Porter raymond a (12 Ergebnisse)

No Binding. Zustand: Very Good. ORIGINAL 1975 Abstracts, disbound from journal; no covers; in very good condition. Journal.

No Binding. Zustand: Very Good. ORIGINAL 1975 Articles, disbound from journal; no covers; in very good condition. Journal.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Paperback. Zustand: Brand New. 374 pages. 6.00x0.83x9.00 inches. In Stock.

Softcover. Zustand: Very Good. First Edition. First edition. Text in Polish. Wrappers age-toned, spine ends nicked with spine slightly cocked, very good. Contributions by Robinson Jeffers, Lionel Trilling, Irving Singer, Robert Lowell, Katherine Anne Porter, John Berryman, Dave Brubeck, Daniel G. Hoffman, Henry A. Murray, Paul J. Tillich, Jose Ortega y Gasset, George F. Kennan, Meyer Schapiro, F.W. Dupee, and Raymond Williams. …

Taschenbuch. Zustand: Neu. Neuware - In 1953, English journalist Graham Peters is sent to Nepal to cover the attempt to conquer Mt Everest. Kathmandu is full of foreigners, including two textile merchants, who upon reading of the successful ascent - and the New Zealander who had 'knocked the bastard off' - do some exploring of their own.Unfamiliar with the area, they misread their map and get lost. Stumbling through a valley, they find fragments of wreckage from a crashed plane, a German cargo plane.In hospital they are visited by Peters, who sees their hapless story as a good background piece for his Mt Everest article. During the interview, they describe the wreckage they had found.The article is published around the world, and is of interest to a lot of people, none more so than the German SS officer who led a Tibetan exploration team in 1938. Now living in Argentina, Kraus (aka Richard Smyth) sees this as his opportunity to regain the plundered treasure of Nazi gold that was lost on that fateful flight.Back in England, Peters researches why a German plane may have crashed in Nepal, and begins to uncover the truth. He returns to Nepal to find the wreckage, to right the wrongs of the past, and to expose Nazi atrocities perpetrated in Tibet just prior to WWII.From Auckland, New Zealand, Raymond A. Porter grew up on farms. He writes books, movie scripts, and has started to direct movies. This is his third book. His next will be on human trafficking.…

Zustand: New. KlappentextrnrnIn 1953, English journalist Graham Peters is sent to Nepal to cover the attempt to conquer Mt Everest. Kathmandu is full of foreigners, including two textile merchants, who upon reading of the successful ascent - and the New Zeala.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 374 | Sprache: Englisch | Produktart: Bücher | In 1953, English journalist Graham Peters is sent to Nepal to cover the attempt to conquer Mt Everest. Kathmandu is full of foreigners, including two textile merchants, who upon reading of the successful ascent - and the New Zealander who had "knocked the bastard off" - do some exploring of their own.Unfamiliar with the area, they misread their map and get lost. Stumbling through a valley, they find fragments of wreckage from a crashed plane, a German cargo plane.In hospital they are visited by Peters, who sees their hapless story as a good background piece for his Mt Everest article. During the interview, they describe the wreckage they had found.The article is published around the world, and is of interest to a lot of people, none more so than the German SS officer who led a Tibetan exploration team in 1938. Now living in Argentina, Kraus (aka Richard Smyth) sees this as his opportunity to regain the plundered treasure of Nazi gold that was lost on that fateful flight.Back in England, Peters researches why a German plane may have crashed in Nepal, and begins to uncover the truth. He returns to Nepal to find the wreckage, to right the wrongs of the past, and to expose Nazi atrocities perpetrated in Tibet just prior to WWII.From Auckland, New Zealand, Raymond A. Porter grew up on farms. He writes books, movie scripts, and has started to direct movies. This is his third book. His next will be on human trafficking.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

unbound. Zustand: fine. 1 page, 6.5 x 4.25 inches, Watertown, Massachusetts, December 4, 1915, to advanced autograph collector Howes Norris, in full: "I am honored in being represented in your collection, and hope that this print of the Green Mountain Boy statue at Rutland Vermont (not included) will serve as the sentiment, since sculpture is my means of expression." Fine condition. American sculptor best known for his historical statues such as the Green Mountain Boy in Rutland, Vermont. …