pugin a c (27 Ergebnisse)

Zustand: Fair. Acceptable condition. Exterior spine cracked. (London Travel).

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:

Zustand: Good. Good condition. (england, london, interior architecture) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Very Good. King Penguin 1943 first edition. Pages clean and bright, binding firm, minor shelf wear to cover. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Zustand: Good. No jacket. Rowlandson, T. & Pugin, A. C. (illustrator). Penguin Books, 1947, revised edition. Hardback, 8vo, 32pp, illust. Gift message, a little foxed/spotted and shelfworn. A fair copy. /0.2uk.

Hardcover. Zustand: Good. 1943 king penguin edition witn rubbed and chipped covers at spine edges.

Hardcover. Zustand: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Year 1947. Hardcover. English. See images for condition. About the book >.>.> The Microcosm of London began to appear in the spring of 1808. Trafalgar had been won, but the war had a long way to go. Napoleon was busy with Spain, almost the last victim on his list. Spain was resisting. In London, people were alarmed and uneasy and crying out for a British offensive. Now, if ever, they declared, was the time to attack??to strike,? as one Londoner put it, ?a bold stroke for the rescue of the world.? Foreign Secretary Canning made the decision. The bold stroke was planned. Arms and supplies were poured into the Peninsula and an expeditionary force prepared. Such was the look of things when, in a London most unhappy about the war, about our too frequent withdrawals, our inability to do anything in time, but a London living an almost normal civilian life under a peaceful sky, the famous picture book of the capital was published. It was published by Rudolph Ackermann at his shop in the Strand, and was eventually completed in twenty-four parts, comprising one hundred col.

First edition hard back binding in publisher's original colour illustrated paper covered boards. Small 8vo. 7¼'' x 5''. Contains 35 pp followed by 16 full-page colour plates. Age darkening to the pale cream covers and in Good condition, no dust wrapper. Member of the P.B.F.A. KING PENGUIN (Series).

Kl. 8°. 31 pages, 16 farbic plates. Original cardboard. Spine is cracked, otherwise good condition. private dedication on front fly. Sprache: english.

Zustand: Good. 10.5" x 8" mounted on white backing board. Color Engraving. In mylar protective sleeve. Very Good.

Print. Zustand: Good overall. First printing. The Royal Cockpit, or cock fight, Birdcage Walk, St James, color lithograph from 'Ackermann's Repository of Arts'. Thomas Rowlandson (1756-1827) was an English artist and caricaturist; Augustus Charles Pugin(1762-1832) was a French English artist who collaborated with Rowlandson often on illustrations for Ackermann's works. Light general toning over image, margins marked including spot on title. 10 1/4 x 8 1/2".

Hardcover. viii, [2], 28, [4], 26, [4], 28pp, 75 pls, 2 folding genealogies. Original blind-stamped cloth, sps gilt-lettered, t.e.g; sl worn; ex-lib, stamps removed from titles, front free e-ps stuck down (2 torn, exposing library labels). First publ in parts 1830-38.

Folio. Gilt Calf. Scuffed. Spine Torn, Worn. Binding Tight. Marbled End Papers. Margin Foxing. 2 Vols. Bound as One. Good.

Zustand: Good. London: Robert Jennings, 1831. Two volumes bound as one. Sm 4to beautifully bound red half leather with marbled boards and endpapers, gilt spine lettering and edges. 202 pages of continuous pagination. Black and white illustrated plates, 2 hand colored. Good book. Edgeworn with rubbing to the front board and a third of the rear marbled paper worn away. Light dampstaining and toning to about 30 pages in the front. (paris, france, pictorial works) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

1831. (Half leather) Very good. Two vols., quarto. Illus. Leather backs, corners, marbled boards, rubbed, show their age, the spines remaining brightly enough gilt titled; joints tender / started. Wear to extremities. Hinges good. Bookplate to marbled endpapers. Both regular and engraved vignette title-pages; Vol.1 contains additionally an engraved title-page dated 1829. Contemporary owner's name to title-pages. Discreet ex-lib rubber-stamps obscured by stickers to title-pages and a couple of places within. Offsetting and foxing.

Couverture rigide. Zustand: Satisfaisant. Edition originale. Vol. I 1829, Vol.II 1831.First edition; half leather bindings of the time, gilt title on spine, boards covered with green cloth, corners bumped and rubbed, gilt edges; bookplate of Samuel R. Block on pastedown of both volumes; name of a previous owner on title page; almost no foxing but there is some wear resulting from use in both books with some light soiling especially on margins of plates; some light water stain visible on the reverse side of some plates in book I; 15 inches tall. Both volumes have engraved title pages with vignettes and 50 plates, each with 2 views on india paper.

Reliés. 2 tomes. In-4. Tome 1: 100 pp. Tome 2: de 101 à 202 pp. Le texte est en Anglais sur le recto avec une traduction en Français au verso. Reliure demi-chagrin vert à coins. Plats de papier marbré. Dos à nerfs ornés. Coiffes légèrement frottées. Toutes tranches marbrées. Couverture conservée. Intérieur avec rousseurs éparses. Illustré de nombreuses gravures en noir et blanc. Très bel ensemble dans une reliure élégante.

Aquatint. Size: 29 x 23.5 cm. Vertical fold line across plate, some discolouration, in good condition.

John Bluck (illustrator). Print. Aquatint. Page measures 10 1/4" x 12 1/2" Lovely view of London depicting the West India docks on the Isle of Dogs in London. The West India Docks, opened in 1802, were a series of docks and warehouses built to accommodate trade between England and the British West Indies. Several small row-boats with passengers are seen rowing along the canals. Expertly designed and engraved by renowned caricaturist Thomas Rowlandson and Auguste Pugin, a draughtsman and artist. This engraving appeared in "Microcosm of London", published 1808-1810. Aquatint by John Bluck. In very good condition.

John Bluck (illustrator). Print. Aquatint. Page measures 10 1/4" x 12 1/2" Beautifully colored view of London, depicting Westminster Hall and the London Bridge from across the Thames River. Expertly designed and engraved by renowned caricaturist Thomas Rowlandson and Auguste Pugin, a draughtsman and artist. This engraving appeared in "Microcosm of London", published 1808-1810. Aquatint by John Bluck. In very good condition.

John Bluck (illustrator). Print. Aquatint. Page measures 9 3/4" x 12 3/4" Beautifully colored view of London from the Thames, taken opposite the Adelphi. Expertly designed and engraved by renowned caricaturist Thomas Rowlandson and Auguste Pugin, a draughtsman and artist. This engraving appeared in "Microcosm of London", published 1808-1810. Aquatint by John Bluck. In very good condition.

Engl.-franz. Ausgabe. Mit 200 Stahlstich-Ansichten. 200 SS. Folio. Goldgeprägter Ledereinband (nachgebunden), marmorierte Vorsätze und Vollgoldschnitt. Einband teils stark berieben, Abfärbungen der Stahlstiche auf Textseiten. Mit Exlibris The Johns Hopkins University Library. Bilder auf Anfrage.

Zustand: Framed and glazed. Aquatint by J. Bluck. 1 vols. 9.25 x 11 inches. Aquatint by J. Bluck. 1 vols. 9.25 x 11 inches.

1 vols. 9.25 x 11 inches. Zustand: Framed and glazed. 1 vols. 9.25 x 11 inches.

London, Robert Jennings, 1830-1831, 2 tomes en 1 vol. in 4 de 1 titre-frontispice gravé orné d'une vignette gravée à l'eau-forte, 1 titre, 202 pp. (pagination continue), titre-frontispice gravé orné d'une vignette à l'eau-forte et titre également pour le tome 2, rel. d'ép. de plein chagrin noir, dos à nerfs orné de caissons dorés, plats ornés d'une plaque romantique dorée dans un encadrement de quadruple-filets dorés, tranches dorées, usures à la reliure sinon bon ex. Ouvrage illustré par de nombreux artistes (Nash, Pugin, Price, Bury etc.) de 202 vues animées de Paris dont les 2 vignettes de titres, gravées à l'eau-forte sur Chine et montées sur papier fort. Texte des descriptions en anglais et en français.

With 101 + 103 steel-engr. views on plates (incl. engr. titles). 100 pp.; pp. 101202. 4to. Orig. green cloth with gilt-stamped title on spine. Text in parallelely printed in English and French. Inner joints and spine ends expertly restored. Only minor browning, a very clean copy.

Displayed in a Series of Picturesque Views, from Original Drawings, taken expressly for this work.  Fifty-one issues. 202 engravings on 101 sheets, one engraved title-page in last issue. With topographical and historical descriptions by L.T. Ventouillac, in English and in French. Small folio. All issues in original printed wrappers, all with some wear, two issues lacking rear wrapper. No. 40 with one sheet of engravings damaged, no. 45 with lot number sticker to front wrapper, some issues with light foxing. London, R. Jennings and W. Chaplin; Paris, Treuttel & Wurtz, 1829 - A rare complete set in the original wrappers. Some issues include inlays with publisher's advertisements and printed notes on the publications.  A series that exemplifies the 19th century view of Paris as one of the most beautiful cities in the world and the capital of culture. The avis to the verso of the first issue's wrapper reads: "'Qui n'a vu Paris n'a rien vu," dit l'ancien proverbe, vérifié ici par la foule innombrable d'étrangers qui vont tous les jours admirer les Monumens qui ornent notre capitale, et jouir sous le beau climat de la France des charmes qu'offrent à la fois et la nature et les beaux-arts.  Il est naturel que les personnes qui se voient privées de ce plaisir cherchent les moyens de s'en dédommager, et il est peut-être aussi naturel que celles qui en ont joui, désirent se les rappeler. C'est pour satisfaire à ces deux besoins que l'on publie l'ouvrage que nous offrons aujourd'hui au public, et qui doit plaire également aux habitans des deux pays. Le Français y verra avec une satisfaction, mêlée d'un orgueil bien pardonnable, les Monumens qui ornent la capital de sa patrie; tandis que les étrangers accueilleront avec non moins de plaisir une représentation exacte des Monumens qu'ils ont admiré, ou qu'ils espèrent un jour pouvoir visiter." The series includes engravings of various Parisian monuments such as the Pont Neuf, the Hotel des Invalides, the Tuileries Gardens, numerous churches, etc. by various artists after the British architect, designer and artist A. Pugin (1812-1852) and under the superintendence of C. Heath.