R dekoninck (15 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9789042027510.

Zustand: New. 215, 19 col plates, col photos, maps, line drawings. . PB. NEW. . Text Dutch. Illustrated keys to all the species of Carabidae recorded from the Netherlands and surrounding area. Distribution maps for all species. [29790].

hardcover. Zustand: New. 1st.

Hardcover. Zustand: Brand New. 01 edition. 479 pages. 9.50x6.50x1.50 inches. In Stock.

Zustand: gut. Emblemata sacra Rhetorique et hermeneutique du discours sacre dans la litterature en images. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse In deutscher Sprache. pages.

Zustand: gut. Ut pictura meditatio The Meditative Image in Northern Art, 1500-1700 In deutscher Sprache. pages.

hardcover. Zustand: New. 1st.

paperback. Zustand: New. 1st.

Zustand: As New.

Zustand: gut. Cultures du spectacle baroque. Cadres, expériences et représentations des solennités religieuses entre Italie et anciens Pays-Bas In deutscher Sprache. pages.

Zustand: New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: gut. Questions d'ornements XVe-XVIIIe siecles. In deutscher Sprache. pages.

Hardback, 652 p., 124 b/w ill., 160 x 240 mm. ISBN 9782503524696. The present volume of essays, Emblemata Sacra. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse, follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). The 38 essays have been organised in seven sections. The first section ('Historical and methodological issues') presents methodological bases for the study of emblematics and spiritual images, as well as the elements necessary for the Christian contextualisation of the corpus. The second section ('Exegesis of the Scriptures and the Creation'), complementary to the first section, is devoted to exegetical processes developed in different contexts and seeks to emphasise the correspondence between the exegesis of Sacred Scripture and the exegesis of the Creation, which are the two central symbolisms in Christianity. The third section ('The image in absentia') focuses on the most critical aspect of the encounter between the Word and the Image, in the form of a paradoxical iconoclastic image, already mentioned in the first section. The fourth section ('Rhetoric and poetics of the image') exposes the mutual exchanges between the word of the images and the images of the word. The last three sections all deal with the uses of figures in determined contexts. Thus, the fifth section ('The image performance') explores staged, incarnated, and exhibited figures, while the sixth section ('Circulation of images among different faiths') gathers studies about different confessional contexts in which spiritual images are used to support and feed the polemics, and the seventh section ('The efficient image') opens up the chronology toward the 19th century and then to our own time. Languages : English, French. 0 g.…

Hardcover. 335 p., 155 b/w ill., 210 x 297 mm, Languages: French, English, Including an index. Fine copy. ISBN 9782503549439. Apres avoir longtemps ete mise a la marge des etudes en histoire de l'art, la question de l'ornement fait aujourd'hui l'objet d'un regain d'interet considerable et de profonds renouvellements theoriques et methodologiques. S'inscrivant dans un champ de recherche en plein (re)developpement, le propos de cet ouvrage est de questionner la nature, les fonctions et les usages de l?ornement a un moment particulier de son histoire: les Temps Modernes. Comment l?ornement a-t-il pu etre compris, exploite, legitime, canalise par un discours qui s'est cristallise autour des genres'et de leur hierarchie?? Face a ce discours, comment l?ornement a pu reellement faire sens dans l?histoire des arts et comment l?histoire de l?art comme discipline peut aujourd?hui en rendre compte?? Si la nature de l?ornement reside dans sa transversalite, ou sa capacite a affecter selon des modalites diverses tous les genres artistiques, quels sont les specificites et les roles qu?il tient dans chacun de ces domaines artistiques ? Comment l?ornement a pu faire sens au sein d?un reseau d?acteurs multiples, constitue des artistes et des commanditaires d?une part et des spectateurs d?autre part ? Pour comprendre les jeux et les enjeux qu?il recouvre et les multiples sens qu?il revet au cours de la periode des Temps Modernes, l?ornement est interroge ici a travers une grande diversite de corpus et de methodes?: de l?architecture aux arts decoratifs, de la peinture a la gravure, des sources textuelles au traitement des formes et des matieres, de l?Italie aux Pays-Bas, de la France a l?Angleterre, du Quattrocento au siecle des Lumieres, le phenomene ornemental est aborde a travers des approches multiples et croisees, historiographique et methodologique, historique et theorique, formelle, fonctionnelle et iconologique. 0 g.…

Hardback, XXXVII+482 p., 155 b/w ill. + 10 colour ill., 15,6 x 23,4. ISBN 9782503535838. Ut pictura meditatio: The Meditative Image in Northern Art, 1500 -1700 examines the form, function, and meaning of pictorial images produced and/or circulated in the Low Countries, Germany, and northern France as templates for the meditative life and its spiritual exercises. Our epigraph ut pictura meditatio (as is a picture, so is meditation) connotes the ways in which pictures facilitated meditative prayer and, conversely, the extent to which such prayer was experienced visually. Our essayists are prominent scholars in the fields of art history, history, literary studies, philosophy, and religious studies, all of whom study the ways in which visual images served to structure the interior religious life of laity and clergy in the early modern period. The volume asks how and why images were used not only to initiate, sustain, and structure kinds and degrees of meditative and contemplative devotion, but also to figure the soul's cognitive operations, its negotiation between states of being, between interior and exterior sense, between corporeal and spiritual sight. Implicit in this questioning are further explorations of the nature and scope of the interplay among mental, visual, and verbal images, and the subject positions such images allowed the votary to represent and inhabit. These questions touch upon issues of identity, subjectivity, and figuration that should be of interest to historians of art, literature, religion, and society. Languages : English. 0 g.…