rajon paul adolphe (9 Ergebnisse)

Zustand: Good. ALS by the 19th-century French engraver Paul Adolphe Rajon. On notepaper embossed "Auvers.Oise et Loire" (town of his last residence). Written in black ink and signed in pencil "Rajon." 3-7/8 x 6-3/8 inches.

Couverture rigide. Zustand: Bon. Paul Adolphe Rajon (1843-1888), peintre, graveur. L.A.S., 2 août 1869, 2p 1/2 in-8. A Benjamin Fillon (1819-1881), magistrat, archéologue, numismate. Il envoie les « 30 épreuves et le cuivre du portrait » demandé, fait d'après photo. Il souhaite avoir son opinion. La dernière demi-page est sa facture, 264 francs pour le tout. Sympathique lettre. [441].

Couverture rigide. Zustand: Très bon. Paul Adolphe RAJON (illustrator). André CHENIER OEUVRES POETIQUE DE ANDRE CHENIER, AVEC UNE NOTICE ET DES NOTES DE RAOUL GUILLARD 2 TOMES COMPLETS Sans date circa fin XIXe siècle, Paris, Edition Alphonse Lemerre Format : In-12 (16 x 10 cm), relié, XXXII-330 et 306 pages Reliure plein cuir maroquin havane, dos à nerfs titré doré, roulette or aux chasses, filets or aux tranches des plats, tranche entièrement dorée illustré d'un portrait de l'auteur en frontispice gravé par Paul Adolphe RAJON Etat : papier propre, ouvrages solides, superbes reliures poids : 1,1 kg.

Not in NPG. Size: 45 x 31cm (image = 20 x 14cm). Large sheet (extremities a little curled/worn). Etching by Rajon after the portrait of Lord Byron by James Holmes (1777-1860).

Motiv: 21,3 x 16,3 cm; Blatt: 40 x 30 cm Gutes Blatt Sprache: Deutsch 1001 gr.

Zustand: Good. Etching on cream laid paper. 29 x 22 cm (sheet). Very Good, some matte and light staining, a small tear at upper left sheet edge.

Zustand: Good. Etching on laid paper with watermark. 43 x 30 cm (sheet). Very Good, light specks of foxing in the margins, some tears along sheet edges.

Zustand: Good. A collection of 35 etchings on laid paper. 23.4 x 15.5cm. 10 with serious waterstains. Reference: Boston MFA, ACCESSION NUMBER37.1892.

No Binding. Zustand: Very Good. Rajon (1842/31888) 'first exhibited at the Paris Salon of 1868 and received medals in 1869, 1870, 1873 and 1878. His widowed mother placed him with her brother-in-law, a photographer, and there Rajon learned how to touch up negatives. When he was older he went to Paris, and after leading a rather Bohemian existence colouring photographs and drawing portraits, he joined the École des Beaux-Arts and studied under Pils. He remained there only a month. It was his acquaintance with Léopold Flameng and Gaucherel that determined his future career he became a successful etcher and was a supplier to the print firm Maison Goupil. During the war of 1870 he enrolled in a battalion of francs-tireurs. After the war he went to London where he made some interesting connections. He also made the acquaintance of the eminent New York art publisher Frederick Keppel, who brought his work to the attention of the American public. In 1880 he went to live with his friend Daubigny and remained with him until the end of his life' (Benezit). Chalmers visited Paris in 1872, though it is possible the two met on one of Rajon's visits to London. Béraldi, Les graveurs du XIXe siècle, vol. XI, no. 151: 'de trois quarts à droite, cheveaux rares et longs, moustaches, favoris longs, in-8.' Etching (plate: 150 × 110 mm; paper: 270 × 200 mm), unsigned, printed on Japanese paper, a few creases and spots, but still good; mounted.