rathman david (6 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: New. In.

Zustand: New. KlappentextrnrnAS GOOD AS A DOG nnA DOG CAN LIE ABOUT SOMEONE BUT NOT LIE ABOUT SOMEONE nn The justice system is, unfortunately, often nnot a friend of the family or the truth. nnFor what crime can a person be accused, judged, convicted, and se.

Edition limited to 30 copies, plus 7 artist's/printer's proofs, and 6 "unfolded deluxe copies" for a total edition of 43; this is printer's proof no. 3 (of 4) signed by David Rathman; oblong 4to; 9 double-page spreads, each approx. 14" x 34½", "hand-printed in lithography and silkscreen by Steve Andersen, Philip Barber, and Todd Norsten on BFK Rives paper," and contained in the original hinged wooden box with a branded title burned into the cover over acid stains, as issued; fine. This copy obtained directly from Rathman himself. Most of the edition was not boxed. Rathman tells me only "ten or so" boxes were ever made, and not more than a dozen of the edition were ever sold. What wasn't sold was lost in a bankruptcy case, and the sheets are now ostensibly resting in a warehouse in Milwaukee where they have been for nearly 30 years. OCLC locates 4 copies only: Minnesota Historical, Phoenix Public Library, University of Wisconsin at Madison, and the Getty, to which we add the Minneapolis Institute of Art, and Columbia.

Edition limited to 20 copies plus 3 artist's proofs (this, copy no. 19), signed by David Rathman; 4to; 13 double leaves, illustrated with 9 three-color "intaglios printed from relief plates and lift-ground etchings with aquatint created and printed by Rathman; typography and letterpress printing by Philip Gallo at the Hermetic Press; the text is set in Studio and printed on Rives BFK; bound in grey cloth boards in exposed wire-binding by Jill Jevne after the wire-binding structure devised by Daniel Kelm; mounted color illustration on the upper cover; grey cloth clam shell box with printed paper label on spine. Fine. This is a remarkable collaboration between two of the Twin Cities' greatest book artists at work during the last quarter of the 20th century, and into the 21st: the printmaker David Rathman and the letterpress printer, Philip Gallo. The book was sold out immediately and even though these guys are my friends, this is the first time I've been able to offer a copy for sale in 25 years.

Edition limited to 40 copies consisting of 5 printer's proofs and 35 in the edition (this, copy no. 11); 4to, [10] unbound sheets printed on rectos only, and contained in a black cloth-covered portfolio with printed paper label on spine and pictorial pastedown on upper cover; fine. Rathman's first book printed at Vermillion Editions under the guidance of Steve Anderson. Gerald Lange of the Bieler Press and Norman Fritzberg of the Hansestadt Letterfoundry were responsible for the typographic design and composition. The portfolios were constructed by the Campbell-Logan Bindery. "Mythological in conception and Nigerian in origin.the linocut illumination that accompanies the text exhibits such regimented verve that it almost seems as if a scourge has been placed upon each page. The jags, curves, and swirls of the elemental, naturalistic borders take on pantheistic qualities as they move organically into the inner sanctum . harbors dangerous, disorderly creatures, alongside humans with their primitive and fantastic accoutrements. Gesture, posture, and facial expressions of beasts, trees, and humans.exhibit a stunning force of feeling and an atavistic quality that illuminates meaning and emotion." (Pamela Sund, in Artscape, Volume 2, no. 4).