Prasad hariom (2 Ergebnisse)
- Hardcover
Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Neu
EUR 9,45
EUR 7,60 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 4 verfügbar
Zustand: New. pp. 296.
Verlag: Arise Pub, 2012
Anbieter: Vedams eBooks (P) Ltd, New Delhi, IndienVedams eBooks (P) Ltd
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 30,57
EUR 17,50 VersandVersand von Indien nach USAAnzahl: 1 verfügbar
Contents Preface 1 Alice Gerstenberg 1885-4972 2 Alice Dunbar-Nelson 1875-1935 3 Anita Loos 1893-1981 4 Anne Nichols 1891-1966 5 Bella Spewack 1899-1990 6 Carson Mccullers 1917-1967 7 Clare Boothe Luce 1903-1987 8 Clare Kummer 1873-1958 9 Cornelia Otis Skinner 1901-1979 10 Dorothy Heyward 1890-1961 11 Dorothy Parker 1893-1967 12… Edna Ferber 1885-1968 13 Elsa Shelley 1905-1968 14 Eulalie Spence 1894-1981 15 Fay Kanin 1916 16 Josephine Preston Peabody 1874-1922 17 Lillian Hellman 1905-1984 18 Lula Vollmer 1898-1955 19 Mae West 1892-1980 20 Marita Bonner 1899-1971 21 Mary Coyle Chase 1907-1981 22 Martha Morton 1865-1925 23 Maurine Watkins 1900-1968 24 May Miller 1899 25 Rachel Crothes 1876-1958 26 Rida Johnson Young 1857-1926 27 Rose Dorothy Lewin Franken 1895-1988 28 Sophie Treadwell 1885-1970 29 Susan Glaspell 1876-1948 30 Zona Ga;le 1874-1938 31 Zora Neale Hurtson 1891-1960 Bibliography IndexAmerican writing began with the work of English adventures and colonists in the new world chiefly for the benefit of readers in the mother county The drama of the United States is considered a bastard child of literature; like all plays they are apparently banished by the academy into their own genre But unlike those other international plays they have received little due even from American critics American drama that underwent considerable sea-change American dramatists clearly did not wait for the development of the off-Broadway and off-off-Broadway stages of the 1950s and 1960s to forge new paths The American dramatists experimented with their form for Broadway audiences does not undermine the validity of that experimentation but that too is the result of history and does not reflect the status of the Broadway stage at the time 248 pp.
