puteo (9 Ergebnisse)

An early reprint of volume two of this seminal work on perspective and architecture. A nice volume, with three full page engravings (frontis and two further plates) and 117/118 engraved plates. Sadly, this copy lacks plate 81 but we have managed to include two facsimiles of the lacking plate. One by Bodeneer (the one intended for this edition). The second is the larger version engraved for the first edition. Both loosely inserted. Quarter leather, with dark brown marbled boards. The leather is slightly rubbed. There are no labels or titles to the spine. The text alongside each plate is presented in both Latin and German (black letter). Pagination is difficult, as not all of the plates have descriptive text with them, and there are no page numbers. However this copy is complete with all of the text pages intended. (Both from the register and from comparison with another copy). Some of the plates have water damage or worm damage, but still attractive (see photographs). Our copy has both the frontis, and the second full page engraving bound in before the title (we have seen other copies with it after A2). To the rear is an attractive full page plate of a plasterer at work. Curiously, the index / register of engravings only describes 114 plates (but is clearly complete with decoration to the sheet afterwards) yet there are 118. This printing was a slightly reduced size. The engraved plates were by Georgio Conrado Bodeneer. Collation: A-Z2, Aa-Ee2. Plates 1-80, 82-118. 31cm x 20cm. Conforms to WorldCat / OCLC: 247580481. Andrea Pozzo (16421709), also known by Latinized names like Andrea Puteo or Puteus, was an Italian Jesuit lay brother renowned as a Baroque painter, architect, and perspective theorist. .

TITLE CONTINUED: Canonisti, & Ecclesiastici: Opera dignissima, & vtilissima ad tutti gli spiriti gentili. Early edition 1523, Italian text, small 8vo, approximately 140 x 90 mm, 5½ x 3½ inches, 152 unnumbered leaves, collation: A-T8 (-A8 & T8 - blanks?), colophon on T7v, half page engraving of duel before 5 seated judges on title page, woodcut initials, the first heightened with gold, author's name on B1r, imprint from colophon. Very attractively bound by Paris binder Gruel in gilt panelled red morocco, gilt corner ornaments, raised bands to spine, richly gilt in compartments, gilt title, date and name of binder, all edges gilt, elaborate gilt inner dentelles (turn ins), marbled endpapers. Small pale stain to lower cover, corners slightly bumped, tiny closed tear to top inner margin of title page, neatly repaired, neat early signature to lower margin of title page, pale age-browning to signature O. A very good copy of one of the earliest works on duelling. Paride dal Pozzo (1410-1493), known as Paris de Puteo, was an Italian jurist. His treatise was first printed in Latin in 1471, then in Italian at Naples by Sixtus Riessinger, not before 1475. Cockle, A Bibliography of Military Books up to 1642, page 225, No. 865 (Note); Brunet, Manuel du Libraire, Vol IV, 983 (1518 edition); Thimm, Bibliography of Fencing and Duelling, page 233. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

Seconda edizione. 23 cm, in 4°, quattro parti in un volume, rilegatura settecentesca in mezza pelle, fregi in oro e titolo al dorso, Libro primo, parte prima "Isagogicus": p. (16), 136 ( 62 figure in rame); Libro primo, parte seconda "Theorico-Practica": p. (8), 88 con quattro pagine di tabelle con la latitudine di numerose città italiane ed europee; Libro secondo "Tabularis": p. (8), 12, (CLXXXIII tav. con figure calcografiche corredate da tabelle), (1); Parte terza e quarta "Synopseos": p. 56, (1 tavola in rame ripiegata). Ogni libro ha un proprio frontespizio e numerazione, testo entro cornice tipografica, assai raffinate le numerose illustrazioni. Antiporta allegorica a firma Antonio Bosio inciso da Ludovico David con motto "In mensura et in numero". Leggero alone al taglio esterno lontano dal testo. Bibliografia: Riccardi I, 316-17 Molto buono.

Incisione raffigurante Ercole che guarda suo figlio Teseo allattato da una cerva. Tratta dal tomo primo della monumentale opera "Le Pitture antiche d'Ercolano e contorni incise con qualche spiegazione", sontuosamente illustrata da diversi artisti tra i quali: Giuseppe Aloja, Nicola Billi, Pietro Campana, Nicola Cesarano, P. Gaultier, Francesco Martano, Filippo Morghen, Camillo Paderni, Rocco Pozzi, N. Ricci, Nicola Vanni, Francisco de Vega. Edita a Napoli dalla Regia Stamperia nel 1757.

Quart. Titelblatt mit Vignette in Rot-Schwarz-Druck, (60), 596, (128) S.; Ttlbl. mit Vignette, 62, (12) S.; Tttlbl. mit Vignette, 210 S. 3 Teile in enem zeitgenössischen Pergamentband.

Venetia, Aurelio Pincio, 1530. En 8º (151 x 97)mm. 308 pp., la última blanca. Encuadernación en pergamino del siglo diecisiete. Temprana edición en italiano de este famoso libro tocante a las leyes del duelo y sus costumbres, impreso primeramente en latín y posteriormente en italiano. Hay, sin embargo, diferencias entre ambas versiones, omitiendo el texto italiano algunas materias que aparecen en la versión latina pero añadiendo otras cuyo texto iba dirigido a soldados y militares más que a juristas, resultando por tanto esta versión italiana más útil y popular. La obra alcanzó gran fama y se publicaron numerosas ediciones a lo largo del siglo dieciséis. Buen ejemplar de importante procedencia, completo de su última hoja blanca; portada ligeramente sucia, por lo demás perfecto. Procedencia: Antonio Cánovas del Castillo, su ex-libris 151x97mm. (6x3¾").

An elegant Italian edition of this important treatise on duelling laws and customs, printed in italic type in the humanist octavo format made popular by Aldus Manutius. Paride del (or dal) Pozzo (1410-1493), called il Puteo, Latinized as Paris de Puteo, was a 15th-century Italian jurist. His treatise was first printed in Latin, then in Italian at Naples by Sixtus Riessinger, not before 1475. The two texts are rather different; the Italian, which omits some matter from the Latin but expands on others, appears to be an adaptation of the Latin directed at soldiers and princes rather than jurists. The Italian edition remained popular and was reset, with updated spelling and punctuation, and printed in Venice several times in the 16th century. This is the earliest such edition held in the British Library. Essling 2095; Sander 5414. Octavo (150 x 94 mm). Woodcut title device depicting a pair of duellists in front of a panel of jurists, 10-line woodcut criblé opening initial, 4-line woodcut initials throughout. Complete with final blank [b8]. Late 19th-century French black morocco by Petit, spine gilt-lettered direct, raised bands, double gilt rules, gilt inner dentelles, marbled endpapers, gilt edges over earlier marbling. Slight fading to sides, internally clean and fresh, a fine copy.

Neapoli ( Napoli ) , Typis Bulifonianis, 1679, small in-4°, 20 x 14 cm, (14) nn pp + 303 pp + (4)nn pp + (3)(bl) , contemporary vellum with green silk ties (only some parts of the ties remain), vellum soiled, interior fine, with two circular library stamps on title (Ecole libre Saint-Joseph de Lille and Collegium Metense S.J.). With a dated manuscript ex-libris on the fly-leaf and in the upper margin of the half-title ; '' Collegii Societat. Iesu Mindelhemii 1680 '' which clearly proves the Jesuit College of Mindelheim ( Bavaria ) to be the first owner of this book. (See De Backer-Sommervogel Volume VI , col. 1146).

Lugduni, apud haeredes Iacobi Giunta (excudebat Iacobus Berion), 1548, in-16, pergamena coeva. Marche tipografiche sui tre frontespizi, capilettera xilografici. Margine inferiore delle carte dell'indice alfabetico restaurate per togliere fori di tarlo; testo indenne. In complesso ottimo esemplare.