Preston jean (32 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Former owner's neat identification on first page. U.S. orders are shipped from Lewiston, NY location.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Zustand: Very Good. Bottom outer corner bumped. A New Unread Copy. U.S. orders are shipped from N.Y. state.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fine. 98pp. Signed with inscription by Preston on the title page. B10. Signed by Author(s).

Soft cover. Zustand: Very Good. 1st Edition. 96pp paperback, well illustrated, very good with 152 colour illustrations.

Zustand: New. In English. James, Charles; Harper, Mike; Gorman, Dan; Williams Jr., Phill (illustrator).

Paperback. Zustand: Very Good. 0500277575 pgs:94. 1994, bright clean copy, name on inner cover no other markings, Professional booksellers since 1981.

Paperback. Zustand: New. In Publisher's Shrink Wrap. 204 pages. Numerous color photographs. Few black & white in situ photographs. Text in English & Italian. U.S. orders are shipped from N.Y. state.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Soft Cover. Zustand: Acceptable. 77 page music book. Usual ex-library features. The interior is clean and tight. Binding is good. Cover is slightly discolored and edge worn. Ex-Library.

Zustand: New. In English.

First Edition. 15 x 23 cm. 552 pages. HC Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

Paperback. Dec card cvrs, sl rubbed.

Softcover. Zustand: fine. Oversized illustrated softcovers. 104 pp. with separate laid in scores for violin and for continuo violoncello of 41 and 27 pp. respectively. Volume X of the Recent Researches In The Music of the Baroque Era. Fine.

Softcover. Zustand: Very good. First Edition. Quarto, 75 pages. Covers a little marked and dusty, but a presentable copy. The indispensable guide to the subject with detailed descriptions of important manuscripts held by Princeton Library as well as the Princeton Art Museum.

Paperback. Zustand: Brand New. reprint edition. 267 pages. 9.00x6.00x0.85 inches. In Stock.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | This book will kick up a lot of "religious" dust in all of us. It's what we do when the dust settles and our eyes are opened that will determine where we go from here. It is only when we see Him, that we see our destiny. We must not get offended with the truth. The truth is the only thing that will set us free.The enemy is behind offenses, as he does not want us to reach our destiny. Each one of us has a marvelous, unique destiny marked out by the price Christ paid for it. Hebrews 12:1b puts it simply, "Let us lay aside every weight and sin which does so easily beset us and let us run with patience the race that is set before us."We would all agree that the church has a message for the world, but would we all agree that the world has a message for the church? They, most assuredly, do. Their cries identify the reason Christ came to earth as a man and became the sacrifice for those cries.For every cry, there is a provision in His sacrifice. Has the church in general disclosed the real Christ and His sacrifice that brings wholeness and purpose for all people; regardless of denomination, race and background? The world is crying out to the church, "Show Me This Man Called Jesus"! This book reveals truths to the world and the church that will awaken "hope" in both. Hope awakened in the church will bring her out of law into grace. Hope awakened in the world will bring the world to Christ. …

Zustand: as new. Vendeur pro. Envoi soigné en 24/48h.

Zustand: Good. Autographed, typewritten notes on letterhead 8.5" x 11". Very Good. Dated 4/8/1987 and 4/17/1987. References Kit Barker, designer at Princeton. Also present copy of reply sent by Herb Yellin on his printed notepad. From the estate of Herb Yellin (1935 - 2014), the publisher of the Lord John Press.…

Dos carré collé. In-4° broché, dos carré collé, (23,5 cm * 30 cm), 284 pages, contient : facettes de Bob Wilson ; un aventurier en sabots : Guy Joussemet ; dans l'intimité d'un collectionneur : George Ortiz ; entretien avec Christian Deydier : les dangers de la convention Unidroit ; antiquité de l'Iran élamite ; les monnaies celtiques ; Art songye du Congo ; Images des morts en Nouvelle-Guinée et 9 autres articles ; bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.…

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.…

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.…