quinlan hannah (26 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Softcover. Zustand: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 101 pages. 8.50x6.00x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 96 pages. 5.12x7.09x0.79 inches. In Stock.

Zustand: New. 2021. paperback. . . . . . Books ship from the US and Ireland.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New.

Paperback. Zustand: Brand New. 101 pages. 8.50x6.00x0.50 inches. In Stock.

Zustand: New.

Original Pressbook for the 1977 film. One of the great unsung literary adaptations of the 1970s, taking a terrifically complex novel about a young woman who has completely retreated into fantasy following the death of her sister. A film that suffered inevitable comparisons to "One Flew Over the Cuckoo's Nest," but actually far more internal and horrific, an actor's film brought to life by Bibi Andersson and a young Kathleen Quinlan. Nominated for an Academy Award for Best Screenplay. 8 pages with one fold-out, saddle stapled, 11 x 17 inches. Near Fine.

Zustand: NEW.

Soft cover. Zustand: Fine. pages 248 + [6] pp. ; 23 cm ; LCCN 2007215003 ; ISSN 0021-4183, 1938-6036 ; pictorial stiff paper wrappers ; Contents: Clive Hart (1931-2016) / Fritz Senn -- "Obstructing the thoroughfare": A Report on the Dublin James Joyce Summer School, 3-9 July 2016 / Niels Caul -- "Real Adventures Must Be Sought Abroad": Swedish Students Encounter Dublin and the Dubliners / Angelica Granqvist -- Milly Bloom as Blind Spot in Ulysses / Katherine Ryan -- An Abode of Bliss: Plumtree's Potted Meat and the Allegory of the Theologians / Blake Leland -- The Stability of Laughter in A Portrait of the Artist as a Young Man, or Quis est in malo humore . ego aut vos? / James Nikopoulos -- "Ordovico or viricordo": Joyce's Road from Newman to Vico / John D. Schaeffer -- Credible Resonance, or Believable Euphony in the Joyce Oeuvre / Jefferey Simons -- Reviews and Notices of James Joyce in the United States, 1916-1920 / George Monteiro -- With Joyce in Saint Gérand-le-Puy: Maria Jolas's "Joyce en 1939-1940" in Translation / Neil R. Davison -- Current JJ Checklist / William S. Brockman -- Exhuming the Monks of Mount Melleray from "The Dead" / Kieran Quinlan -- A Source for the "Most Profound Sentence" in A Portrait of the Artist as a Young Man / Daniel Aureliano Newman -- Two Gallants / Robert Berry -- Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance / Ollie Evans, Christa-Maria Lerm Hayes, Derek Pyle -- Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review) / Joseph Kelly -- Conspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie by Jean Kane (review) / Marcia K. Farrell -- Translatin Joyce: Global Transmissions in Ibero-American Literature ed. by Brian L. Price (review) / Jesús Isaías Gómez-López -- Haunted Historiographies: the Rhetoric of Ideology in Postcolonial Irish Fiction by Matthew Schultz (review) / Emer Nolan -- YEATS AND AFTERWORDS ed. by Joseph Valente and Marjorie Howes (review) / Anna Finn -- The Disappointed Bridge: Ireland and the Post-Colonial World by Richard Pine (review) -- Flann O'Brien & Modernism ed. by Julian Murphet, Rónán McDonald, and Sascha Morrell (review) / Paul Fagan -- Modernism and Christianity by Erik Tonning (review) / Jack Dudley -- Waywords and Meansigns: Recreating "Finnegans Wake" (In Its Whole Wholume) dir. by Derek Pyle (review) / Aodhán Kelly, Tom De Keyser -- Beckett in Brooklyn: The Brooklyn Academy of Music's Next Wave Festival Revival of Three One-Act Plays, "Not I," "Footfalls," and "Rockaby," by Samuel Beckett (review) / Richard J. Gerber -- Letters / Sidney Feshbach, Richard Barlow -- Modernism, Middlebrow and the Literary Canon: the Modern Library Series, 1917-1955 by Lise Jaillant (review) / Hannah McGregor ; FINE. Book.

Paperback. Zustand: Near fine in wraps. First Edition. 13 x 18cm near fine paperback explores the history of conservative feminism in the UK from the Edwardian period to today. Expanding on Hannah Quinlan and Rosie Hastings' research for their eponymous exhibition, the book aims to provide contextual information for the viewer, both as a resource on the history of feminism on the political right and to provide a deeper historical and political insight into the works within the exhibition. The book centres around a timeline created by 12 etchings, with three essays covering what the artists have identified as three significant time periods, mapping the connections between the various historical manifestations of conservative feminism that lead to the current moment. An essay by Akanksha Mehta, a lecturer in Gender, Sexuality, and Cultural Studies and the co-director of the Centre for Feminist Research at Goldsmiths, considers the nature of the women's suffrage movement, focusing on the relationship between the suffragettes and eugenics discourse. A polemical text by Lola Olufemi, a black feminist writer and organiser with the London Feminist Library, questions the women's liberation movement and 'sex wars' of the mid 20th century. In the final essay - alongside etchings exploring 'free-market feminism', Theresa May's 'Women2Win' campaign and the proliferation of transphobic rhetoric - writer, filmmaker and journalist Juliet Jacques uses Caryl Churchill's innovative 1982 play 'Top Girls' to trace the trajectory of women in power, from Thatcher into the future of feminism.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - TulipsIn Tulips, artist duo Hannah Quinlan & Rosie Hastings, alongside scholar Christina B. Hanhardt, map a terrain where they explore gestures of authority and obedience in the public space within the urban context of austerity, gentrification and policing.The work of Hannah Quinlan & Rosie Hastings (b. 1991 in Newcastle and 1991 in London, live and working in London) deals with the socio-cultural and political structures that reinforce conservatism and discriminatory practices within and around the LGBTQIA+ community. In their works the artist duo explores how the queer community's 'safe spaces' have been displaced by political strategies and how a history of femininity and the colonized body in the transition to capitalism is shaped by rationalization of social reproduction and ownership of the self.Christina B. Hanhardt (lives and works in New York) is Associate Professor in the Department of American Studies. Her research focuses on the historical and contemporary study of U.S. social movements and cities since the mid-20th century, with an emphasis on the politics of stigma, punishment, and uneven development.TulipsIn Tulips kartografieren das Künstlerinnenduo Hannah Quinlan & Rosie Hastings gemeinsam mit Christina B. Hanhardt ein Terrain, auf dem sie sich mit Gesten von Autorität und Gehorsam im öffentlichen Raum im Kontext von Sparmaßnahmen, Gentrifizierung und Polizeiarbeit auseinandersetzen.Hannah Quinlan & Rosie Hastings (geb. 1991 in Newcastle und 1991 in London, leben und arbeiten ebd.) befassen sich in ihrer Arbeit mit den soziokulturellen und politischen Strukturen, die den Konservatismus und diskriminierende Praktiken innerhalb und im Umfeld der LGBTQIA+-Gemeinschaft verstärken. In ihren Arbeiten untersucht das Künstlerinnenduo, wie die 'sicheren Räume' der Queer-Community durch politische Strategien nach und nach verdrängt werden und wie die Geschichte der Weiblichkeit und des kolonisierten Körpers im Übergang zum Kapitalismus durch die Rationalisierung der sozialen Reproduktion und des Eigentums am Selbst geprägt ist.Christina B. Hanhardt (lebt und arbeitet in New York) ist Professorin für Amerikastudien. In ihrer Forschung konzentriert sie sich auf die historische und zeitgenössische Untersuchung sozialer Bewegungen und Stadtentwicklung in den USA seit Mitte des 20. Jahrhunderts, mit dem Schwerpunkt auf Politiken der Stigmatisierung, Bestrafung und gesellschaftlicher Unterdrückung.

Taschenbuch. Zustand: Neu. Tulips (EN) | Hannah Quinlan & Rosie Hastings. KONTEXT | Hannah Quinlan (u. a.) | Taschenbuch | 112 S. | Englisch | 2023 | Distanz Verlag | EAN 9783954765171 | Verantwortliche Person für die EU: DISTANZ Verlag GmbH, Hallesches Ufer 78, 10963 Berlin, info[at]distanz[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware - TulipsIn Tulips, artist duo Hannah Quinlan & Rosie Hastings, alongside scholar Christina B. Hanhardt, map a terrain where they explore gestures of authority and obedience in the public space within the urban context of austerity, gentrification and policing.The work of Hannah Quinlan & Rosie Hastings (b. 1991 in Newcastle and 1991 in London, live and working in London) deals with the socio-cultural and political structures that reinforce conservatism and discriminatory practices within and around the LGBTQIA+ community. In their works the artist duo explores how the queer community's 'safe spaces' have been displaced by political strategies and how a history of femininity and the colonized body in the transition to capitalism is shaped by rationalization of social reproduction and ownership of the self.Christina B. Hanhardt (lives and works in New York) is Associate Professor in the Department of American Studies. Her research focuses on the historical and contemporary study of U.S. social movements and cities since the mid-20th century, with an emphasis on the politics of stigma, punishment, and uneven development.TulipsIn Tulips kartografieren das Künstlerinnenduo Hannah Quinlan & Rosie Hastings gemeinsam mit Christina B. Hanhardt ein Terrain, auf dem sie sich mit Gesten von Autorität und Gehorsam im öffentlichen Raum im Kontext von Sparmaßnahmen, Gentrifizierung und Polizeiarbeit auseinandersetzen.Hannah Quinlan & Rosie Hastings (geb. 1991 in Newcastle und 1991 in London, leben und arbeiten ebd.) befassen sich in ihrer Arbeit mit den soziokulturellen und politischen Strukturen, die den Konservatismus und diskriminierende Praktiken innerhalb und im Umfeld der LGBTQIA+-Gemeinschaft verstärken. In ihren Arbeiten untersucht das Künstlerinnenduo, wie die 'sicheren Räume' der Queer-Community durch politische Strategien nach und nach verdrängt werden und wie die Geschichte der Weiblichkeit und des kolonisierten Körpers im Übergang zum Kapitalismus durch die Rationalisierung der sozialen Reproduktion und des Eigentums am Selbst geprägt ist.Christina B. Hanhardt (lebt und arbeitet in New York) ist Professorin für Amerikastudien. In ihrer Forschung konzentriert sie sich auf die historische und zeitgenössische Untersuchung sozialer Bewegungen und Stadtentwicklung in den USA seit Mitte des 20. Jahrhunderts, mit dem Schwerpunkt auf Politiken der Stigmatisierung, Bestrafung und gesellschaftlicher Unterdrückung.

Taschenbuch. Zustand: Neu. Tulips (DE) | Hannah Quinlan & Rosie Hastings. KONTEXT | Hannah Quinlan (u. a.) | Taschenbuch | 112 S. | Deutsch | 2023 | Distanz Verlag | EAN 9783954765164 | Verantwortliche Person für die EU: DISTANZ Verlag GmbH, Hallesches Ufer 78, 10963 Berlin, info[at]distanz[dot]de | Anbieter: preigu.

Very Early Draft script for the 1977 film, preceding its release by at least seven years. First generation photocopied script containing photocopied annotations throughout. Owner name in manuscript ink on the front wrapper Based on the 1964 novel by Joanne Greenberg (as Hannah Green). Deborah Blake (Quinlan), a young mental patient, is transferred to several hospitals, and the last one looks clean and cheerful. She is treated by Dr. Fried (Bibi Andersson), a very skillful therapist who gets past her deranged defenses, revealing Deborah's violent fantasies about some of her relatives. Nominated for an Academy Award. White titled wrappers, noted as "Xeroxed 2/27/70" and ROSE GARDEN in manuscript ink on the front wrapper, production No. 8955. 109 leaves, with last page of text numbered 109. Xerographically reproduced. Pages and wrapper Near Fine, bound with three gold brads.

Early Draft script for the 1977 film, issued roughly two years before the film's release. Accompanied by a typed letter signed from a woman at the Paul Kohner agency to actress Maria Schneider. Based on the 1964 novel by Joanne Greenberg, written under the pseudonym Hannah Green. One of the great unsung literary adaptations of the 1970s, taking a terrifically complex novel about a young woman who has completely retreated into fantasy following the death of her sister. A film that suffered inevitable comparisons to "One Flew Over the Cuckoo's Nest," but actually far more internal and horrific, an actor's film brought to life by Bibi Andersson and a young Kathleen Quinlan. Nominated for an Academy Award for Best Screenplay. Tan titled wrappers with a die-cut title window. Title page present, with credits for novelist Green and screenwriter Mann. 102 leaves, mechanical duplication. Pages Near Fine, wrapper Near Fine bound internally with three gold brads.