Plesch veronique (22 Ergebnisse)

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: fine.

Zustand: New. In English.

Zustand: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

Hardcover. Zustand: Brand New. 458 pages. 10.25x6.75x1.25 inches. In Stock.

Zustand: Brand New. The imaginary is explored as it manifests itself in encounters between the verbal and the visual. These essays explore the transposition of the imaginary comic books, film and digital media, with special attention to the imaginary of places and the relationship with memory.

Paperback. Zustand: New. KlappentextThis book aims at offering a broad survey of the encounter between word and image studies and anthropology and to demonstrate the mutual benefits of this dialogue for both disciplines in the three fields of the image (Marin), .

Hardcover. Zustand: New. KlappentextWith the looming water scarcity on earth, what better challenge than word and image studies to provide new understanding to this fluid element, and to address its philosophical, mythographic, semiotic, artistic stakes.

Zustand: New. Covers word and image studies in addition to media studies.KlappentextrnrnBased on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twent.

Taschenbuch. Zustand: Neu. Neuware - This book aims at offering a broad survey of the encounter between word and image studies and anthropology and to demonstrate the mutual benefits of this dialogue for both disciplines in the three fields of the image (Marin), the social history of writing (Petrucci), and memory (Yates). The themes discussed by the contributors to this volume, all specialists in their field, highlight each in their specific field one or more aspects of the agency of both text and image. Bridging the gap between the Anglo-Saxon and the Latin research traditions, this bilingual volume focuses on three major questions: What do we do with texts and images How do texts and images become active cultural agents And what do texts and images help us do Contributions cover a wide range of topics and disciplines (from visual poetry to garden theory and from ekphrasis to new media art), and represent therefore the best possible overview of what cutting-edge analysis in word and image studies stands for today.…

Hardcover. Zustand: New.

Buch. Zustand: Neu. Neuware - To what extent does water constitute an archetypal element, producing moral values and prone to ambivalence Myths abound with magical fountains, fertile rivers or deadly abysses. Water lends itself to rites of lustration or regenerative baptismal immersion. Circumnavigation has given rise to epic tales of conquest or exploration, populated by monsters and delights. The specificity of this volume is the knotting together of the iconic and the verbal, by renewing our trust in the exemplary regime of art, most capable of apprehending the unpredictable, the ephemeral, and the continuous. Against the backdrop of existential shipwrecks, water wars, the proliferation of microplastics, the scoriae of an unbridled productivity, a work like this one can raise awareness about the right to water, its beneficial virtues, and its inexhaustible imaginary. Dans quelle mesure l'eau constitue-t-elle un élément archétypal, producteur de valeurs et enclin aux ambivalences Les mythes regorgent de fontaines magiques, de fleuves matriciels ou d'abysses mortifères. L'eau se prête à des rites de lustration ou d'immersion baptismale régénérante. La circumnavigation a engendré des récits épiques à visée conquérante ou humaniste, peuplés de monstres et de délices. Il s'agit ici d'établir un lien entre l'iconique et le verbal en renouvelant notre confiance dans le régime d'exemplarité de l'art, seul à même d'appréhender ce qui est imprévisible, éphémère et continu. Contre les naufrages existentiels, les guerres de l'eau, le pullulement des microplastiques, scories d'un productivisme effréné, un ouvrage comme celui-ci peut sensibiliser au droit à l'eau partagé, à ses vertus bienfaisantes et à son imaginaire inépuisable. …

Zustand: gut. Orientations space / time / image / word / Word & Image Interactions 5 In deutscher Sprache. pages.

Zustand: New.

Zustand: gut. Elective Affinities: Testing Word and Image Relationships In deutscher Sprache. pages.

Taschenbuch. Zustand: Neu. Neuware - Based on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twenty-two essays in this volume cover a wide array of intermedial relations and a great variety of media, from medieval architecture to interactive digital art. They have been arranged in sections labeled 'History and Identity,' 'Cultural Memory,' 'Texts and Photographs: Cultural Anthropology and Cultural Memory,' 'Mixed-Media Texts: Cartography in Contemporary Art and Fiction,' 'Mixed-Media Texts: 'Yellow-Cover Books', Artists' Books, and Comics,' 'Intermedia Texts: Logotypes,' and 'Space, Spatialization, Virtual Space.' Displaying a range of methods and interests, these contributions by scholars from Europe, the United States, and South America working in different disciplines confirm the impression voiced by IAWIS president Charlotte Schoell-Glass in her introduction that 'the influence of Visual and Cultural Studies has changed the outlook of many who study the interactions of texts and images'.…

Buch. Zustand: Neu. Neuware - The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies. …

Taschenbuch. Zustand: Neu. Neuware - This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays, a selection of papers first presented in 2005 at the seventh international conference of the International Association of Word and Image Studies/Association Internationale pour l'Étude des Rapports entre Texte et Image that took place in Philadelphia, are case studies of the diverse configurations of the textual and the iconic. 'Elective affinities' -- a notion originally borrowed by Goethe for his 1809 novel of the same title from eighteenth-century chemistry -- here refers to the active role of the two partners in the relationship of the pictorial and the verbal. Following the experimental modalities opened up by Goethe, the present volume is divided into three sections, which explore, respectively, how words and images can merge in harmony, engage in conflicts and contestations, and, finally, interact in an experimental way that self-consciously tests the boundaries and relations among verbal and visual arts. New perspectives on word and image relationships emerge, in periods, national traditions, works, and materials as different as (among many others) an installation by Marcel Duchamp and the manual accompanying it; the impact of artificial light sources on literature and art; nineteenth-century British illustrations of Native Americans; the contemporary comic book; a seventeenth-century Italian devotional manuscript uniting text, image, and music; Chinese body and performance art.…

Zustand: Gut. Zustand des Schutzumschlags: Gut. 0 englische Ausgabe: verlagstext:Giovanni Canavesio, a Piedmontese artist-priest active in the last decades of the fifteenth century in the southern Alps, left behind a significant body of work, including pictorial cycles and altarpieces. This book is an in-depth analysis of his most ambitious cycle on the Passion of Christ, completed in 1492, on the walls of the pilgrimage sanctuary of Notre-Dame des Fontaines outside the French town of La Brigue.Plesch's primary aim is to understand the cycle's complex and multi-layered meaning. She analyzes the subject matter of the scenes, the significance of their order, how the pictorial and graphic sources were adapted, and the range of formal and visual means used to convey content. Plesch also places Canavesio and his pictorial cycle within wider contexts of the production and consumption of religious art and the nature of devotion in an early modern rural Alpine community.The two facets of Canavesio's life and workthat of artist and that of priestare also discussed. Plesch argues that the religious messages conveyed by the cycle scenes, as well as the strategies used by the artist to convey meaning and to structure the viewer's experience, were indeed informed by his training as a priest. Canavesio's approach to the definition of meaning, as well as his pictorial strategies, are considered in the context of the medieval art of preaching, an art whose rules derived from those of rhetoric. By also placing the cycle within the larger universe of late medieval religious devotion, Plesch connects Canavesio's work not only with preaching but with devotional meditation and religious theater as well. 458 S. in englischer Sprache mit zahlreichen Abbildungen, Format 25 x 17 x 4 cm, , 1.528 g schwer (höheres Porto), AA-1.…

Softcover. Zustand: Sehr gut. 320 pp., with some pictures, FINE , nur xl- 672 Language: DEU.