R r blakey (20 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Paperback. Zustand: Brand New. 304 pages. 8.00x5.00x0.69 inches. In Stock.

Paperback. Zustand: Brand New. 174 pages. 8.00x5.00x0.40 inches. In Stock.

Paperback. Zustand: Brand New. 165 pages. 8.00x5.00x0.38 inches. In Stock.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN.…

Zustand: New. In English.

No Binding. Zustand: Very Good. Two Large folded sheets consisting of map showing distribution of deposits, description of geology and discussion of origin, migration, entrapment, geochemistry, exploration and exploitation of oil-impregnated deposits; included table with deposit, location, formations, lithology, size, gross oil in place; and bibliography; in printed envelope; ex-corporate library; envelope w/ edgewear and a couple of small splits along edges of envelope; o/w both sheets in very good condition. Map. …

Zustand: New. In English.

paperback. Zustand: Very Good. D is for Demons: 4 (A to Z of Horror) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Good. Zustand des Schutzumschlags: No d/j as Published. Third Edition. Type: Book.

An evocative sequence: one focusing on Blakey at the kit (a particularly luminous shot), another showing the front men playing percussion, two of Freddie Hubbard soloing, one of Curtis Fuller, and another of Cedar Walton. Blakey (1919-1920) was a master percussionist, and the Jazz Messengers, which he led for over 30 years, was "the most famous academy in jazz" (Cook & Morton). The lineup here is Blakey (drums), Wayne Shorter (tenor sax), Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), and Jymie Merritt (bass). When Lee Morgan left the band, Blakey brought in Hubbard and Fuller, with Cedar Walton coming in for Bobby Timmons. The new agglomeration formed perhaps "the most adventurous of Messenger lineups. The band's expanded voicings added orchestral sonority to rhythmic power". The photographer, Michel Salou, worked as a music executive, producing albums by, among others, Sun Ra (Live in Paris at the "Gibus", 1973), the Mal Waldron Trio (Ursula, 1978), and the French pianists George Arvanitas and Rene Urtreger. He also appears in the annals of the Art Ensemble of Chicago as their "first booking agent. who helped them secure concert dates across France and elsewhere in Europe" (Steinbeck, p. 130). His excellent work as a lensman appears to have gone virtually unnoticed, except that the National Portrait Gallery holds a single print of Ray Charles in performance. Paul Steinbeck, Message to Our Folks: The Art Ensemble of Chicago, 2017. Six original carbon print photographs (240 x 180 mm), printed on heavy stock paper, inscribed on versos in blue ballpoint: "clichés Michel Salou". In excellent condition.…

An outstanding series of "in the moment" images showing one of the great Messengers lineups, captured in Paris, probably at the Olympia, in 1960. The lineup comprises Blakey (drums), Wayne Shorter (tenor sax), Lee Morgan (trumpet), Bobby Timmons (piano), and Jymie Merrit (bass). Blakey (1919-1920) was a master percussionist, and the Jazz Messengers, which he led for over 30 years, was "the most famous academy in jazz" (Cook & Morton). Wayne Shorter was relatively new to the band, and his playing lent a "dark, corrosive edge" to the front line, while on ballads his tone became "softly beseeching". Lee Morgan, "arguably the defining figure of hard bop" had been with Blakey since 1958. The photographer, Michel Salou, worked as a music executive, producing albums by, among others, Sun Ra (Live in Paris: At the "Gibus", 1973), the Mal Waldron Trio (Ursula, 1978), and the French pianists George Arvanitas and Rene Urtreger. He also appears in the annals of the Art Ensemble of Chicago as their "first booking agent. who helped them secure concert dates across France and elsewhere in Europe" (Steinbeck, p. 130). His excellent work as a lensman appears to have gone virtually unnoticed, except that the National Portrait Gallery holds a single print of Ray Charles in performance. Richard Cook & Brian Morton, The Penguin Guide to Jazz Recordings, eighth ed., 2006; Paul Steinbeck, Message to Our Folks: The Art Ensemble of Chicago, 2017. Eight original carbon print photographs (240 x 180 mm, 6 landscape, 2 portrait), printed on heavy stock paper, verso with Salou's identifying note in pencil. In excellent condition. …