Pupil a (19 Ergebnisse)
Verlag: Samuel Weiser
- Hardcover
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In den WarenkorbHardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Verlag: Research Publishing Company, 1937
- Softcover
Anbieter: Arches Bookhouse, Portland, OR, USAArches Bookhouse
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In den WarenkorbPaperback. Zustand: AS IS. 5pp. In publisher's wrap. Interior, and only, leaf is loose. AS IS.
Verlag: routledge kegan paul, 1961
- Hardcover
Anbieter: Schoen Books, South Deerfield, MA, USASchoen Books
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In den WarenkorbZustand: Good. Location:256 writing fep and pen underlining in text and margin notes , crown of spine bumped 230 pages 256.
Verlag: Adam and Charles Black, London, 1903
- Hardcover
Anbieter: Ryde Bookshop Ltd, Isle of Wight, Vereinigtes KönigreichRyde Bookshop Ltd
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In den WarenkorbHardcover. Zustand: Fair. Firmly bound, decorated green cloth boards. Split and frayed back spine hinge, chipping on the spine edges. Minor scuffing on corners of cover. Inner hinges are slightly cracked. Marks on some pages inside. containing thirteen facsimile illustrations in colour by John Massey Wright, a pupil of Thomas St…othard (illustrator).
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright ref…erences, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
Sprache: Englisch
- Hardcover
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Anbieter: K Books Ltd ABA ILAB, York, YORKS, Vereinigtes KönigreichK Books Ltd ABA ILAB
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In den WarenkorbSingle Sheet Engraving. Zustand: Very Good. No Jacket. First Edition. ADELAIDE AND FONROSE AFTER THE PAINTING BY WILLIAM HAMILTON, ENGRAVED BY R. MARCUARD, A PUPIL OF BARTOLOZZI, IN 1785 FINE ENGRAVING , DISPATCHED MOUNTED AND READY TO FRAME, EXCELLENT CONDITION, IMPRESSIVE VIEW . William HAMILTON (illustrator).
- Softcover
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Zustand: New.
- Softcover
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Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, pr…eserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Verlag: Utrecbt, School voor de Grafische Vakken, 1931
- Softcover
- Magazin//Zeitschrift
Anbieter: Antiquariaat Digitalis, Amsterdam, NiederlandeAntiquariaat Digitalis
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In den WarenkorbSoft cover. Zustand: Fine. (20) pp., stapled in pictorial stiff paper. Age toning, fine copy. Ills. and photographs in black and white. Text in Dutch. 25 x 18 cm.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - ''A Complete, Scientific, and Popular Treatise Upon Perspective: With the Theories of Reflection and Shadow'' is a book written by an anonymous pupil of J.P. Thenot and first published in 1836. The book is a comprehensive guide to the principles of perspective, reflection, and shadow in art a…nd science. It covers topics such as the laws of optics, the principles of reflection, and the effects of light and shadow on objects. The book is written in a clear and concise style, making it accessible to both artists and scientists. It includes numerous illustrations and diagrams to help readers understand the concepts presented. This book is a valuable resource for anyone interested in the science of optics and the art of perspective drawing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware.
Verlag: Utrecbt, School voor de Grafische Vakken, 1931
- Softcover
- Magazin//Zeitschrift
Anbieter: Antiquariaat Digitalis, Amsterdam, NiederlandeAntiquariaat Digitalis
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In den WarenkorbSoft cover. Zustand: Fine. (20) pp., stapled in pictorial stiff paper. Age toning, very good copy. Ills. and photographs in black and white. Text in Dutch. 25 x 18 cm.
Verlag: Published by Ashmolean Museum, Oxford First Edition . 2001., 2001
- Erstausgabe
Anbieter: Little Stour Books PBFA Member, Canterbury, Vereinigtes KönigreichLittle Stour Books PBFA Member
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In den WarenkorbZustand: Fine. First edition hard back binding in publisher's original colour illustrated stiff card wrap covers [soft back]. 8vo. 9½'' x 7½''. Contains 160 printed pages of text with colour and monochrome illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 18544414…34 ART [French].
Weitere BilderVerlag: London Simpkin & Marshall 1836, 1836
- Hardcover
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Anbieter: Harrison-Hiett Rare Books, Richelieu, FrankreichHarrison-Hiett Rare Books
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In den WarenkorbFirst English Edition. Attractive contemporary full leather green binding with profuse gilt decoration to the spine and boards. A little rubbing but still in good condition. Marbled end papers. There is a prize inscription from Spitalfield School of Design from May 1843 to the end paper. On the second end paper is a large gift i…nscription giving the book to a young boy on his 12th birthday. The rest of the work is in good, clean condition, with a light darkening / foxing only. Attractive engraved frontis of a perspective view of Greenwich Hospital from across the Thames. A Further 24 folding plates showing a total of 168 different figures demonstrating aspects of Perspective. 210 by 140mm (8¼ by 5½ inches). xiv, 152, XXIV. pp. English edition of "Essai de perspective pratique pour rectifier les compositions et dessiner d'après nature" (Paris 1828). - The French Painter JP Thénot (1803-1857) was the most famous drawing teacher in Paris at the beginning of the 19th century. His textbook "Les regles de la perspective " was also highly valued by Paul Cezanne, as evidenced by his recently discovered copy with numerous handwritten annotations by Cezanne. .
Weitere BilderVerlag: Florence, Massa, 1647
- Softcover
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Anbieter: Hünersdorff Rare Books ABA ILAB, London, Vereinigtes KönigreichHünersdorff Rare Books ABA ILAB
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In den WarenkorbSoft cover. Zustand: Very Good. No Jacket. 1st Edition. Doni, Giovanni Battista. De praestantia musicae veteris. Libri tres dialogis comprehensi in quibus vetus ac recens musica inter se conferentur. Florence, A. Massa, 1647. 4to. [4]f + 166 (misnumb. 166)p + last blank leaf. 18th century Italian block-printed coloured grid patt…erned boards. First edition of this treatise on ancient music by Giovanni Battista Doni (c.1594-1647), the leading Italian baroque musical theorist. Written in the form of a dialogue in which the author shows his great learning on the subject, the work constitutes a musical lexicography including references to Monteverdi. Discussing the merits of ancient and contemporary music, Doni states his preference for ancient music. He opposes the condemnation of 16th century music by the Council of Trent. After studies in Bologna and Rome,the author had met Marin Mersenne in Paris in 1621 whilst in the service of Cardinal Corsini. Later he travelled for Cardinal Barbarini, a nephew of Pope Urban VIII who had a passionate interest in music, and in whose honour he gave his newly invented string instrument the name : `Lyra Barbarina . Doni s prolific musical studies are listed on the penultimate leaf of this book, revealing that only a portion were actually published. A good copy with Latin presentation inscription on front fly-leaf of Filippo Maria Gherardeschi (1738-1808), Tuscan composer and harpsichord player, a pupil of Giovanni Battista Martini; a light waterstain in top margin of first and last 4 leaves, Eitner III.232. Fetis, III, 38-41. Wolffheim 603.
Weitere BilderLa fortificatione guardia difesa et espugnatione delle fortezze.
TENSINI, Francesco. Venetian baroque book ornamentation by a pupil of Tintoretto
Verlag: Venice, Francesco Brogiollo,, 1655
- Hardcover
Anbieter: Hünersdorff Rare Books ABA ILAB, London, Vereinigtes KönigreichHünersdorff Rare Books ABA ILAB
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In den WarenkorbHardcover. Zustand: Near Fine. No Jacket. Tensini, Francesco. La fortificatione guardia difesa et espugnatione delle fortezze. Venice, Francesco Brogliollo, 1655.Folio. 3 parts in 1 volume. [8] leaves including engraved title by Philip Sadeler, engraved author's portrait, laudatory poems, chapter index, preface to the reader, an…d subject index + 83 + [1 blank] + 83 + [1 blank] + 128 pages. 48 engraved plates (including 11 double-page) by Odoardo Fialetti; numerous historiated woodcut initials. Contemporary mottled calf, compartments of spine decorated in gilt, title gilt-stamped on morocco label, sides within gilt line border; tailend of spine and corners lightly worn; a few isolated wormholes. A beautifully illustrated treatise on fortification by Francesco Tensini (c1580-1630) of Cremona, a military engineer in the service of the Elector Maximilian of Bavaria. The first part treats military architecture, suitable locations, and fortification systems; in chapter 32, the author discussing a similar method described by Colonel Alexander von Groote in a book published 1617, accuses his former comrade-in-arms of plagiarism. The second and third parts deal respectively with modes of defence and attack. The distinguishing feature of this beautifully illustrated book are the exceptionally fine plates by Odoardo Fialetti (1573-1638), a pupil of Tintoretto at Venice,which are splendid examples of Venetian book art: they depict a variety of fortification systems, formations for defence and attack, siege craft, strategic calculations for artillery, and ballistic devices; many have charming mannerist scenic backdrops, some adorned with human figures in period costume on foot or on horseback, or with putti holding scientific instruments and floating from on high. The first plate bears the artist's full name with the date 1624, the year of publication of the first edition. The engraved title within a magnificent architectural border incorporating allegorical figures, engines of war and a bird's eye view of a fortress is attributed to Philip Sadeler, a Flemish artist living in Venice at the time, who may also have designed the full-page portrait of the author at the age of 44 surrounded by an elaborate border showing putti with emblems of war and a vanquished Turk in lower panel. A fresh, attractive copy with good impressions of the plates in a period binding; title very lightly shaved in top and tailend margins affecting image by a few millimetres only, and with 2 neat repairs without loss; edges of tailend blank margin of first quire with an isolated light waterstain, ffK2 & K3 of 3rd part lightly toned, a few insignificant traces of usage. An early shelf label inside front cover, and a contemporary manuscript correction in margin of page 99 of 3rd part. Breman 305; Cockle 813 (note) lists the 1624 edition as having 44 plates only; Jähns 1096 & 1098; Jordan 3744; Riccardi I, 515 & II, 5, 161; Spaulding & Karpinski 153; Thieme-Becker XI, 525.
Verlag: 22 February ; 35 Trinity College Dublin, 1915
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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In den Warenkorb4to, 1 p, 22 lines. On aged paper, with chipping at extremities neatly repaired with archival tape. Text clear and entire. He thanks him for his 'interesting paper', commenting on the 'Lucretian passage'. Postgate's 're-arrangement [.] is undoubtedly more attractive & logical than the ordinary arrangment, and as such I welcome i…t: but must we suppose always that artists do as well instinctively as they might if they had taken counsel?' 'Ex silentio I judge that all is well with you, as far as anything can be well for any of us these terrible times. We are but a fraction of our former self here in T. C. D.'.
