raban zeev illustrator (10 Ergebnisse)

HARDCOVER. Zustand: Good+. 3rd improved edtion. Unpaginated. Folio in full padded and blind-embossed brown calf with gilt spine title, with front cover inset of figured copper bordered in gilt. Tipped-in color plates with glassine protectors. Light rubbing and wear to boards, 1/2" chip to front board leather at top; front hinge cracked but holding, long narrow stain to flyleaf, ink inscriptions on page following flyleaf (From the Israeli patients of the National Jewish Hospital to its executive director, Samuel Schaefer); binding weak in places, toning to glassine, plates crisp and bright. Beautiful (and rather spicy) illustrations, fantastic binding.

Zustand: Very Good. Location:68 new covers with images pasted to covers,not original covers reprint, with script dedication to those with perished in the Shoah 68.

Zustand: Good. No Edition Remarks. Unpaginated. No dust jacket. Brown decorated cloth boards with metal like illustration in middle of front board. Gilt lettering. Contains 11 colour tipped-in illustrations. Textblock is in English and Hebrew. Clean pages and illustrations with light tanning and mild foxing throughout. More pronounced to free endpapers and pastedowns. Binding remains firm. Boards have mild edge wear with slight rubbing to surfaces and bumping to corners. Gilt lettering is darkened. Visible wear marks to boards.

Zustand: Good +. OCLC Number: 970842411 Location:68 Leatherish style boards, 26 tipped in color plates with glassing protective sheets, German text on left page, illustrations have Hebrew on bottom , blue and silver pictoral endpapers,top corners bumped, Bronze high relief plaque inserted in front cover.f Queen of Sheba from school of Bezalel 68.

Zustand: Good +. Signed by Z. Raban in English and Hebrew on half title, Jerusalem 30/X 1925 Location:153 Brown boards with silver and gilt doves circling with Hebrew letters in the middle, blue and silver pictoral endpapers, 26 tipped in color plates with glassing protective sheets, cover boards evidence of past water staining and slight cracking, some repair to spine and repair of endpapers, slight piece of back endpaper lacking 153.

4to (31 x 22.3 cm), publisher's blue velvety boards with a gilt title, edges rubbed, small crack to bottom of spine. 35 coloured illustration plates; gilt frontispiece attached to the back of the front endleaf, crisp and clean pages; text in Hebrew and English; 84, [4] pp. Passover Haggadah with '35 coloured illustrations by Ze'ev Raban, "Bezalel" Jerusalem', and a 'Musical supplement'. The Bezalel school was founded in 1906 in Jerusalem by the artist and professor Boris Schatz and was the first art school to be established in the Holy Land in the 20th century. The establishment of Bezalel was initiated by Schatz, who discussed his vision of opening an art school in the Land of Israel with Herzl, while the two met in Vienna in 1903 at the sixth Zionist Congress. Schatz chose to call the school 'Bezalel' after the biblical artist Bezalel ben Uri ben Hur, mentioned in the book of Exodus as the artist chosen by God to build the Tabernacle (hamishkan in Hebrew). According to the scripture this artist worked in silver, gold, copper, stone and wood. By founding his art school Schatz aimed to establish a national style of art, blending classical Jewish, European and Middle-Eastern traditions. In addition to traditional sculpture and painting training, the school ran craft workshops that produced decorative art objects in silver, leather, wood, brass and fabric, which were sold at exhibitions in Europe and the United States. Schatz's school was closed in 1929 and then reopened in the mid 1930s as the 'New Bezalel'. In 1955 the school received its official academic acclaim and today the Bezalel Academy of Art and Design is Israel's national school of art, as well as its oldest higher education institution. The art created by Bezalel's students and professors in the first decades of the 20th century is considered the stepping stone for Israeli visual arts and many of the famous Israeli artist's and illustrators studied and worked in or with the school over the years, including Ze'ev Raban (1890-1970) who arrived to Jerusalem 1912 and immediately joined the Bezalel Academy and taught there until its temporary closure in 1929. Raban was a prolific and influential artist, who illustrated several Biblical books and the Passover Haggadah.

Tall 4to (34 x 24.5 cm); 26 colour-illustration plates protected by tissue guards, publisher's embossed cloth boards, illuminated in gilt and silver, illuminated in gilt and silver ornamental endpapers, slightly chipped, bottom corner of a few leaves chipped, small black ink gift inscription to front endleaf dated '34'; text in English and Hebrew; [32] ll pp. A magnificent publication of The Song of Songs, first published in Berlin in 1923, illustrated by Ze'ev Raban and personally dedicated to Prof. Boris Schatz, the founder and then manager of the Bezalel Academy of Art and Design in Jerusalem. Following a personal invitation from Schatz Raban moved to Palestine in 1912 and joined the faculty of Bezalel, where he taught until 1929. Ze'ev Raban, born Wolf Rawicki (1890-1970) was a leading painter, decorative artist and industrial designer of the Bezalel School, and considered to be one of the founders of the Israeli art world. He was born in Lodz, Poland, studied there, then in Munich, Paris and Brussels. His illustrations show an eclectic mix of European and Oriental styles, as can be seen in his biblical works, which include the Book of Ruth, the Book of Job, the Book of Esther, the Passover Haggadah and the work offered here.

Hardcover. Zustand: g- to g. First edition. Quarto. Unpaginated. [32]pp. Original beige quarter cloth over color-illustrated paper covered boards, with black lettering and oragne decor on spine. Illuminated title page. This landmark Hebrew language children's book contains the 27 illuminated letters of the Hebrew Alphabet, rendered by artist Ze'ev Raban, a founder of the Israeli Art and Crafts school and workshop Bezalel. Included in this work are the following letters/designs: "Het - Hasidah (stork)," "Vav - Vered (rose)," "Resh - Rimon (Pomegranate)," and "Ayin - Ez (goat) and Etz (tree)." Each letter is illuminated with gilt over-painting, with pages on heavy cardstock. Title pages in Hebrew and German. Text in Hebrew. Binding with light wear along edges and lightly rubbed; upper foredge corner of front cover lightly bumped. Black lettering on spine with light smudging. Some light damp-staining on free endpapers. Hebrew: ???-???, ??? ????.

Ca. 33,5 x 24,5 cm. Mit dekorativem Titel und 26 montierten Farbtafeln mit Illustrationen und kalligraphischem Text von Zeev Raban sowie farbigen Vorsätzen in Türkis, Silber und Gold. Pergament-Einband (sign. H. Sperling, Berlin) mit Rückenvergoldung, goldgeprägter Deckelbordüre und silber- und goldgeprägter Deckelvignette sowie Kopfgoldschnitt. Erste Ausgabe mit diesen Illustrationen. Nr. 99 von 500 numerierten Exemplaren (Deluxe-Ausgabe) in einem handgebundenen signiertem Einband von Heinrich Sperling, Berlin; gedruckt durch die Berliner "Graphische Gesellschaft A.G.". Salomons Hohelied in Hebräisch und Englisch mit Illustrationen und Schriften im Bezalel Stil von Zeev Raban. Der Illustrator Zeev Raban (1890-1970), als Wolf Rawicki in Lodz/Polen geboren, studierte in München, Brüssel und Paris, er wurde stark beeinflußt von Jugendstil und Art Deco, aber auch durch den tratitionellen persischen Stil, 1921 ging er nach Palästina an die Bezalel Academy. Mit der gedruckten Widmung: "To Professor Boris Schatz, founder and manager of the Bezalel Arts and Crafts School of Jerusalem with friendly veneration Seew Raban month of abib five thausand six hundred and eighty three years of the creation." Unteres Kapital gering bestoßen, Deckel leicht gewölbt. - Nr. 99 of 500 numbered copies (deluxe edition) "on especial paper bound in hand-made covers". With decorative title page and 26 color plates with illuminations and calligraphic text by Raban and decorative endpapers. Exquisite parchment binding by Heinrich Sperling with gilt spine, gilt border and silver and giltstamped cover vignette and gilt edges. One corner of binding a little bit bumped.

Deutsch-hebräischer Paralleltext. - Gutes Exemplar.