pope laurence (22 Ergebnisse)

Zustand: Very Good. Main. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Main. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Main. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Main. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Small surface tear from removed sticker on front pastedown, very good in a price clipped, very good chipped and water stained dust jacket. Includes selections by William Blake, Laurence Sterne, Jonathan Swift, Alexander Pope, and others.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 4to. xvi, 331pp. 209 illus. Original cloth, slightly worn. Dust jacket.

Hardcover. Zustand: Good. With articles on Painting and Calligraphy, Sculpture and Lacquer, the Potter's Art, Bronzes, Jades, and Textiles. Specially written on the occasion of the Royal Academy Exhibition of Chinese Art. Good hardback copy, a little discolouration to spine. xvi, 24 b/w plates, 111pp. Size: 12mo - over 6¾" - 7¾" tall. Book.

Hardcover. Zustand: Brand New. 83 pages. 8.75x5.75x0.50 inches. In Stock.

Soft cover. Zustand: Good. With articles on Painting and Calligraphy, Sculpture and Lacquer, the Potter's Art, Bronzes, Jades, and Textiles. Specially written on the occasion of the Royal Academy Exhibition of Chinese Art. Good paperback copy. xvi, 24 b/w plates, 111pp. Size: 12mo - over 6¾" - 7¾" tall. Book.

XXI, 253 pp. Sprache: Englisch Gewicht in Gramm: 600 Large 8vo. Hardcover, no dust jacket, binding slightly rubbed, else very fine.

Zustand: New. Laurence Pope describes the contemporary dysfunction of the State Department and its Foreign Service. He contends that in the information age diplomacy is more important than ever, and that, as President Obama has stressed, without a "change of thinking" the U.S. may be drawn into more wars it does not need to fight. Num Pages: 89 pages, biography. BIC Classification: JPHC; JPSD; JPSF; JPWS; JW. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 10. Weight in Grams: 267. . 2014. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. An exploration of the paper money of the Banco Nacional Ultramarino.

Gebunden. Fester Pappeinband. Zustand: Sehr gut. 2014. 89 Seiten, Größe: 14 x 1 x 21.6 cm Sehr guter Zustand. Laurence Pope describes the contemporary dysfunction of the State Department and its Foreign Service. He contends that in the information age diplomacy is more important than ever, and that, as President Obama has stressed, without a "change of thinking" the U.S. may be drawn into more wars it does not need to fight. AA1024 Sprache: Englisch Gewicht in Gramm: 227.

Zustand: Good. 4th edition. Full calf, G+. 2 volumes, [xii]+lvi+239pp, [viii]+339pp, [ in vol II pagination jumps at 306 to 309 but the text is complete ], b/w engraved frontis to each volume, grand total of 16 engraved plates, armorial bookplate of the Baring family over an earlier bookplate of James Drummond, upper board to volume I detached, marginal worming to both volumes occasional affecting the text or plate edge but with the meaning legible from the context, occasional burn mark & smudges, leather rubbed & worn with some loss to the corners & edges. The forth edition of this much reprinted edition of Ovid's Metamorphoses which had first appeared in 1717 & was editied by Garth, with Dryden the providing much of the translating. It was to become the standard text of Ovid's Magnum Opus in English. The plates consist of a portrait of Queen Caroline, consort of King George II ( as the dedicatee ) plus 15 plates showing scenes from the poems each dedicated to a different English noblewoman. a different English noblewoman. ESTC T175634. 675 grams.

Second Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description; xvi, 111 pages, XXIV preliminary leaves (incl. frontispiece) ; 19 cm. Notes; On spine: Edited by Leigh Ashton. Bibliography: p. xv-xvi. Subject; Art, Chinese. 3 Kg.

Zustand: Good. April 1993. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

From the Macqueen-Pope papers. The occasion of the article was the forthcoming premiere of Rattigan's play 'The Sleeping Prince', Olivier's production of which, at the Phoenix Theatre in London, opened on 5 November 1953. The movie rights were bought by Marilyn Monroe, and the Hollywood film appeared in 1957 as 'The Prince and the Showgirl', with Olivier reprising his stage role, and Rattigan also writing the filmscript. See the entries on the Oliviers and Macqueen-Pope in the Oxford DNB. Interest in Beauchamp's novels has grown in recent years. All three of the present items are lightly-aged and in fair condition; the first two somewhat creased at extremities, the third less so. Item One with rust spots to one corner from paperclip. ONE: ALS from 'Barbara Beauchamp / Fiction Editor', Newnes & Pearson's, London, 15 September 1953. 1p, 12mo. Sheila Gould has informed her that MP 'will be able to write us a 1,500 word feature article on the new Terence Rattigan play, which the Oliviers are appearing in'. The publishers are planning the feature 'as a double spread in our issue of the 5th November, which is, incidentally, both the opening night, and, I believe, Vivien Leigh's birthday'. She asks for the article before the end of the month, and suggests 'a payment of forty guineas for British Empire serial rights'. The following two items are typed on 4to leaves of cartridge paper. TWO: Carbon of MP's covering TL to Beauchamp, 24 September 1953. 1p, 4to. With short autograph pencil filing note by MP. Begins: 'Here you are - the Olivier and Leigh First Night story - not critical naturally as being written before the event - but an attempt to show the whys and wherefores of the importance of this occasion and a little of the Theatre atmosphere.' He asks her to excuse his typing: 'being in the middle of hectic rehearsals at Drury Lane and without a secretary throws it all on me'. In a postscript he suggests a future article on 'the inside story of a first night'. THREE: Duplicated Typescript of MP's article, 'This is Real Theatre / The Oliviers Return to Town / by / W. Macqueen-Pope'. It does not seem to have been published in book form, nor does it appear to have left a digital footprint. 6pp, 4to, with each page on its own leaf. Double-spaced. MP begins in anticipation of a first night 'providing a thrill which no other type of entertainment can give, a thrill beyond anything which the Films, the Circus, Radio or Television can compass, and which even Grand Opera never reaches in general appeal', when 'the Leader of his Profession and his Leading Lady take the stage again'. He places the occasion within a wide context, with historical references beginning with 'the first true Theatre in Europe - that playhouse so rightly called The Theatre, in Shoreditch, where it arose in 1576'. After mentioning a number of notables in the history of the London stage, he praises Rattigan's play, of which he gives a synopsis. He continues in fulsome terms: 'Everybody who is Anybody - and a sprinkling of those who are not - will be there. [.] It will be like one of the great days of old. [.] an Occasion of Occasions'.