Prospero bonarelli (17 Ergebnisse)
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Verlag: Editori Associati, 1992
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In den WarenkorbZustand: Good. Condizioni dettagliate: Più che buone, abrasioni sul volume, fioriture e macchie sparse, copia anastatica, copertina flessibile.
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Taschenbuch. Zustand: Neu. Neuware - Il Solimano è una tragedia scritta da Prospero Bonarelli, il celebre drammaturgo italiano del XVII secolo. Il testo è ispirato alla vita del sultano Solimano il Magnifico, e racconta la sua caduta in disgrazia e la morte per mano del figlio Mustafà. La tragedia è arricchita dalla bellezza del…le incisioni di Jacques Callot, lo scultore e incisore francese che ha creato le illustrazioni del libro. Il Solimano è un'opera teatrale affascinante che offre una sguardo sulle passioni e le follie dei grandi uomini della storia.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Weitere BilderVerlag: Pietro Cecconcelli, Firenze [Florence], 1620
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In den WarenkorbZustand: Very good. Second state. First edition of this landmark neoclassical tragedy - the first documented performance using moveable scenes - with exquisite double-page etchings of the stage by an influential innovator of the form. First performed in Florence in 1619, IL SOLIMANO was a turning point in modern European theater…. Bonarelli not only rejected the chorus format of the long-established ancient Greek model, but made use of extravagant set design to tell his political-historical drama. Bonarelli based the tragedy loosely on Suleiman the Magnificent, the famed Turkish sultan of the 16th century under whose rule the Ottoman Empire experienced a Golden Age of the arts. The story of a tyrant who puts to death his eldest son, IL SOLIMANO culminates in the awe-inspiring destruction of the city by fire. Otto Benesch calls the moveable scenes created for the performance "the first in the history of theatre" (17) and notes that, despite the ostensibly Turkish setting, these sets depict early modern Florence. A mixture of neoclassicism and orientalism, IL SOLIMANO captured the imagination of Europe, going through multiple editions over the century and inspiring further plays and operas. This first edition remains highly sought for its Callot plates that not only depict the innovative set, but show many of the subtleties of style and technique that Callot pioneered under the patronage of the Medicis. His well-known mastery of stoppings out, for example, is evident in the final plate of the city in flames, where tendrils of smoke and individual bursts of fire cross the scene in a variety of depth, light, and shade. An important work in both the history of theater and of the graphic arts. Quarto, 8.75'' x 6.45''. Later half parchment with marbled boards, gilt-ruled spine, red goatskin spine label. Complete with six plates by Callot (engraved title page and 5 double-page etchings). Engraved title with Callot's name in bottom left. [10], 162, [2] pages. Repairs in gutters of a number of leaves, including reinforcements or new stubs to engraved spreads. Light scattered foxing, spot of browning to title page gutter. Engravings crisp.
Weitere BilderVerlag: Firenze, Pietro Cecconcelli, Firenze, 1620
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In den WarenkorbZustand: Molto buono (Very Good). ?THE FIRST MOVABLE SCENES IN THE HISTORY OF THE THEATRE? (BENESCH) In 4to (mm. 217x160). Pp. [12, incluso il frontespizio inciso], 162, [2]. Con 5 tavole calcografiche ripiegate fuori testo. Segnatura: a6 A-V4 X2. Il frontespizio e le tavole sono incise da Jacques Callot su disegni di Giulio Par…igi. Il frontespizio, che rappresenta il protagonista in piedi tra vari trofei, è qui nel secondo stato con l'iscrizione sotto lo stemma mediceo e la firma dell'incisore in basso a sinistra (cfr. G. Boffitto, Per un frontespizio del Callot, in:? La Bibliofilia?, XXX, 1928, p. 6). Le tavole rappresentano scene tratte dai cinque atti della tragedia ed ambientate nella Firenze dell'epoca. Frontalini, finalini, iniziali e fregi xilografici. Cartonato coevo ricoperto di bella carta colorata, tagli rossi (un po' sbiaditi). Piccoli fori di tarlo nelle prime carte con minimi danni al testo, sporadici aloni e macchie marginali. Ottima copia. PRIMA EDIZIONE ILLUSTRATA di questa fortunata tragedia in cinque atti in versi di ambientazione turchesca, che tra il 1619 e il 1658 andò incontro a numerose edizioni. Rappresentata per la prima volta ad Ancona nel 1618, fu pubblicata a Venezia l'anno seguente in un'edizione in 12mo senza illustrazioni. Preceduta da una lettera di G.B. Strozzi all'autore, da sonetti laudatori di Ottavio Rinuccini, Andrea Salvadori, Niccolo Strozzi e Gabriello Chiabrera. Con questa tragedia sono introdotte importanti innovazioni come l'abolizione del prologo e del coro. Per l'ambientazione, gli usi e i costumi dei Turchi il Bonarelli si rifece alle Istorie dei Turchi di Francesco Sansovino (cfr. R. Ciancarelli, Introduzione, in: ?P. Bonarelli, Il Solimano: strategie teatrali di un dilettante nel Seicento?, Roma, 1992). ?The dramatic finale shows the city of the tyrant Soliman in flames. The moveable scenes -the first in the history of the theatre - picture contemporary Florence. The whole of its effective contrasts of dark and light, seems fantastic, yet it is the rational and realistic portrait of a fantastic, imaginary subject? (O. Benesch, Artistic and Intellectual Trends from Rubens to Daumier as shown in Book Illustration, New York-Cambridge, 1969, p. 17). Prospero Bonarelli, originario di Novellara e figlio del conte Pietro Bonarelli della Rovere, soggiornò presso le corti di Ferrara, Modena, Firenze e Vienna, prima di stabilirsi ad Ancona, dove fondò l'Accademia dei Caliginosi e dove morì nel 1659. Il Solimano rimane la più celebre e riuscita delle sue numerose composizioni teatrali. Allacci, p. 729; Cicognara, 1086; Gamba, 1536; Kat. d. Ornamentstichslg. Berlin, 4112; Libreria Vinciana, 3870.
Weitere BilderVerlag: Florence, Pietro Cecconcelli, 1620., 1620
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EUR 7.500,00
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In den Warenkorb4to. Illustrated, engraved title by Jacques Callot, (10), 162, (2) pp. With 5 folding, etched plates by Callot and woodcut printer's device. Contemporary limp vellum. Wants ties. First edition. The magnificent engravings count among the most beautiful of Callot's theatre and ballet illustrations. "The play [about the murder of y…oung Mustapha by his father, the Turkish Sultan Soliman II (15961666)], which is dedicated to Cosimo II, Grand Duke of Tuscany, was a great success as a book; by 1636 it had gone through six editions [] The artistic significance of this work lies especially in its swift dramatic action, the well-differentiated characterisations, the skilful metre, and last but not least in its lyrical passages []" (cf. KNLL II, 892). "Tragedia in cinque atti, una delle più importanti ed interessanti del secolo XVII, assai ricercata per la bella veste tipografica" (Libr. Vinciana). - Some foxing and browning in the blank margins; spine imperceptibly restored. - Cicognara 1086. Gamba 1536. Kat. d. Ornamentstichslg. Berlin 4112. Libreria Vinciana 3870. Slg. Schäfer, Sotheby's Cat. 8/XII/1994, lot 38 (USD 6000). Lieure 363-368. Brunet I, 1089. Graesse I, 483. Ebert 2725.
