Rasula jed (84 Ergebnisse)

Sprache: Englisch
Verlag: Univ of Alabama Pr, 2004
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- Hardcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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paperback. Zustand: Very Good. U.S. orders are shipped from N.Y. state.

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Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

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Paperback. Zustand: Very Good. A rich cultural history of the creation, explosive impact, and enduring influence of T. S. Eliot?s modernist masterpieceWhen T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. ?But,? as Jed Rasula writes, ?The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern.? In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, ?April is the cruellest month, breeding / Lilacs out of the dead land,? to its closing Sanskrit mantra, ?Shantih shantih shantih,? The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound?s injunction to ?make it new.? What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot?s storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the ?men of 1914.?Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century?s most influential poem.…

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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Brand New. 58 pages. 7.00x4.37x0.14 inches. In Stock.

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Zustand: FINE. First printing, a trade paperback, issued simultaneously with hardcover. "An alternate opus, uncollected poems 1960-1980" - this brings together all of the poems by Kelly which appeared in journals and anthologies over two decades. Edited and with an introduction by Jed Rasula. vi, 230 pp. Very near fine in red wrappers with white lettering. …

- Softcover
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Zustand: New. In English.

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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Soft cover. Zustand: Fine. No Jacket. Special Edition. Advance Reader's Copy of Uncorrected Proof in paperback. Bright, clean & tight copy, unread in FINE condition. "In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland, for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another man flung bits of papier-mache into the air and glued them into place where they landed. One of the artists called these sessions 'both buffoonery and a requiem mass.' Soon they would have a more evocative name: Dada. In DESTRUCTION WAS MY BEATRICE, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we're still struggling to understand today." Pristine paperback ARC w/sharp corners & crisp edges, a square & tight binding w/no creases in spine, no jacket as issued & that cool cover photo of Hugo Ball reciting his poems at the Cabaret Voltaire, Zurich 1916. Quite presentable, 'gadji beri bimba,' & collectible.…

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Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Princeton University Press, Princeton, New Jersey, 2022. First edition. First printing, with full number line to 1. Fine in a fine dust jacket. Full black cloth; spine lettered in silver. A tight, clean copy. As customary with many university-press titles, no publisher's price is printed on the jacket flap. 8vo, 334 pp., with notes, bibliography, and index. Comes with archival-quality mylar dust jacket protector. Rasula examines the origins, reception, and enduring influence of T. S. Eliot's The Waste Land, placing the poem within the broader modernist revolution in poetry, visual art, and music.…
Verlag: Double Pelican, 1975
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In den WarenkorbZustand: Very Good. approx. 100 pp., paperback, edges rubbed, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

- Softcover
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Paperback. Zustand: Brand New. 344 pages. 9.00x5.75x1.00 inches. In Stock.

- Hardcover
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. First edition, 1st printing. 365pp. Bright, clean & tight copy, unread, in As New condition. "In 1916, as World War I raged around them, a group of bohemians gathered at a small cabaret in Zurich, Switzerland. After decorating the walls with art by Picasso and other avant-garde artists, they embarked on a series of extravagant performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man sneered at the audience, snapping a whip as he intoned his 'Fantastic Prayers.' One of the artists called these sessions 'both buffoonery and a requiem mass.' Soon they would have a more evocative name: Dada. [] In DESTRUCTION WAS MY BEATRICE, modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artists like Marcel Duchamp and Man Ray; to Berlin, where it inspired painters George Grosz and Hannah Höch; and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists like André Breton, Louis Aragon, and Paul Eluard. The long tail of Dadaism, Rasula shows, can be traced even further, to artists as diverse as William S. Burroughs, Robert Rauschenberg, Marshall McLuhan, the Beatles, Monty Python, David Byrne, and Jean-Michel Basquiat, all of whom--along with untold others--owe a debt to the bizarre wartime escapades of the Dada vanguard. [] A globe-spanning narrative that resurrects some of the 20th century's most influential artistic figures, DESTRUCTION WAS MY BEATRICE describes how Dada burst upon the world in the midst of total war--and how the effects of this explosion are still reverberating today." [jacket copy] "'Only imbeciles and Spanish professors care about dates,' Hans Arp once wrote about Dada. Jed Rasula knows about dates, but unlike so many, he feels Dada on his skin. He writes and thinks from inside this crystallization of modernism, and he can follow its light anywhere."--Greil Marcus. "It's quite a feat to recapture the thrill of a century-old cultural insurgency, but Jed Rasula pulls it off with gusto in DESTRUCTION WAS MY BEATRICE, a marvelous history of the non-art non-movement that dynamited complacency and conventionality across Europe and across the Atlantic in New York for a few heady years during and after World War I. Rasula enfolds Dada's inconsistencies and eccentricities in a lover's embrace while treating its key people, publications, exhibitions, and events to the informed assessment of a scholar."--Los Angeles Review of Books. "Dada: a familiar word we all toss around. But who were the Dadaists really? What did they accomplish? How did Dada relate to other avant-garde movements like Constructivism? Was Dada a historical phenomenon or is it a state of mind? The great feat of Jed Rasula's extraordinarily lively and compelling narrative is to defamiliarize Dada so that we see its evolution as if for the first time. A genuinely delightful book!"--Marjorie Perloff. Pristine hardcover w/brilliant corners & crisp edges, a square & tight binding, many illustrations, handsomely wrapped in a jacket featuring that cool cover photo of Hugo Ball reciting his poems at the Cabaret Voltaire, Zurich 1916. Quite presentable, 'gadji beri bimba,' & collectible.…

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Zustand: New. In English.