pins jacob (31 Ergebnisse)

1 Very good. light shelf wear, ex museum stamp on blank flyleaf.

Softbound. Zustand: Good. Large quarto, card covers in dust wrapper worn at the corners and near the base of the spine, 8 pp., with eight plates laid-in Text by Eugene Kolb. Translated into English by I.M. Lask.

Gr.-8°, Broschiert. Zustand: Gut. 114 S., Abb. Gebraucht: Einband- u. Papier gebräunt, ansonsten gut. Sprache: Englisch Gewicht in Gramm: 550.

Softcover. Zustand: Very Good. First Edition. Collated as complete, all eight numbered, titled woodcut plates present, cut by the German-Israeli artist Jacob Pins, and with an Introduction by Eugene Kolb, Director of the Tel-Aviv Museum of Art. Laid in to an illustrated portfolio in wing-fold, protected by stiff Mylar jacket. Splendid condition, inside and out, and each woodcut is suitable for framing. Very slight wear to the single-folded, folio-sized wraps, very light wear to, smudging of interior of portfolio,else nearly gift-quality condition.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Soft cover. Zustand: Near Fine. 1st Edition. soft cover in a clear protective wrapper, clean condition, light rubbing to corners, 249pp, illustrated, pages bright and clean and near fine condition.

134 S. Kartoniert. Kartoniert mit Umschlagklappen. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

134 S. Kartoniert mit Umschlagklappen. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Soft cover. Zustand: Very Good. 1st Edition. Title - Jacob Pins / Author - Jacob Pins / Publisher - Israël galerie Amsterdam / Year - 1969 / Language - English / Binding - Softcover / Size - 25 x 17 cm / Pages - 18 + cover (written "kunst" with red crayon).

Softcover. Zustand: Gut bis sehr gut. 2. Auflage. 268 pages with many illustrations, partly coloured.

Zustand: Good. BOOK IN GOOD CONDITION PAGES ARE CLEAN SIGNED BY THE AUTHOR Sold by the U.K Charity Kisharon Langdon: Supporting young people with disabilities.

31 cm, Org.-Broschur. Zustand: Gut. XII, 275 S. : Mit zahlr., teils farb. Abb.; Leicht berieben und bestoßen, ford. Deckel mit schwacher Knickspur, innen sauber. / Good condition. Sprache: Englisch Gewicht in Gramm: 2200.

Zustand: Good +. Location:jane 4 about ten pages and 8 woodcuts slight library marks large work jane 4.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, June 8 (weekend SALE item)* 13 pp., paperback, spine rubbed, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

paperback. Zustand: very good(+). Extensively illustrated. xiii + 275pp., 4to, stiff, pictorial wrappers; rear cover slightly scuffed. Jerusalem: The Israel Museum, (1994). A very good (+) copy.

Hardcover. Zustand: Fair. 1st Edition. Cardboard cassette shows heavy signs of usage and is a bit damaged at the bottom. The book itslef has pages that are slightly yellowed, but otherwise in good condition. Number 691 of a print run of 1000 copies.

Second Edition. Colour and black and white plates, 268pp, glossary, select bibliography. 23 x 25cm. Leaves and light wear covers, a good paperback copy. From the library of Aubrey and Eva Sweet with a label indicating the collection number on the spine.

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (cloth in slipcase); 25.5 x 35 cm; 2.4 Kg.; 389 pages with mainly black and white illustrations throughout and a few in colour.; LIMITED EDITION OF 1000 COPIES OF WHICH THIS IS NUMBER 445.; Used with signs of wear on the exterior and interior. The slipcase shows wear marks, edge wear, scuffs and scratches; bumped edges; tear at the top right side; small chip near the bottom of the spine; some peeling of the laminated layer on the top of the spine.; and previous owner pen written name on the top right side. The hardcover cloth shows signs of wear, namely a wear mark near the top left side of the front cover. Interior with signs of wear, namely: the hinge is slightly loose but the binding remains firm; signed by author with dedication to previous owner on title page. Remaining interior with minor signs of wear. Good condition overall.; "This is the first book in any language devoted to those miracles of grace and ingenuity, the hashira-e, or Japanese pillar prints. The pillar print is an improbable shape, half a person's height, yet narrower than the palm of a hand. No culture has developed a print format that looks, to a western eye, so extremely odd and exaggerated, and none of the eccentric European formats ever enjoyed as great and lasting popularity as the Japanese pillar print. There is a tradition in Japan of mounting pictures as long hanging scrolls and displaying them in special alcoves. There is another Japanese tradition of hanging long decorated strips of wood, bamboo, textile, ceramic or paper on hashira buildings, free standing columns or support pillars partially exposed along interior walls. So it was natural and even inevitable perhaps, that woodblock prints would eventually be designed and used as pillar coverings. Yet this idea did not occur to anyone during the first half century of ukiyo-e. In fact, as Jacob Pins shows, the first long narrow prints appeared by accident. Pillar prints were discovered by accident, but htey flourished because they satisfied a hunger for the incomplete, a need for the imagination to dance with the printed images. Most of the books on Japanese woodblock prints provide beautiful illustrations that are an insight into the culture that lies outside their boundaries. But ukiyo-e has been a strangely odd and narrow field of study because many of the specialists who have written about Japanese prints have been sadly limited in their outlook and interests. Jacob Pins, the author of this book, is no narrow expert, although he has chosen to write a study which is strictly limited to a group of very narrow prints. A collector, a fine woodblock artist in his own right, a passionate enthusiast, a lover of his subject, an amateur in the fine, old sense, Mr. Pins was attracted to pillar prints by their beauty, their boundless ingenuity, their inexhaustible interest, their grace, and by great respect for the fellow artists who designed them. This respect broadened into curiosity, then pursuit, and finally into determination to compile an illustrated handbook of the scattered and neglected pillar prints." excerpt from the foreword by Roger Keyes. Signed by Author(s).

4°, 389 S., 1039 Abb., XXVI Taf., einige farb. Abb., OLwd. in Schmuckschuber., Schuber min. unsauber, sonst tadellos. EA. Text engl. 3200 gr. Schlagworte: Kunst - Aussereuropäisch, Japan.

Tipped in colour images of pillar prints, numerous black and white illustrations, unpaginated, selected bibliography, glossary. Parallel text in English and Hebrew. 22 x 22.7cm. A little rubbed covers, a very good paperback copy. From the library of Aubrey and Eva Sweet with a small label indicating the collection number on the spine.

Original Wrappers with DJ. Zustand: Near Fine. Some 80 unnumberes pages mostly plates. English and Hebrew text. A fine copy - SHIPPING WORLDWIDE INCLUDED.

1.Auflage, ill.O.Pappband, ill.Schutzumschlag, Gr.-8°, unpag. ganzst., teilw.farb.Abb.,hs. Widmung des Künstlers.

1. Auflage. Quer-gr-8vo. 134 S. OKt. Geringe Gebrauchsspuren, sonst gutes Exemplar. Mit 62 farbigen Abbildungen. Sprache: deutsch.

(ca. 34 x 25 cm). 8 pages, 10 plates. Illustrated folder with title to front cover. Good condition.

Colour and black and white plates, 275pp, appendices including index, glossary, select bibliography. 31 x 24cm. A very good paperback copy. From the library of Aubrey and Eva Sweet with a small label indicating the collection number on the spine.

4to. pp 6. Staple bound text in a jacketed card folder with 8 woodcuts laid in loose. Inscribed with a gift inscription on the title page of the accompanying text booklet. Very good minusminus with toning to the top of the folder / board covers and a short open tear to top of the spine, with some loss. Text book has some minor smudging to the central page, as photographed.

Limited Edition. Tipped in colour frontispiece and 16 other colour plates, 1037 black and white illustrations of pillar prints with 27 reproductions of paintings and 1 drawing, 389pp, glossary. 36 x 25.5cm. Cloth covered hardback with original trifle rubbed and sunned slipcase, a very good copy. From the library of Aubrey and Eva Sweet, with their bookplate on the front endpaper and a label indicating the collection number on the slipcase spine.

In-4 (280 x 190 mm), (4) ff., XXXVIII pp., (1) ff., frontispice de Jacob PINS, 21 bois gravés par Richard BILAN et enrichis de remarques, en feuilles, couverture rempliée, emboîtage toile d'éditeur, tirage à 130 ex. réservés aux Sociétaires et XXXV ex. HC, ici ex. n° 50 comportant une estampe signée n° 50/50, joint un carton d'invitation à la Librairie Nicaise à l'occasion de la parution de l'ouvrage et une carte d'annonce illustrée d'une gravure signée (50/130), traduction de Dominique SILA, très bel exemplaire.

Softcover/Paperback. 120 S. Innen wie außen ein tadelloses Exemplar, wie neu. 9783940751744 Sprache: Deutsch Gewicht in Gramm: 358.

Hardcover / Pappeinband. Zustand: Gut. 1. Auflage. 9 Die Mappe befindet sich selbst in einem noch sehr guten Zustand. Die Ecken der Mappe sind etwsa berieben und die Klarsichtfolie ist auf Grund des Alters brüchig und etwas eingerissen. Die 9 Stiche in der Mappe sind sehr gut erhalten und alle signiert und mit Datum versehen. Von der Mappe wurden lediglich 40 Stück angefertigt und wurde auch von Jacob Pins signiert. Die Mappe trägt die Nummer 13/40. Die Mappe ist eine wirkliche kleine Rarität für Sammler. Rik Sprache: Deutsch Gewicht in Gramm: 2000.

Londres, Robert G. Sawers publishing. In-folio, 389, cartonnage éditeur de toile taupe, étui cartonné illustré (petites frottements et taches à l'étui). Monographie consacrée aux gravures japonaises, illustrée de nombreuses reproductions, certaines en couleurs. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.