raphaele garrod (22 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9789004375697.

Zustand: New.

Hardcover. Zustand: Brand New. 352 pages. 9.25x6.25x1.25 inches. In Stock.

Gr.-8°. XIII, 294 Pages. Original Hardcover-Volume. Very good Condition with only minimal Signs of Usage at the Cover. No Markings in the Text! No Underlinings! No Owner's Note! (Intersections, Volume 58).

Hardcover. Zustand: Brand New. 352 pages. 9.25x6.25x1.25 inches. In Stock.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 9.50x6.25x1.00 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 9.50x6.25x1.00 inches. In Stock.

Hardcover. Zustand: New.

Zustand: New.

Zustand: gut. Cosmographical Novelties in French Renaissance Prose (1550?1630) Dialectic and Discovery In deutscher Sprache. pages.

Hardcover. Zustand: New. &Uumlber den AutorProfessor Yasmin Haskell, FAHA, is Cassamarca Foundation Chair of Latin Humanism at the University of Western Australia, Perth, and a Partner Investigator in the ARC Centre of Excellence for the History of Emotions: Eu.

Buch. Zustand: Neu. Neuware - François Rabelais and the Renaissance Physiology of Invention: Ingenious Animation explores the medical poetics of inventive, embodied thinking or ingenuity instantiated in Rabelais' Gargantua and, mostly,in his Quart livre. It unsettles established dichotomies in Rabelaisian scholarship between Rabelais's 'lowly' laughter and his 'high', erudite message and reassesses the Rabelaisian grotesque by highlighting its debts to grotesque ornament, this marginal yet omnipresent Renaissance visual art.Bodily functions are a trademark of Rabelais's poetics. Scholarship has read them as signs of carnivalesque inversion, in line with the Bakhtinian grotesque, or of satirical degradation: in both instances, the 'lowly' is opposed to the 'high', the belly to the head. Yet for a physician like Rabelais, the 'head' or the brain as the site of cognition is not opposed to what is below it: the chest as the site of breathing, the belly and its nether regions as sites of nutrition and generation. In Renaissance medicine, these are integrated physiological systems whose products fuel each other's operations, including cognition. Read through this lens and alongside his diagnosis of the healthy or diseased culture of his time (rotting scholasticism, the humanist digestion of the classical heritage, or the schismatic convulsions shaking Christianity) Rabelais's fictions testify to his reflexive investigation into how culture results from physiological processes fuelling the inventive ability of the human animal, made manifest in pedagogical, artistic, mechanical, and spiritual 'inventions'. They display the life (rather than the truth) of culture stemming from human ingenia, that is, wits conditioned by biological natures. While these might be idiosyncratic, their animation is fuelled and shaped by the food one eats, the air one breathes, the places one inhabits, the company one keeps.In this respect Rabelaisian fiction is grotesque in a period sense. With its emphasis on hybrid forms capturing the metamorphic powers of animation, grotesque ornament reflexively commented on the embodied inventive processes underpinning Renaissance mimesis. Rabelais's fictions display a similar logic: they foreground the inventive powers of ingenious animation and articulate reflexive, often ironic alternatives to the humanist views they alter: a thoroughly embodied anthropology, a naturalist genealogy of cultural production and transmission, a phantastical account of artistic invention as uncanny liveliness.

Buch. Zustand: Neu. Neuware - Descartes and the 'Ingenium' tracks the significance of embodied thought (ingenium) in the philosophical trajectory of the founding father of dualism. The first part of the book defines the notion of ingenium in relation to core concepts of Descartes's philosophy, such as memory and enumeration. It focuses on Descartes's uses of this notion in methodical thinking, mathematics, and medicine. The studies in the second part place the Cartesian ingenium within preceding scholastic and humanist pedagogical and natural-philosophical traditions, and highlight its hitherto ignored social and political significance for Descartes himself as a member of the Republic of Letters. By embedding Descartes' notion of ingenium in contemporaneous medical, pedagogical, but also social and literary discourses, this volume outlines the fundamentally anthropological and ethical underpinnings of Descartes's revolutionary epistemology. Contributors: Igor Agostini, Roger Ariew, Harold J. Cook, Raphaële Garrod, Denis Kambouchner, Alexander Marr, Richard Oosterhoff, David Rabouin, Dennis L. Sepper, and Theo Verbeek.

Buch. Zustand: Neu. Neuware - Natural History in Early Modern France offers a longue durée account of recurring poetic structures of the genre through case studies spanning from the Renaissance to the eve of the nineteenth century. These case studies reveal the lasting epistemic importance of bookish knowledge and commonplacing in the natural-historical description from Belon to Buffon. They also highlight the French reception of Baconianism. Natural History in Early Modern France makes a case for the literary status of the genre by attending to the permanence of its 'Plinian' features, such as wonders. Natural history was not only concerned with increasingly rational modes of ordering natural particulars: this book reveals its enduring social, affective, spiritual, and aesthetic underpinnings.Contributors are: Peter Anstey, Susan Broomhall, Isabelle Charmantier, Arlette Fruet, Raphaële Garrod, Paul Gibbard, Dana Jalobeanu, Myriam Marrache-Gouraud, Stéphane Schmitt, Paul J. Smith, and Stéphane Van Damme.

Buch. Zustand: Neu. Neuware - This volume of essays contributes to our understanding of the ways in which the Jesuits employed emotions to 'change hearts'--that is, convert or reform--both in Europe and in the overseas missions. The early modern Society of Jesus excited and channeled emotion through sacred oratory, Latin poetry, plays, operas, art, and architecture; it inflamed young men with holy desire to die for their faith in foreign lands; its missionaries initiated dialogue with and 'accommodated' to non-European cultural and emotional regimes. The early modern Jesuits conducted, in all senses of the word, much of the emotional energy of their times. As such, they provide a compelling focus for research into the links between rhetoric and emotion, performance and devotion, from the sixteenth through eighteenth centuries.

Hardback, 389 pages, 156 x 234 mm, Illustrations:12 b/w, 7 tables b/w., English, French, Latin. *NEW. ISBN 9782503550459. Contemporary historiography holds that it was the practices and technologies underpinning both the Great Voyages and the ?New Science?, as opposed to traditional book learning, which led to the major epistemic breakthroughs of early modernity. This study, however, returns to the importance of book-learning by exploring how cosmological and cosmographical ?novelties? were explained and presented in Renaissance texts, and discloses the ways in which the reports presented by sailors, astronomers, and scientists became not only credible but also deeply disturbing for scholars, preachers, and educated laymen in sixteenth- and seventeenth-century France. It is argued here that dialectic ? the art of argumentation and reasoning ? played a crucial role in articulating and popularizing new learning about the cosmos by providing the argumentative toolkit needed to define, discard, and authorize novelties. The debates that shaped them were not confined to learned circles; rather, they reached a wider audience via early modern vernacular genres such as the essay. Focusing both on major figures such as Montaigne or Descartes, as well as on now-forgotten popularizers such as Belleforest and Binet, this book describes the deployment of dialectic as a means of articulating and disseminating, but also of containing, the disturbance generated by cosmological and cosmographical novelties in Renaissance France, whether for the lay reader in Court or Parliament, for the parishioner at Church, or for the student in the classroom. TABLE OF CONTENTS Introduction. Cosmographical Novelties: Unravelling the Dialectical Fabric of French Prose Chapter 1. Dialectic and Natural Philosophy: An Early Modern Panorama Part I. Cosmological Novelties: Natural?Theological, Sceptical, and Revolutionary Subversions Chapter 2. Natural Theology and Cosmological Novelties: The Huguenot Encyclopaedia and the Jesuit Miscellany Chapter 3. Cosmological Fictions: Sceptical and Revolutionary Uses of the Loci Part II. Cosmographical Novelties: Inventing the New World and National Geographies Chapter 4. Early Modern Cosmography: Definitions and Tensions in Contemporary Scholarship Chapter 5. The Locus from Authority in Cosmography and Geography Chapter 6. Loci in Cosmography and Geography: Probable Disciplines. Defining Novelties, Inventing National Geographies Conclusion. Dialectical Invention: The Discursive Emergence of Novelties and Epistemic Change Appendices Bibliography Index of Names 0 g.

gr.8° XIX., 328 S. m. Farbtaf. Orig.-Pappband. = Jesuit Studies. Vol. 15. Sehr gut erhalten.