Print council (21 Ergebnisse)

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. Good dust jacket. Dust jacket price clipped. (art, prints, collectors and collecting ) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Very Good. This copy is the Later Printing of the published work. Secure packaging for safe delivery.

4to. 16pp. B/w illustrations. Original wrappers, a very good copy. . Exhibition catalogue. John Olsen, Franz Kempfe et al.

Soft Cover. Zustand: Very Good. No Jacket. Paperback. Exhibition catalogue. 72pp. Illus. Slightest wear to extremities. A very decent copy. (q4).

Hardcover. Zustand: Very Good. 0527753467. Kraus International, bright clean copy, no markings, Professional booksellers since 1981.

Zustand: Good. 8vo. Very Good. Soft Covers. 108 pp. Some Color Plates.

Zustand: Good. Folio. 48 pp. Soft color pictorial wraps with thick yellow laid endpapers. Very good with marginal scratchings across front wrap. Color plates. Includes works by Joseph Zirker, Nancy Genn, Bob Nugent, Cynthia Starkweather-Nelson, Sam Francis, Ke Francis, Sirpa Yarmolinsky, Caroline Greenwald, Charles Hilger, Suzanne Anker et al. Catalogue created on occasion of traveling exhibition "New American Paperworks," first held at the Sarah Campbell Blaffer Gallery in Houston, Texas from June 11 through July 18, 1982. Scarce.From the Collection of the Art Historian Peter Selz.…

Square super octavo, grey cloth boards, copper gilt lettering to black spine, black & copper gilt lettering to front board, marbled eps, 211pp, illus, Near FINE.

No Binding. Zustand: Very Good. A splendid original antique engraving . Excellent condition . Engraved in 1877 . A splendid engraving showing Court Scene - 'Council for the Defence'' - striking impressive scene - would make a splendid wall decoration for a law related office - mounted (matted) and ready to frame - we pack well betwen -.…

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

4to. pp. 48. 10 double-sided b/w illus. glossary. biblio. wrs. (rubbed & scuffed). Exhibition Catalogue.

Zustand: Good. 4to. [[70] pp. Softcover. Color image on cover. Black and white images. Very good.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

paperback. Zustand: Very Good. Series of 22 illustrated pamphlets, being a broken run of "Imprint", the newsletter of the Print Council of Australia, including three issues - 1973 nos. one and two, and 1974 no. one, when the format was still octavo - then changing to quartos from 1974 (nos 2 and 3), 1975 (1,2,4) 1976 (1,2) 1977 (1,2) 1978 (1,2,3) 1979 (1,2,3) 1980 (1,2,3) and 1981 (no. 4); for some decades 'Imprint' has been an important publication in the world of Australian printmaking, with early issues being very scarce; the first issues (from 1966 - 1974 no. 1) were octavos, often single folded folios, and occassionally with a second folded folio (unbound, unstapled); from 1974 no. 2 the format enlarged to quarto and increased the number of folios, although still remaining unstapled and with all illustrations in b&w; staples appear in 1981; references aspects of Australian printmakers and printmaking; includes work by Bea Maddock, George Baldessin, Lionel Lindsay, Franz Kempf, Roger Kemp, Fred Williams, Alun Leach-Jones, Margaret Preston, Ray Beattie, Allan Mitelman, Barbara Hanrahan, Tate Adams; one issue with blue biro marks and annotations (updating address details of various print galleries), o.w. all newsletters in Very Good clean tight condition; Very Scarce important reference for Australian printmakers. . . 22 volumes 8vo and 4to. Very Good. profusely illustrated (illustrator). …

paperback. Zustand: Very Good. Series of 20 illustrated pamphlets, being an uninterrupted run of "Imprint", the newsletter of the Print Council of Australia, from Volume One Number One 1966 - 1972 Number Three, and also including the 4 page catalogue of the retrospective exhibition for the Print Council 1967-1972; the newsletters are essentially illustrated single folios (or occasionally 8 pages [2 folios, unbound]) 22 x 13.5 cm each, addressing aspects of Australian printmakers and printmaking; 1968 Number Two covering Arthur Boyd's St. Francis Lithographs, 1970 Number Two Noel Counihan; artists include Baldessin, Roger Kemp, Counihan, Boyd, Warhol, Brack, Habdas; all newsletters in Very Good clean tight condition; Very Scarce important reference for Australian printmakers. . . 20 volumes 8vo. Very Good. profusely illustrated (illustrator).…

This is copy number 7/15 AP., Limited to 250 copies. It is 28" x 35" (71x 89cm), there is an unobtrusive slight wrinkling (for about 6") on the top white margin, in fine clean condition expertly matted and suitably framed. This limited-edition reproduction has been copied from an original print which was a mezzotint engraved by J. Scott after the painting by S. Pearce. The original was published as a limited edition (only 100 proofs with facsimile autographs were registered with the Print Sellers' Association in London, England) by Graves and Company on August 29, 1851. It was the only print that was done depicting the Arctic Council. The limited-edition print has been printed in two colours, grey and black, on Carlyle Japan paper. The reproduction is limited to two hundred and fifty copies; each is numbered and registered. It has been reproduced exactly as it was originally issued, that is, at the same size and without a title. The Arctic Council was called into existence by the British Admiralty shortly after Sir John Franklin was reported lost while exploring the Arctic. Although the Arctic Council functioned for approximately five years it was comprised of the ten most famous and experienced men of polar exploration and British polar science. These men made significant contributions toward the geographical knowledge of the Arctic regions. They explored by land, ice and water, large areas of the Arctic which were previously unknown. Each member of the Arctic Council was distinguished in his own right, having published an account of the expedition which he led or accompanied as a scientist. Shown on the print, along with their facsimile autographs, are: Sir George Back, Sir Edmund Parry, Sir John Richardson, Sir James Ross, Sir Francis Beaufort, Colonel Sabine, Captain Hamilton, Captain Bird, Captain Beechy and Mr. Barrow; in addition, are the portraits of Sir John Franklin, James Fitzjames and John Barrow.…