pseudo augustinus (10 Ergebnisse)

Zustand: Good. 4 uniform paperbacks, no slipcase; 1) Dionysius van Rijkel: Speculum conversionis peccatorum; 2) Pseudo-Augustinus: Manuale de salute sive aspiratione animae ad deum; 3) Aeneas Silvius Piccolomini: De duobus amantibus; Uncut.

Soft cover. Zustand: Very Good. 1st Edition. 'facsimile van de drie oudste Zuidnederlandse drukken Aalst 1473 4 card bound facsimiles in slipcase, very good.

complete in 4 volumes, in publisher's cart. slipcase: 114 + 56 + 48 + 64pp., 23cm., softcover, vol.2-4: printed in red and black & pages uncut, new condition, [contains: vol.1: Introduction in Dutch, French, German and English; vol.2-3-4: facsimile-edition of the first three incunabels printed in the Low Countries by Dirk Martens (Aalst, 1473): Dionysius van Rijkel, "Speculum conversionis peccatorum" & Pseudo-Augustinus, "Manuale de salute sive aspiratione animae ad deum" & Aenaes Silvius Piccolomini, "De duobus amantibus"], R74479.

8°. XXXV, 579 SS. Privates Halbleinen Corpus Scriptorum Ecclesiasticorum Latinorum, vol I. Lateinischer Text mit Apparat, hier der Nachdruck bei Johnson auf besserem Papier. - Ausgeschiedenes Exemplar eines Instituts, Titel rückseitig mit Stempeln, kleine Vermerke vorne, sonst innen sauber, Rücken mit Schatten von entferntem Etikett, sonst gut.

Original publisher's dark-brown leather binding, illustration & lettering in blind-stamp on frontcover [Winderperg 1484], 8vo: [58]pp. Text-volume: sewn cream wrappers, 8vo: [12]pp., quadrilingual introduction in Czech - German - English - French. Fine copy in firm light-brown cloth-covered box with city crest on frontcover. Issued by the Region of South Bohemia - South Bohemian Scientific Library - Department of Manuscripts and Valuable Prints.

Zustand: Buono (Good). 4to (194x132 mm). [34] leaves. Collation: a-c8 d6 e4. Woodcut vignette of St Augustine kneeling before the Virgin and Child on a throne on l. a1r. Colophon and double Pacini's woodcut device on last leaf verso. Woodcut decorative initials on black ground. Roman type. Decorative 19th-century binding in orange calf with gilt roll-border on covers and small papal device at the center, color paper endleaves (slightly worn and rubbed). Small marginal hole to l. a6 not affecting the text, some occasional minor foxing, all in all a good copy.Rare early Florence edition, a reprint of the 1496 Pacini edition, of this Italian translation of the apocryphal Soliloquia, a dialogue which describes St Augustine's state of mind between his conversion and baptism, containing a discussion of wisdom and the immortality of truth. In the later Middle Ages, Augustine's original text of the Soliloquia (?Discourses on God and the immortality of the soul') was virtually forgotten, and in its place a different and more mystical pseudo-Augustinian Soliloquia, composed in the thirteenth century, in the form of a confession, began to gain popularity. Of all St Augustine's apocryphal texts, this one was the most successful in Italy and in France. The Soliloquia was translated into Italian three times in the fourteenth and fifteenth centuries and, although the translation remains anonymous, it is traditionally attributed to Fra Agostino da Scarperia, and it was certainly made in an Augustinian milieu.Edit 16, CNCE27760; Sander, 697; J.P. Migne, ed., Patrologiae cursus completus, series latina, Paris, 1861, vol. 40, col. 863; S. Periti, Contributo alla bibliografia fiorentina del 16. secolo: le edizioni dal 1501 al 1530, Udine, 2004, S37; P. Kristeller, Early Florentine Woodcuts, London, 1897, 10c. Book.

Gebundene Ausgabe. Zustand: Gut. lat. XLI, 396 S., 1 Taf Introduction in german language, text in latin language. Hardback with boards of original publishers cloth, gilt lettered title to spine and cover, no dust jacket. Former library copy with removed external labelings from boards. Boards slightly rubbed, spine slightly discoloured, page edges slightly darkened, otherwise clean and well kept. Signature stamps on endpapers, title and page edges. + + + Originalleineneinband mit goldgepr. Rücken- und Deckelbetitelung (kein Schutzumschlag). Ordentlich ausgesondertes Bibliotheksexemplar mit entfernten äußerlichen Kennzeichnungen. Einband tls. leicht berieben, Rücken etwas aufgehellt, Schnitt geringf. nachgedunkelt, sonst sauber und gepflegt. Signatur- / Entwidmungsstempel a. Vorsatz, Druckvermerk u. Schnitt. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** la Gewicht in Gramm: 1100.

2. Brussels, Royal Library, 1973, 4 vols. in-8°, sewn, orig. wrapper, in publisher's slipcase, 21 x 14,5 cm, 114 pp ; (52) pp ; (48) pp ; (52) pp. Reprint of the first three incunabels printed in the Low Countries by D.Martens: D.van Rijkel: Speculum conversionis peccatorum; Pseudo aspiratione animae ad deum. Aeneas Silvius Piccolomini: De duobus amantibus. With a commentary volume by K.Heireman s.j. (in Dutch, French, German & English). Spines with some slight water stains but still a fine set.

Nachgebunden: - II. Rampegollis, Antonius de. Figurarum Biblie Opus. Köln, juxta predicatores (Cornelis van Ziericksee), 6.III.1505. 19 (st. 20) unn., 239 num., 1 unn. Bll., mit Titel- u. 9 (3 blgr.) Textholzschn. - III. (Pseudo-) Thomas de Aquino. Confessionale seu libellus optimus: de modo cofitendi: & de puritate co(n)scientie. Köln, Martin von Werden, 21.VI.1508. 24 Bll. mit 2mal demselben Holzschnitt. I. VD 16, A 4279; IA 110.095; Adams A 2214; Panzer VI, 361, 131; Proctor/Isaac 10513; STC 56. - Martin von Werden hat, wie hier, einen Holzschnitt oft als Druckermarke verwendet, der die Mutter Gottes, die Mutter Anna und das Christkind (Anna selbdritt, vgl. Muther 414) darstellt. II. VD 16, A 2972 (das unvollst. Münchener Expl.); Panzer VI, 357, 95; Proctor/Isaac 10544; STC 723; nicht bei Adams. - Sehr seltene, hübsch illustrierte Kölner Ausgabe des seinerzeit trotz Indizierung oft aufgelegten Bibelrepertoriums. Die schönen Holzschnitte hatten schon in verschiedenen Inkunabeln Verwendung gefunden, darunter Grüningers "Horae Mariae" (Kirchheim i. E. um 1493). Der auf Bll. A1v und R5r wiederholte Titelholzschnitt zeigt die Madonna im Strahlenkranz auf der Mondsichel; der blattgroße Holzschnitt auf dem vorletzten unn. Bl. verso zeigt im oberen Teil die Ausschüttung des hl. Geistes, im unteren die Taufe im Jordan und die Versuchung Christi; auf dem letzten unn. Bl. recto zwei kleine Holzschnitte mit dem Adler des Evangelisten Johannes und dem Evangelisten Markus in der Stube; die Rückseite desselben Bl. bringt eine ganzseitige Darstellung des Jüngsten Gerichts; auf Bl. X4v Darstellung des Gekreuzigten mit Maria u. Johannes; der kl. Holzschnitt auf Bl. FF5 zeigt die Dreifaltigkeit; der große Holzschnitt über dem Kolophon auf der Rückseite des Schlußbl. zeigt die von einer Engelsschar umgebene Dreifaltigkeit. III. VD 16, T 1026; Adams A 1404; Panzer VI, 364f., 162; Proctor/Isaac 10516; STC 859. - Auf Titel und letzter Seite der Holzschnitt mit der hl. Anna Selbdritt. I. anfangs stärker, sonst nur gering gebräunt, Titel mit getilgtem Besitzvermerk. u. kl. Bugeinrissen II ohne das Titelbl., Haupttext anfangs rubriziert u. mit rot eingemalter Lombarde, nur gering gebräunt u. kaum fleckig, letzte Blatt mit kl. Einriss. III. gering gebräunt u. fleckig, Tit. mit alter Notiz. Der hübsche Einband etwas berieben u. abgegriffen, Rücken mit handschr. Bibl.-Schild, hinteres Vorsatzblatt entfernt. Falls nötig, senden wir Ihnen gerne Bilder dieses Titels via E-Mail. Sprache: Deutsch Gewicht in Gramm: 0.

[(Colophon:) Venice; Simon Bevilacqua. 4 November 1495.] Small 8vo. Bound in late sixteenth-century vellum, title in ink to head of spine, wanting ties; ff. [112], text in two columns, woodcut initial, imprint from colophon; light spotting to covers and spine, recased with new endpapers, head of spine restored; small wormhole to inner margin of ff. [a1]-f4 (slightly touching a few letters), light dampstaining to lower outer corner; some contemporary notes to f. c5 r-v (slightly trimmed) and sidelining to 5 leaves; library stamps 'Bibl. SS Apostolorum Neapolis' to first and last leaves (see below); twentieth-century notes in pencil to free endpapers, but overall in very good condition.Rare Bevilacqua edition of the pseudo-Augustinian Sermones, a best-selling collection of sermons falsely attributed to Augustine of Hippo, supporting the Augustinian Hermits' priority in their controversy with the Augustinian Canons over the Order of Saint Augustine.The Sermones ad heremitas, also known as Sermones ad fratres in eremo, were first published in Modena in 1477 by Balthasar de Struciis. A popular work, the collection was reprinted at least twelve times during the fifteenth century, including the 1494 edition of Augustine's sermons by Johann Amerbach and this Venetian edition by Simon Bevilacqua (active 1485-1518). Their authenticity, however, was eventually rejected by the Maurists (a congregation of Benedictine monks) in the seventeenth century. Once attributed to the twelfth-century preacher Geoffroy Babion, it is now widely accepted that the Sermones were composed by different authors at different times, between the twelfth and fourteenth centuries. The collection was forged in the context of a medieval debate over which branch of the Augustinian Order held greater precedence - the Augustinian Hermits or the Augustinian Canons. Their purpose was to support the historically questionable claim that Augustine himself had established the Hermits in Hippo before the Canons. The importance of the Sermones lies in the fact that, although spurious, they were widely accepted as genuine. Consequently, they contributed to the historical understanding of Augustine and reveal the late medieval experience of the saint, which was a foundational component of Augustinianism (see Saak, pp. 81-138).The printer Simon Gabi, known as 'Bevilacqua', (after 1450-1518) produced numerous editions across a wide range of subjects, many of which were of significant cultural value. His publications, however, frequently suffered from insufficient proofreading, leading to numerous errors caused by hurried and poorly revised typesetting. The nickname 'Bevilacqua' (literally 'water-drinker') was likely given to him ironically, suggesting that Simon was far from abstemious. This is evidenced by an invective from Bishop Pietro Bruto (d. 1493), printed at the end of one of his works as an apology for the many printing errors: 'Est impressorum lector nova culpa malorum / turbida sunt quorum corda sepulta mero' ('Reader, the fault of printers is new among evils / their hearts are clouded, buried in wine', DBI).Provenance: From the library of the Theatines at Santi Apostoli in Naples. The church and monastery of Santi Apostoli served as the headquarters for the Theatine order from 1574 until the order's suppression in the early nineteenth century. The library at Santi Apostoli was likely dispersed around that time.ISTC shows 6 copies in the UK and 13 copies in the US.Goff A1319; IGI 1038; ISTC ia01319000. See Eric Saak, Creating Augustine: Interpreting Augustine and Augustinianism in the Later Middle Ages.