clark; "Film: Andrew Solomon on 'Ballets Russes,'" by Andrew Solomon; "Film: Amy Taubin on Chantal Akerman," by Amy Taubin; "Architecture: Aaron Betsky on Herzog & de Meuron," by Aaron Betsky; "Performance: Steven Henry Madoff on the Festival d'Avignon," by Steven Henry Madoff; "Tech: Michelle Kuo on Robert Whitman," by Michelle Kuo; "Top Ten," by Cathy Wilkes; "Man Without Qualities: The Art of Michael Krebber," by Daniel Birnbaum, John Kelsey, and Jessica Morgan; "Tent Community: Art Fair Art," by Jack Bankowsky; "1000 Words: Mike Kelley," by John C. Welchman; "Lost in Translation: Sound in the Discourse of Synaesthesia," by Christoph Cox; "Only Connect: The Art of B. Wurtz," by Bruce Hainley; "A Certain Slant of Light: The Films of Hou Hsiao-Hsien," by James Quandt; "Portrait of an Image: A Portfolio by Roni Horn," by Lauren Sedofsky; "Openings: Michael S. Riedel," by Daniel Birnbaum; "Openings: Matthew Monahan," by Elizabeth Schambelan. Reviews by Anne M. Wagner, John Miller, Barry Schwabsky, James Meyer, Elizabeth Schambelan, Jeffrey Kastner, Claire Barliant, Martha Schwendener, Johanna Burton, Brian Sholis, Jan Avgikos, Michael Wilson, Suzanne Hudson, Emily Hall, Lisa Pasquariello, Domenick Ammirati, Jenifer P. Borum, James Yood, Nord Wennerstrom, Jonathan Raymond, Ellen Berkovitch, Maria Porges, Michael Ned Holte, Bruce Hainley, Christopher Miles, Maria Gainza, Elizabeth Janus, Giorgio Verzotti, Cathryn Drake, Jeff Rian, Hans Rudolf Reust, Astrid Wege, Jennifer Allen, Wolf Jahn, Martin Herbert, Emily Speers Mears, Caoimhín Mac Giolla Léith, and Philip Auslander. Cover: Michael Krebber.

Zustand: New. In.

Gebunden. Zustand: New.

Zustand: New.

Hardcover. Zustand: Brand New. reprint edition. 108 pages. French language. 9.06x6.10x9.21 inches. In Stock.

Zustand: New. 1966. Reprint 2017. hardcover. . . . . . Books ship from the US and Ireland.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

The most famous wrestler of the 1940s and '50s, Gorgeous George practically invented the outrageous pro wrestling image standardized today: he created his "Human Orchid" persona by wearing his hair long and dying it blonde, he wore sequined robes, he was the first to use entrance music ("Pomp and Circumstance"); he cheated and broke the rules every chance he got, having as his motto, "Win if you can, lose if you must, but always cheat!"; in 1950 he won the American Wrestling Association's world championship by defeating Don Eagle; he died nearly penniless of an enlarged heart and alcohol abuse at age 48. ODS, 1p, 8½" X 11", n.p., n.y. [likely ca. 1960). Very good. Mildly edgeworn, mainly along two-punched left margin that has two tape stains (one 1", one ½"), impacting only the upper portion of the "G" in "Gorgeously." Original pencil sketch by unknown amateur artist showing Gorgeous George full length, standing in typically outrageous full-length elaborate robe. Vertically running up the blank left margin, the wrestler pens an enormous "Gorgeously Yours Gorgeous George" in typical light blue ballpoint. Extremely, exceptionally unusual in this format -- the only signed Gorgeous George drawing we have encountered or even heard of.