raith tivadar (10 Ergebnisse)

32 unpag. Bll. Mit acht Holzschnitten von Erzsébet Csöre. 8°, priv. Pappbd. mit eingeb. Orig.-Broschurdeckel. Signiertes Exemplar. (Aufgehende Sonne, 1.) - Eins von 600 nummerierten und vom Verfasser im Druckvermerk signierten Exemplaren. - Respektbl. ebenfalls vom Verfasser signiert. - Das Verlagssignet und die Titelillustration von Lajos Csabai Ékes. - In der von Raith gegründeten Zeitschrift Magyar irás stellte alsbald Iván Hevesy, der zuvor mit Kassák zusammenarbeitete und den linken Avantgarden auch danach aufgeschlossen gegenüberstand, von 1922 bis 1925 systematisch die Ismen vor, einschließlich der Programme der russischen Konstruktivisten. Raith schloss die Sammlung mit dem Kommentar, all diese Programme und Theorien, gehörten der Vergangenheit an. Jedoch gab dieser Überblick erstmalig in Ungarn die Möglichkeit, die Programme in der Landessprache zu lesen, welche zuvor teils in den verbotenen Wiener Periodika ?MA? und ?Egység? veröffentlicht worden waren. Der Surrealismus fand jedoch auch später keine Berücksichtigung, und das, obwohl Raith seine wichtigsten Impulse von den französischen Avantgarden empfangen hatte. In der ungarischen Literatur gab es im Wesentlichen nur die optimistische Aufbaudichtung und das abstraktere Montageprinzip als nachvollziehbare Avantgarde-Stile. Nur wenige Literaten wie Attila József ließen die verschiedenen Ismen als Synthese in ihrem Werk aufgehen. Für Raith, der immer auf der Suche nach einer ihm adäquat erscheinenden Verssprache war, bedeutete der Stilpluralismus eine Aufforderung sich für einen der Ismen entscheiden zu müssen. Daher ist es nicht überraschend, dass er 1921/22 noch einmal die Experimente der Verschmelzung der Verssprache von Apollinaire und Walt Whitman von 1915/16 wiederholt. - Vorliegender Band enthält u.a. den Text Paris, Liège, Trencsénteplicz , der zuerst in der Zeitschrift A Tett erschienen war. - Die Künstlerin Erzsébet Csöre (1896-?) gehörte zum Kreis der Zeitschrift Magyar írás . - Einbandkanten etwas berieben, sonst gut erhaltenes Exemplar. 600 gr.

Louis Marion Wachlmeyer [d.i. Aloys Wach] (2). 8°, Orig.-Karton mit einer Deckelillustr. von Jenõ Ráth. In Ungarisch. - Erste Ausgabe des Erstlingswerkes von Tivadar Raith (1893-1958). Raith skizziert in den folgenden Jahren die Idee einer religiösen und nationalen neuen Kunst, wobei seine Vorstellungen nichts mit einem traditionellen Nationalismus und der Institution Kirche zu tun haben, sondern er eher eine verschworene Gemeinschaft von Brüdern und Schwestern sowie eine Basisgruppen-Religiosität propagiert. (vgl. Pál Deréky: Ungarische Avantgarde-Dichtung in Wien 1920-1926. Wien, Köln u. Weimar, 1991. S. 87ff.) - Der Schweizer Maler und Grafiker Ernst Kempter (1891-1958) war u.a. Mitbegründer des Museo Comunale in Ascona. - Der österreichische Maler und Grafiker Alois Ludwig Wach (1892-1940) (hier noch Wachlmeyer) war einer der wichtigsten expressionistischen Künstler Münchens, seine Holzschnitte dominieren die avantgardistischen Blätter der Stadt. Seine graphischen Arbeiten wurden darüber hinaus auch in den überregional wichtigsten Zeitschriften der Moderne gedruckt, darunter im Sturm. Bereits vor dem Ersten Weltkrieg pflegte Wach Kontakt zur Münchner Künstlerszene um den Blauen Reiter. (Vgl. Brühl, Der Sturm. S. 280 und Süddeutsche Freiheit. Kat. München 1993. S. 191). - Karton etwas gebräunt u. leicht knickspurig, erstes Bl. u. Titelbl. gestempelt, sonst sehr ordentlich erhaltenes Exemplar. 500 gr.

Zustand: In fine condition. 4 original woodcuts by Ernst Kempter (2) and Aloys Ludwig Wach (2). (illustrator). First edition. 4 original woodcuts by Ernst Kempter (2) and Aloys Ludwig Wach (2). First edition. In original illustrated soft cover. 24 p. Prose poems, the first book of Raith, an important figure in the Hungarian Avant-garde, who made the earliest translations of Apollinaire (published in the first issue of "Tett"), and whose 1916 "Páris, Liège, Trencsényteplic" (also in "Tett") is now thought to be a source for Kassák's greatest poem. The woodcuts by the Swiss-born Kempter, whose work later appeared in "Das Kunstfenster," among other places, are especially striking. Prints by Aloys Ludwig Wachlmayr (later called Aloys Ludwig Wach, and here called Louis Marion Wachlmeier) were published in "Der Sturm," "Der Weg," and "Das Kunstblatt" often in the service of revolution. In "Alkonyi szimfónia" one finds a perfect instance of the interlocking circles of the international Avant-garde in the early teens. Rare. OCLC lists one copy only. . In original illustrated soft cover.

In publisher's wrappers. With illustrated cover, and with a reproduction of Munch's "The Scream". (illustrator). First edition. With illustrated cover, and with a reproduction of Munch's "The Scream". First edition. In publisher's wrappers. (1), 6069, (1) p. Magyar Írás was a Hungarian avant-garde, leftist review of art, edited by Tivadar Raith between 1921 and 1927. This issue contains mostly literary works by Hungarian avant-garde artist, also an essay about Zoltán Kodály's operas and a reproduction of Munch's "The Scream". . Extremities slightly chipped. Overall in very good condition.

Linocut on cover by Jen? Gábor. With reproductions of a work by József Csáky and József Egry. (illustrator). First edition. Linocut on cover by Jen? Gábor. With reproductions of a work by József Csáky and József Egry. First edition. In publisher's illustrated wrappers. 2936 p. and 1 plate. A special number contains writings by French writers. Magyar Írás was a Hungarian avant-garde, leftist review of art, edited by Tivadar Raith between 1921 and 1927. Contains a foreword by Tivadar Raith that followed by short writings about Europe by French writers, among them Jean Cocteau, Henry Barbusse, Jean Cassou and Léon Werth. Also some literary works of Hungarian avant-garde poets and writers, and a plate with reproductions of József Csáky's drawing and József Egry's painting. . Extremities and spine chipped. Overall in fine condition. In publisher's illustrated wrappers.

In original paper. Zustand: Some dirt on the cover, tears. Illustreated by Erzsebet Csore (illustrator). First edition. One of the 600 copy. Illustreated by Erzsebet Csore. First edition. One of the 600 copy. In original paper, 24 p. and 8 woodcut. Signed.

In original paper. Zustand: In almost fine condition. Illustration by Farkas Molnar and Janos Gyorgy Simon (illustrator). Illustration by Farkas Molnar and Janos Gyorgy Simon. In original paper. 20 p. Magyar Írás was a Hungarian avant-garde, leftist review of art, edited by Tivadar Raith between 1921 and 1927. There is translation of an Ivan Goll text.

With 8 full page illustrations by Erzsébet Csöre. The publisher's logo and the illustration on the title page by Lajos Csabai Ékes. (illustrator). With 8 full page illustrations by Erzsébet Csöre. The publisher's logo and the illustration on the title page by Lajos Csabai Ékes. First edition. In publisher's half leather with gilt title on spine. The original, illustrated wrapper bound into. Numbered (16/200 of 600), signed by the author. (64) p. Prose poems by Tivadar Raith (18931953), an important figure in the Hungarian Avant-garde, who made the earliest translations of Apollinaire. Between 1921 and 1927 he ran "Magyar Írás", a magazine for modern literature and art. Erzsébet Csöre (1896?) was a Hungarian expressionist graphic artist, associated with the avant-garde circle around Raith and "Magyar Írás". . Binding slightly worn at edges. Otherwise in fine condition. First edition. In publisher's half leather with gilt title on spine. The original, illustrated wrapper bound into. Numbered (16/200 of 600), signed by the author.

First edition. First edition. In contemporary half-cloth. Covers bound in. 228 p., 216 p., 56 p, Magyar Írás was a Hungarian avant-garde, leftist review of art, edited by Tivadar Raith between 1921 and 1927. The magazine was published and edited by Raith Tivadar, who was replaced by Kornél Melleky during his study trip to Paris in 1925-26. The first issues of the magazine featured writers from the first generation of the West (Nyugat), including Dezs? Kosztolányi, Frigyes Karinthy, and Aladár Schöpflin. Famous graphic artists illustrated the magazine: , Gyula Derkovits, József Egry, János Kmetty, Vilmos,István Sz?nyi. In contemporary half-cloth. Covers bound in.

In original paper. 4 original woodcuts by Ernst Kempter (2) and Aloys Ludwig Wach (2), the woodcuts are signed. (illustrator). 4 original woodcuts by Ernst Kempter (2) and Aloys Ludwig Wach (2), the woodcuts are signed. First edition. One of the 50 numbered and signed copy. Inscribed to Szilard Detere, Hungarian painter. In original paper. 24 p. Prose poems, the first book of Raith, an important figure in the Hungarian Avant-garde, who made the earliest translations of Apollinaire (published in the first issue of "Tett"), and whose 1916 "Páris, Liège, Trencsényteplic" (also in "Tett") is now thought to be a source for Kassák's greatest poem. The woodcuts by the Swiss-born Kempter, whose work later appeared in "Das Kunstfenster," among other places, are especially striking. Prints by Aloys Ludwig Wachlmayr (later called Aloys Ludwig Wach, and here called Louis Marion Wachlmeier) were published in "Der Sturm," "Der Weg," and "Das Kunstblatt" often in the service of revolution. In "Alkonyi szimfónia" one finds a perfect instance of the interlocking circles of the international Avant-garde in the early teens. Very rare, one of the 50 special copy. Very nice condition. Small dirt on the cover. First edition. One of the 50 numbered and signed copy. Inscribed to Szilard Detere, Hungarian painter.