pocock william fuller (15 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Hardcover. First edition. 23 pages in text. 26 x 21 cm. Eighty-six engraved plates. Pocock was an early member of the Institute of British Architects, and was Master of the Carpenters' Company. "As an architect he was competent but unremarkable, his best work being in the Greek Doric style" [see: COLVIN, p.649]. An important work being one of the first to survey interior decoration. ARCHER 63. BERLIN CATALOGUE 2319. From 1799 to 1827 he exhibited designs of minor works at the Royal Academy, the most ambitious of which was a 'Design for a Temple of Fame.' Plates clean and bright, remarkably so with modest toning to the text, and stamp on title page of Mercantile Library Philadephia. Recased in modern three quarter black morocco and marbled boards. Fine.

Hardcover. Zustand: Good. Oversized hardcover. 10 x 12.75 inches. Plain gray paper over boards (all original); paper label chipping on the spine. Some scuffing and bumps to corners, but overall good condition for inelegant original binding. 36 pages + 33 plates. 8 page catalogue of other books published by J. Taylor bound in at the rear (a smaller size than the rest of the book). Printed on good quality paper, with wide margins. Inoffensive foxing, mostly noticeable in the margins. Text pages provide explanations for the plates. Plates themselves are quite handsome, sepia aquatints, with landscapes and floorplans. Plate-marks clearly visible. All 33 plates present and in very good condition. Please email with questions or to request photos.

Quarto, 33 engraved plates (23 sepia aquatints), partly unopened in original grey boards, with 16 pp. publisher's catalogue. An excellent unsophisticated copy of the second edition. Pocock (1779-1849) had an extensive and varied architectural practice in England, Ireland and Canada, where he built the Ball and Supper-Room for the Mansion in Montreal, c. 1820. This pattern book sets out designs for a dairy, a number of rustic cottages, as well as designs for more grander undertakings, such as castles and abbeys, in the Gothic style. The final essay explores "the Causes of the Dry Rot". Clive Lucas has suggested that this pattern book could have been the inspiration behind the design for Hobartville, William Cox's residence in Richmond (Lucas, Australian Colonial Architecture). . Endpapers spotted otherwise very good.

GYFFORD, Edward. Designs for Small Picturesque Cottages and Hunting Boxes, adapted for Ornamental Retreats for Hunting and Shooting, 20 sepia aquatint plates, [not in Abbey or Berlin Cat.], J. Taylor, 1807 {BOUND WITH} Pocock, William Fuller. Architectural Designs for Rustic Cottages, Picturesque Dwellings, Villas, &c, 33 sepia aquatint or engraved plates, [Berlin Cat. 2318; not in Abbey], J. Taylor, 1807 {BOUND WITH} Plaw, John. Sketches for Country Houses, Villas, and Rural Dwellings; calculated for persons of moderate income, un-numbered sepia aquatint plate, and 41 aquatint plates and plans (33 hand-colored), a little offsetting, [Abbey, Life 49 (edition of 1800); not in Berlin Cat.], J. Taylor, 1803. This group of three early architectural works of English design on the evolution of rural dwellings is possibly one of a kind. Each work stands alone as a record of the past, but together are a collection of historical ephemera. Three works in one volume, nineteenth-century half calf with marbled board (back board detached), spine gilt, a little worn, 4to. Armorial bookplate of R.C.A. Prior. While the title page of (Designs for Small Picturesque Cottages and Hunting Boxes.Gyfford) says that it is the first part of a series, the second part had actually been published the previous year as Designs for Elegant Cottages and Small Villas. It appears that Gyfford only managed to acquire one commission - Bellevue House, demolished in 1936 - and traded mostly as a draftsman. In his dedication to Sir John Courtenay Honeywood, Pocock indicates that his book (Architectural Designs for Rustic Cottages, Picturesque Dwellings, Villas.) is "calculated to further the views you entertain for promoting the comforts and happiness of those rustic dependents necessary to an extensive Estate." The Preface reveals his concern about the conflict between utility and aesthetics in domestic design. (Sketches for Country Houses, Villas, and Rural Dwellings. Plaw) First published 1795: "These designs were among the earliest of the cottage and villa books which became so popular during the first quarter of the nineteenth century." [see: COLVIN, p.642]. ABBEY LIFE 48. ARCHER 259.2. "The title of Plaw's book recalls the long-standing ideal of the English country estate as a place of rural retirement.in addition to several designs for fences and ha-has, he illustrated a wide variety of rustic and picturesque structures. Plaw was the first practicing British architect to publish a detailed design for an entire village (Plate 33). Plaw's influence was more widespread than his practice. He was, for example, the first British architect to recommend the use of pise, or rammed earth, in building cottages. Plaw helped establish several important Romantic alternatives to the prevailing Palladian canons of architectural design." Text provides detailed descriptions of each plate.