Sprache: Englisch
Verlag: Cambridge University Press, 2006
ISBN 10: 0521034876 ISBN 13: 9780521034876
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 2005 edition. 242 pages. 8.75x5.75x0.75 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 2005 edition. 242 pages. 8.75x5.75x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521661811 ISBN 13: 9780521661812
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Good.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 46,26
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In den WarenkorbHardcover. Zustand: Brand New. 512 pages. 9.50x6.50x1.75 inches. In Stock.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 53,95
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2006
ISBN 10: 0521034876 ISBN 13: 9780521034876
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 66,36
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge : Cambridge University Press, 1999
ISBN 10: 0521661811 ISBN 13: 9780521661812
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
Zustand: Sehr gut. X, 272 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Somewhat rubbed jacket, pencil annotation on endpaper, otherwise very good and clean. / Etwas beriebener Umschlag, Bleistiftanmerkung auf Vorsatzblatt, sonst sehr gut und sauber. - Contents: 1. Introduction: "The Noble Hart" -- 2. Montaigne and the staging of the self -- 3. Mask and error in Francis Bacon -- 4. Noble Romans: Corneille and the theatre of aristocratic revolt -- 5. La Bruyère and the end of the theatre of nobility - This valuable study illuminates the idea of nobility as display, as public performance, in Renaissance and seventeenth-century literature and society. Ranging widely from Castiglione and French courtesy manuals, through Montaigne and Bacon, to the literature of the Grand Siecle, David M. Posner examines the structures of public identity in the period. He focuses on the developing tensions between, on the one hand, literary or imaginative representations of nobility, and on the other, the increasingly problematic historical position of the nobility themselves. These tensions produce a transformation in the notion of the noble self as a performance, and eventually doom court society and its theatrical mode of self-presentation. Situated at the intersection of rhetorical and historical theories of interpretation, this book contributes significantly to our understanding of the role of literature both in analyzing and in shaping social identity. - David M. Posner is Associate Professor of French and Comparative Literature at Loyola University Chicago. He studied in France, Germany and Italy as well as his native United States, and has received fellowships and grants from the National Endowment for the Humanities, Villa I Tatti, the Newberry Library, the Lila Acheson Wallace Fund and the Almanor Scholarship Fund. Amongst his published work are essays on Montaigne, Rabelais and Corneille. ISBN 9780521661812 Sprache: Englisch Gewicht in Gramm: 543 Original cloth with dust jacket in additional plastic. Cambridge Studies in Renaissance Literature and Culture ; 33.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 218 pages. 9.00x6.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2008
ISBN 10: 0521034876 ISBN 13: 9780521034876
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book illuminates the idea of display and performance in Renaissance noble life and literature. Series Editor(s): Orgel, Stephen; Barton, Anne; Dollimore, Jonathan; Garber, Marjorie; Goldberg, Jonathan; Vickers, Nancy; Holland, Peter; McLuskie, Kathleen. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 288 pages, black & white illustrations. BIC Classification: DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 430. . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2016
ISBN 10: 1474293565 ISBN 13: 9781474293563
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Num Pages: 224 pages, black & white illustrations. BIC Classification: JNF. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 157 x 234 x 15. Weight in Grams: 352. . 2016. Paperback. . . . . Books ship from the US and Ireland.
EUR 103,25
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In den WarenkorbHardcover. Zustand: Brand New. 180 pages. 9.25x6.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521661811 ISBN 13: 9780521661812
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 117,08
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2006
ISBN 10: 0521034876 ISBN 13: 9780521034876
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This valuable study illuminates the idea of nobility as display, as public performance, in Renaissance and seventeenth-century literature and society. Ranging widely from Castiglione and French courtesy manuals, through Montaigne and Bacon, to the literature of the Grand Siècle, David Posner examines the structures of public identity in the period. He focuses on the developing tensions between, on the one hand, literary or imaginative representations of 'nobility' and, on the other, the increasingly problematic historical position of the nobility themselves. These tensions produce a transformation in the notion of the noble self as a performance, and eventually doom court society and its theatrical mode of self-presentation. Situated at the intersection of rhetorical and historical theories of interpretation, this book contributes significantly to our understanding of the role of literature both in analysing and in shaping social identity.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 160,55
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 272 pages. 9.25x6.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521661811 ISBN 13: 9780521661812
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 166,41
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This book illuminates the idea of display and performance in Renaissance noble life and literature. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 286 pages, black & white illustrations. BIC Classification: DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 21. Weight in Grams: 540. . 1999. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 178,95
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521661811 ISBN 13: 9780521661812
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This valuable study illuminates the idea of nobility as display, as public performance, in Renaissance and seventeenth-century literature and society. Ranging widely from Castiglione and French courtesy manuals, through Montaigne and Bacon, to the literature of the Grand Siècle, David Posner examines the structures of public identity in the period. He focuses on the developing tensions between, on the one hand, literary or imaginative representations of 'nobility' and, on the other, the increasingly problematic historical position of the nobility themselves. These tensions produce a transformation in the notion of the noble self as a performance, and eventually doom court society and its theatrical mode of self-presentation. Situated at the intersection of rhetorical and historical theories of interpretation, this book contributes significantly to our understanding of the role of literature both in analysing and in shaping social identity.