Praetorius michael 1571 1621 (8 Ergebnisse)
Verlag: Pro Musica Edition [1996], London, 1996
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In den WarenkorbEarly Music Library, EML300v. Size: Folio. Each 8pp. Folded as issued in publisher's printed overall wrappers.
Verlag: Leipzig, Brüssel, London, New York: Breitkopf & Härtel, 1894, 1894
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Anbieter: Steven Wolfe Books, Newton Centre, MA, USASteven Wolfe Books
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In den WarenkorbPraetorius, Michael, 1571-1621. Syntagma. II Teil von den Instrumenten. Wolfenbüttel 1618. Neuer Abdruck 1884 (Umdruck 1894). Leipzig, Brüssel, London, New York: Breitkopf & Härtel, 1894, plates, viii, 248pp., quite worn white woven cloth, spine chipped, pages 22-28 laid in loose, part of one plate torn but complete. 13. Band de…r Publikation älterer praktischer und theoretischer Musikwerke hrsg. von der Gesellschaft für Musikforschung.
Verlag: Georg Kallmeyer, Wolfenbüttel ? Berlin, 1927
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Anbieter: Musikantiquariat Dr. Bernhard A. Kohl GmbH, Stuttgart, DeutschlandMusikantiquariat Dr. Bernhard A. Kohl GmbH
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In den WarenkorbQuer-Klein-Quart, 37, (1) Seiten,(= Beihefte zum Musikanten, hg. von Fritz Jöde, 2. Reihe Instrumentalwerke Heft 8, 17) 1927,Original-Karton . , (VNr. 86444), 120 Gramm1571-1621. - Sauberes Exemplar; auch mit Aufführungsmaterial lieferbar zum Preis von 35,- EUR (5 Stimmen).
Verlag: Ichthys, Stuttgart, 1956
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Anbieter: Musikantiquariat Dr. Bernhard A. Kohl GmbH, Stuttgart, DeutschlandMusikantiquariat Dr. Bernhard A. Kohl GmbH
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In den WarenkorbQuart (29,6 x 20,9 cm), (2) Seiten, 1956, . , , 10 Gramm1571-1621. - Beim Verlag nicht mehr lueferbar.
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Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USAJ & J LUBRANO MUSIC ANTIQUARIANS LLC
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3 volumes. Small quarto. Original publisher's ivory pictorial wrappers. In slipcase. Edited and with an introduction by Arno Forchert. Band I. Faksimile-Reprint der Ausgabe Wittenberg 1614/15. Kassel: Bärenreiter, [2001]. x, 24ff. (title, dedication, index, etc.), 459, 12ff. (index), 4ff. ("Nomina Autorum," "Lector Amice," etc.)…. Text in Latin. Band II. Faksimile-Reprint der Ausgabe Wolfenbüttel 1619. 14ff., 236 pp. + 1f. ("Theatrum Instrumentorum") + 42 illustrative plates. Text in German. Band III. Faksimile-Reprint der Ausgabe Wolfenbüttel 1619. 8ff., 260 pp. Text in German. Slipcase slightly worn. "Syntagma musicum . was the first scholarly work to be published encompassing all aspects of musical performance of the Renaissance and early Baroque periods. This masterpiece is without a doubt the single most important music treatise of the pre-Classical period. It is encyclopedia in content and includes a significant section of woodcuts illustrating all the instruments known at that time. The first volume, in Latin, examines the history of ecclesiastical music, as well as the secular music of antiquity. The second volume, De organographia, is in German and described the various instruments in use when the book was written. The third volume, also in German, examines contemporary music performance and composition in Italy, France, England, and Germany. A fourth volume containing lessons in composition was planned but never published. A supplement consisting of 42 wood-engraved plates - Theatrum instrumentorum seu sciagraphia - was published in 1620 to accompany Vol. II. The illustrations in the Instrumentorum are drawn to scale (in Brunswick inches: 1" = 23.7 mm.) and are of such precision that they have been used to reconstruct certain instruments." Selch and Butler: The Legacy of Sebastian Virdung, no. 13. "Syntagma musicum . belongs to Praetorius's last years. The three parts that appeared (the fourth was to have contained instruction in composition) display a tendency typical of him, towards an encyclopedic, systematic approach to the theory and practice of music. The first volume deals with religious music, its principles and its liturgical constituents. It is of real value only in its wealth of quotations from every period. Of particular importance among these is the unique, full account from Johann Walter of his collaboration with Luther and of the musical reforms that Luther sought. In the second volume, 'De organographia', Praetorius gave, in combination with the instructive illustrated section 'Theatrum instrumentorum' . detailed information about the instruments of his day, with a particularly thorough treatment of the organ. The third volume is a dictionary dealing with contemporary musical forms, with a detailed consideration of technical manners such as notation, proportions, solmization, transposition and polychoral writing. The importance of Syntagma musicum lies less in its influence on the succeeding generation of composers (because of new developments at the beginning of the 17th century, in particular the rise of continuo) than in its high documentary value. It reflects the extraordinary diffuseness of instrumentation in the early Baroque period, the numerous families of instruments and the prominent position of the organ, and consequently the enormous variety of tone colour available in the performance of polyphonic and alternatim music which reached a highpoint in Germany in Praetorius's lifetime." Walter Blankenburg, revised by Clytus Gottwald in Grove Music Online The Syntagma Musicum is of the utmost importance as a source for 17th century music theory and performance practice. The illustrations of over 100 musical instruments in Volume II, drawn to scale, were essential to the revival of early music in the 20th century.
Weitere BilderSprache: Deutsch
Verlag: Ohne O. u. V. [Berlin, T. Trautwein] o. J. [1884]., 1884
Anbieter: Antiquariat Braun, Gengenbach, DeutschlandAntiquariat Braun
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In den WarenkorbZustand: Gut. 23 x 17 cm. VIII, 248 Seiten, 21 teils gefaltetete Bildtafeln. *Exemplar aus der Bibliothek des bedeutenden niederländischen Haydn-Forschers und Musikaliensammlers Anthony van Hoboken (1887-1983) und mit dessen Büchermarke auf dem Innendeckel. - Einbanddeckel mit Fehlstelle im Bezugspapier (ca. 5 cm). Ansonsten sau…ber und gut erhalten. Sprache: Deutsch Gewicht in Gramm: 600 Halbleinenband der Zeit mit Rückentitel. Neuausgabe des Drucks Wolfenbüttel, Elias Holwein, 1618.
Sprache: Deutsch
Verlag: [In Officina Typographica Principali Brunsvicensi Sumtibus Autoris], Wolferbyti, 1611
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Anbieter: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, USAJ & J LUBRANO MUSIC ANTIQUARIANS LLC
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In den WarenkorbTwo volumes. Small quarto (144 x 189 mm). Modern quarter dark brown leather with marbled boards, composer's name gilt to spine. Quintus: [A1]-4 - H3; 1f. (recto title, verso blank), [i] (index), 59, [i] (imprint with woodcut vignette incorporating face, ' griffins' heads, tassels, and floral motifs) pp. Bassus: [A1]-4 - G4; 1f.…(recto title, verso blank), [i] (index), 53 pp. Titles with woodcut device incorporating a face, griffins' heads, floral motifs, and tassels. Typeset in diamond-head notation throughout. Slightly worn, with moderate browning and occasional small stains. Quintus part with minor repairs to blank outer margins of first two leaves; dampstain to lower half of title with tears with no loss to central portion repaired with archival tape to verso; occasional small wormholes to blank lower and outer margins. Bookseller's description laid down to front pastedown of Quintus part; small bookseller's label to corner of front pastedown of Bassus part. First Edition. BUC p. 807 (two complete sets in the U.K., at Euing Musical Library and the British Museum). RISM P5365 and PP5365 (one complete set in the U.S., at Sibley Music Library, Eastman School of Music). Praetorius, a highly distinguished German composer, theorist, and organist, "was the most versatile and wide-ranging German composer of his generation and one of the most prolific, especially of works based on Protestant hymns. He is also important as a theorist, notably through his Syntagma musicum. . According to Blume, Praetorius's church music, as well as his theoretical works, can be assigned to five periods, which partly overlap. The first embraces Motectae et psalmi and Megalynodia Sionia, which, according to Praetorius's preface, originated at Regensburg in 1602. . When making a general evaluation of Praetorius's life and work one must bear in mind that he was largely self-taught, though he made up through his immense efficiency and self-discipline for everything that had been denied him in his education. The much-debated thesis that his work was more retrospective than forward-looking is disproved by a close study of the works from the last years of his life, when he combined with his manifest commitment to the heritage of the Reformation a great receptiveness to recent changes in musical style." Walter Blankenburg, revised by Clytus Gottwald in Grove Music Online.
Sprache: Deutsch
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In den WarenkorbThe composer is depicted three-quarter length within a border incorporating text and music. His right hand rests on an open book of music on a table before him with an inkwell and quill pen to his right. Within oval textual frame. Image size 110 x 82 mm; overall size 186 x 140 mm. Verso the elaborate illustrated title to the com…poser's Bassus I. Chori partbook from Musae Sioniae . Deutsche Psalmen und geistlicher Lieder. The Musae Sioniae, a collection of 117 choral motets for 8 or 12 voices for 2 or 3 four-part choirs, were issued in 4 parts between 1605 and 1607. Slightly worn, browned, and creased; trimmed to within plate mark; horizontal tear to left center with repair; minor holes and abrasions; edges re-enforced with thin strips of paper. Kinsky 164/1. Komma 291A re-engraving of the portrait first published in the composer's "Creutzbergenis," 1606. A German composer, theorist and organist, "[Praetorius] was the most versatile and wide-ranging German composer of his generation and one of the most prolific, especially of works based on Protestant hymns. He is also important as a theorist, notably through his Syntagma musicum." Walter Blankenburg, revised by Clytus Gottwald in Grove Music Online.
