Powers larry (11 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Staple Bound. Zustand: Good - Cash. General reader wear to the corners, edges, and cover. The covers/corners have some creasing. Along the top edge of the front cover, there is a small section where the top layer of the cover has come off. The pages show some general reader wear as well. The book is in good condition with some normal reader wear. Stock photos may not look exactly like the book.…

Paperback. Zustand: Brand New. 104 pages. 8.50x8.50x0.25 inches. In Stock.

Hardcover. Zustand: Brand New. 256 pages. 8.26x5.51x8.60 inches. In Stock.

Hardcover. Zustand: Brand New. 256 pages. 8.26x5.51x8.60 inches. In Stock.

Paperback. Zustand: Brand New. 1st edition. 240 pages. 10.90x8.30x0.40 inches. In Stock.

Hardcover. Zustand: Fine. No Jacket. 1st Edition. 1st ed., 1st printing ; 111 pages : illustrations ; 30 cm ISBN 9780814625736, 0814625738 OCLC 41619735 illustrated boards ; no dustjacket ; Collaborating as writers, designers, photographers, and editors, friends of Joseph O'Connell offer a glimpse of his creativity in Divine Favor, a photographic collection of this master-artist's work Introducing Joseph O'Connell's principal works to a broader public, Divine Favor contains photographs of his work as well as background information and reflections. Readers will find a sketch of O'Connell's life and work in the "Chronology of Principal Events in the Life and Work of Joseph O'Connell," an affectionate introduction to the life of Joe as artist and friend in J. F. Powers "Dear Joe" and a tribute to the man and artist in Garrison Keillor's "He Was in the Arts, You Know". Other writers present reflections throughout the book on their favorite works, representing the hundreds of viewers who admire a favorite print or sculpture. Influenced as a young artist by Eric Gill's liturgical art, O'Connell produced many works inspired by religious themes. He had an unsettling ability to put familiar scriptural images, like Christ the King or Judas Iscariot, into a contemporary scene where we prefer not to see them. Working as a printmaker and sculptor of wood, metal, and stone, O'Connell developed his own visual voice, a unique style--at once representational and stylized, simple and elegant--which distinguishes his work from the work of other twentieth-century artists. He honed his skills as a sculptor, using no power tools, but only chisels and hammers like those of the master-crafters who carved stone images on the great medieval cathedrals. ; Articles and reflections in Divine Favor are "Dear Joe," by J. F. Powers; "He Was in the Arts, You Know," by Garrison Keillor; "Unbecoming: A Look at 'Eve in the Baraque,'" by Mara Faulkner, OSB; "A Bead on Human Folly," by Hilary Thimmesh, OSB; "Jazz and the Coming of the Kingdom," by Mary Schaffer; "The Gift of Joe," by Rosemary Boyle Petters; "A Degree in Theology and Fine Art," by Philip Morsberger; "A Work in Progress," by Larry Schug; "The Moses Man," by Mary Willette Hughes; "Transformation of the Commonplace," by Alan Reed, OSB; "Joe's Questions," by Nancy Hynes, OSB; "The Tree of Life," by Mark Conway; "Tapping," by Dennis Frandrup, OSB; " A Meditation on Peter's Denial," by Mary Hynes-Berry; and "Chronology of Principal Events in the Life and Work of Joseph O'Connell." ; FINE. Book.…

Zustand: New.

256 pp.; 28.5 x 22.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Contemporary Arts Center, Cincinnati, March 13 - May 23, 2004. Traveled to Yerba Buena Center for the Arts, San Francisco, CA, July 17 - October 3, 2004. Traveled to the Orange County Museum of Art, Newport Beach, CA, February 5 - May 8, 2005. Exhibition organized and catalogue edited by Aaron Rose and Christian Strike. Essays by Aaron Rose, Christian Strike, Alex Baker, Thom Collins, Jeffrey Deitch, Carlo McCormick, Arty Nelson, James E. Walmesley, and Jocko Weyland. Artists include Thomas Campbell, Cynthia Connolly, Brian Donnelly, Cheryl Dunn, Shepard Fairey, Phil Frost, Mark Gonzales, Evan Hecox, Jo Jackson, Todd James (REAS), James Jarvis, Andy Jenkins, Chris Johanson, Spike Jonze, Margaret Kilgallen, Harmony Korine, Geoff McFetridge, Barry McGee, Ryan McGinley, Ryan McGuinness, Mike Mills, Stephen Powers (ESPO), Terry Richardson, Clare E. Rojas, Rostarr, Ed Templeton, and Tobin Yelland. Includes full page artists' pages on Raymond Pettibon, Clare E. Rojas, Jo Jackson, Craig R. Stecyk III, Chris Johanson, Thomas Campbell, Ed Templeton, and Barry McGee. Includes biographies of artists as well as of artists identified as roots and influencers including Jean-Michel Basquiat, Neil Blender, Henry Chalfant, Larry Clark, R. Crumb, Glen E. Friedman, Futura, Keith Haring, Wes Humpston, Ari Marcopoulos, Raymond Pettibon, Pushead, Craig R. Stecyk III, and Andy Warhol. Also includes contributor biographies. Very Good / Fine. Small bump to bottom right corner of publication and right side of recto. Light dusting of dust jackets. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Hardcover. Zustand: Very Good. 905 p. 25 cm. ; LC: S411; Dewey: 630.3; NAL: 30.1 ; OCLC: 558619 ; blue cloth with gold lettering ; no dustjacket ; ex-lib, stamps, label, date due, pocket ; contains bibliography arranged by subject or discipline ; exhaustive ; thick, heavy volume ; VG. Book.

Presentation script for the 1969 film, copy belonging to producer Harry Mandell, with his name in gilt on the front board. A woman breaks off her engagement with her fiance when he becomes violent after she has an abortion, only to be stalked by him when she later has a child with her new husband. An early, grim New Hollywood entry, directed by Val Lewton veteran Mark Robson, and one of the first screenwriting efforts by Larry Cohen. . Shot on location in San Francisco. Green calf leather boards with gilt titles and rule, and with producer Harry Mandell's name in gilt at the bottom right corner of the front board. Title page present, dated August 7, 1968, with credits for screenwriters Lorenzo Semple Jr. and Larry Cohen. 119 leaves, with last page of text numbered 133. Title page in blue typescript, remainder of script mimegoraph, rectos only. Pages and boards Fine. …