pine john 1690 (9 Ergebnisse)

Engraving, from George Shelvocke's 'A Voyage Round the World by the way of the Great South Sea', trimmed to border, a little creasing,

No Binding. Zustand: Very Good +. 1st Edition. Original Engraving By John Pine, Signed At Bottom Of Plate, 7 3/8" X 4 1/2", Trimmed To Near Margins. Frontispiece From An Edition Of The Gardener's Kalendar, First Published 1731, Reissued In Many Eighteenth Century Editions. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

Folio (21 4/8 x 12 4/8 inches). Engraved title-page, printed dedication, 2-page list of Subscribers, 24 pages of text, 5 double-page engraved charts, double-page map, and 10 double-page engraved views with center-pieces printed in green, all within decorative borders after Lempriere and Gravelot (3 plates with expertly repaired tears into illustration without loss, one or two other marginal repairs). Contemporary mottled calf (slightly rubbed, rebacked with sheep). Provenance: With the engraved armorial book plate of original subscriber the Rt. Hon. George Neville, first Lord Abergavenny (1727-1785) on the front paste-down. First edition, and ORIGINAL SUBSCRIBERS COPY, of Pine's celebrated work depicting the defeat of the Spanish Armada in 1588, were ". perhaps inspired by the success of Picart's publication in 1714 of Charles Le Brun's Meleager tapestries. The Lords set of ten huge hangings, designed by Hendrick Vroom (1563-1640) and depicting the defeat of the Spanish armada, hung in the house from 1650 until 1834, when they were destroyed by fire. Pine's prints were engraved after drawings by C. Lempriere and embellished with elegant borders incorporating emblematic figures by Hubert Gravelot, the French artist who had travelled to England in 1732 to assist on an English edition of Picart's "Cérémonies et coutumes religieuses de tous les peuples du monde" (1733-7). Pine evidently regarded the armada prints as one of the major projects of his career, since he used his influence to ensure that the Copyright Act of 1735 gave him the exclusive right to copy the tapestries, the insertion of a clause to this effect at the third reading of the bill in April 1735 indicating that the scheme took at least four years from inception to publication" (DNB). Berlin Kat. 1677. Catalogued by Kate Hunter.

Pas de couverture. Zustand: Bon. Edition originale. Original copper engraving ca.45x62cm on a paper 64X48,5 which might have been slightly reduced; with the indication in the plate : "Engraved and published by John Pine 29. September 1749"; good general condition, no stains nor browning; there is wear at 3 of the 4 corners with small lacking pieces down left and up rigt without loss to the engraving; if wished there is a matching fine frame with glass; higher shipping cost if with the frame;

This Plate is most humbly Dedicated by his Lordships most oblig'd and most obedient humble Servant John Pine Bluemantle." Originaler Kupferstich/copper engraving ca.44x63cm (Darstellung/image size) von John Pine auf Bütten/hand-made paper (51x68cm) in der Platte typographisch betitelt, bezeichnet und datiert "29. September 1749"; John Pine London 1749 John Pine (1690 - 1756 in London) wurde zu seinen Lebzeiten als führender Kupferstecher in Großbritannien verehrt. Er war ein enger Freund William Hogarths (1697 - 1764) und Schüler des berühmten französischen Kupferstechers Bernard Picart (1673 - 1733). Er war Träger des "Bluemantle" des College of Arms von 1743 - 1747. Um 1735 gestaltete er eine Bilderserie von zehn Motiven, welche die Seeschlacht gegen die Spanische Armada zeigen, für das Britische Parlament aus. Das dazugehörige Werk "The Tapestry Hangings of the House of Lords" erschien 1739 in London. Seine großartige Arbeit wurde durch einen "Act of Parliament" festgehalten und seine lebenslangen Bezüge gesichert. Zur Vervollständigung der Bilderserie im Parlament fertigte er fünf weitere großformatige Kupferstiche an. John Pine (1690 - 1756) was admired in Britain as the foremost heraldic and decorative engraver of his generation. He was a close friend of William Hogarth (1697 - 1764) and a scholar the famous French engraver Bernard Picart (1673 - 1733). His first engravings exhibited the splendid ceremonial of the installation of the knights of the bath in 1725. These were followed by his admirable prints, ten in number, representing the tapestry hangings in the House of Lords, showing the fight against the Spanish Armada. These were so highly approved, that the Parliament passed an act to secure the emolument arising from their publication to him. He engraved five other plates of the same size, to accompany them, being/Diese zeigen: 1. "A Plan of the House of Peers; another of the House of Commons A View of the Creation of Charles Brandon, Duke of Suffolk, by Henry VIII. from a drawing in the College at Arms." 2. "The House of Peers, with Henry VIII. on the throne, the Commons attending, from a drawing by the then Garter King at Arms. Another View of the House of Peers, with Elizabeth on the throne, the Commons presenting their Speaker at t;he bar, from a painted print in the Cottonian Library. A copy of a beautiful Illumination of the Charter of Henry VI, to the Provost and College of Eton." 3. "The House of Lords, shewing his majesty on the throne, the Lords in their proper robes and seats, the Commons at the bar, and the Speaker addressing the throne." 4. "The House of Commons, shewing the Commons assembled in their House, the Speaker in his Chair, and sir Robert Walpole, the Minister, standing forth in his usual posture toward the chair." 5. "A View of the Court erected in Westminster Hall for the Tryal of Simon Lord Lovat." [Das seltene wie interessante Blatt leicht gebräunt und and den Rändern angestaubt.].

Originaler Kupferstich/copper engraving ca.45x62cm (Darstellung/image size) von John Pine auf Bütten/hand-made paper (51x68cm) in der Platte typographisch betitelt, bezeichnet und datiert "29. September 1749"; John Pine London 1749 John Pine (1690 - 1756 in London) wurde zu seinen Lebzeiten als führender Kupferstecher in Großbritannien verehrt. Er war ein enger Freund William Hogarths (1697 - 1764) und Schüler des berühmten französischen Kupferstechers Bernard Picart (1673 - 1733). Er war Träger des "Bluemantle" des College of Arms von 1743 - 1747. Um 1735 gestaltete er eine Bilderserie von zehn Motiven, welche die Seeschlacht gegen die Spanische Armada zeigen, für das Britische Parlament aus. Das dazugehörige Werk "The Tapestry Hangings of the House of Lords" erschien 1739 in London. Seine großartige Arbeit wurde durch einen "Act of Parliament" festgehalten und seine lebenslangen Bezüge gesichert. Zur Vervollständigung der Bilderserie im Parlament fertigte er fünf weitere großformatige Kupferstiche an. John Pine (1690 - 1756) was admired in Britain as the foremost heraldic and decorative engraver of his generation. He was a close friend of William Hogarth (1697 - 1764) and a scholar the famous French engraver Bernard Picart (1673 - 1733). His first engravings exhibited the splendid ceremonial of the installation of the knights of the bath in 1725. These were followed by his admirable prints, ten in number, representing the tapestry hangings in the House of Lords, showing the fight against the Spanish Armada. These were so highly approved, that the Parliament passed an act to secure the emolument arising from their publication to him. He engraved five other plates of the same size, to accompany them, being/Diese zeigen: 1. "A Plan of the House of Peers; another of the House of Commons A View of the Creation of Charles Brandon, Duke of Suffolk, by Henry VIII. from a drawing in the College at Arms." 2. "The House of Peers, with Henry VIII. on the throne, the Commons attending, from a drawing by the then Garter King at Arms. Another View of the House of Peers, with Elizabeth on the throne, the Commons presenting their Speaker at t;he bar, from a painted print in the Cottonian Library. A copy of a beautiful Illumination of the Charter of Henry VI, to the Provost and College of Eton." 3. "The House of Lords, shewing his majesty on the throne, the Lords in their proper robes and seats, the Commons at the bar, and the Speaker addressing the throne." 4. "The House of Commons, shewing the Commons assembled in their House, the Speaker in his Chair, and sir Robert Walpole, the Minister, standing forth in his usual posture toward the chair." 5. "A View of the Court erected in Westminster Hall for the Tryal of Simon Lord Lovat." [Das seltene wie interessante Blatt leicht gebräunt und and den Rändern angestaubt. Größenbedingt mittig leicht quetschfaltig.].

Begun on Monday the 9th Day of March and continued on Tuesday ye10th, Wednesday 11th, Friday 13th, Monday 16th, Wednesday 18th and Thursday the 19th. Days of March 1746/7 on the last of which Days Judgment of High Treason was given against him. To his Grace Peregrine Duke of Ancaster and Kesteven Lord Great Chamberlain of England. This Plate is most humbly dedicated by his Graces most obedient humble Servant John Pine Bluemantle." originaler Kupferstich/copper engraving ca.59x45cm (Darstellung/image size) von Isaac Basire (1704 - 1768) gestochen/engraved nach einer Zeichnung von Samuel Wale (1721 in Great Yarmouth - 1786 in London) auf Bütten/hand-made paper (68x51cm) in der Platte typographisch betitelt, bezeichnet und datiert "25. December 1750"; John Pine London 1750 John Pine (1690 - 1756 in London) wurde zu seinen Lebzeiten als führender Kupferstecher in Großbritannien verehrt. Er war ein enger Freund William Hogarths (1697 - 1764) und Schüler des berühmten französischen Kupferstechers Bernard Picart (1673 - 1733). Er war Träger des "Bluemantle" des College of Arms von 1743 - 1747. Um 1735 gestaltete er eine Bilderserie von zehn Motiven, welche die Seeschlacht gegen die Spanische Armada zeigen, für das Britische Parlament aus. Das dazugehörige Werk "The Tapestry Hangings of the House of Lords" erschien 1739 in London. Seine großartige Arbeit wurde durch einen "Act of Parliament" festgehalten und seine lebenslangen Bezüge gesichert. Zur Vervollständigung der Bilderserie im Parlament fertigte er fünf weitere großformatige Kupferstiche an. John Pine (1690 - 1756) was admired in Britain as the foremost heraldic and decorative engraver of his generation. He was a close friend of William Hogarth (1697 - 1764) and a scholar the famous French engraver Bernard Picart (1673 - 1733). His first engravings exhibited the splendid ceremonial of the installation of the knights of the bath in 1725. These were followed by his admirable prints, ten in number, representing the tapestry hangings in the House of Lords, showing the fight against the Spanish Armada. These were so highly approved, that the Parliament passed an act to secure the emolument arising from their publication to him. He engraved five other plates of the same size, to accompany them, being/Diese zeigen: 1. "A Plan of the House of Peers; another of the House of Commons A View of the Creation of Charles Brandon, Duke of Suffolk, by Henry VIII. from a drawing in the College at Arms." 2. "The House of Peers, with Henry VIII. on the throne, the Commons attending, from a drawing by the then Garter King at Arms. Another View of the House of Peers, with Elizabeth on the throne, the Commons presenting their Speaker at t;he bar, from a painted print in the Cottonian Library. A copy of a beautiful Illumination of the Charter of Henry VI, to the Provost and College of Eton." 3. "The House of Lords, shewing his majesty on the throne, the Lords in their proper robes and seats, the Commons at the bar, and the Speaker addressing the throne." 4. "The House of Commons, shewing the Commons assembled in their House, the Speaker in his Chair, and sir Robert Walpole, the Minister, standing forth in his usual posture toward the chair." 5. "A View of the Court erected in Westminster Hall for the Tryal of Simon Lord Lovat." [Das seltene wie interessante Blatt leicht gebräunt und and den Rändern angestaubt.].

Queen Elizabeth on the Throne, the Commons attending." Originaler teils handkolorierter/hand-coloured Kupferstich/copper engraving ca.62x45cm (Darstellung/image size) von John Pine auf Bütten/hand-made paper (68x51cm) in der Platte typographisch betitelt, bezeichnet und datiert "1. August 1749"; John Pine London 1749 John Pine (1690 - 1756 in London) wurde zu seinen Lebzeiten als führender Kupferstecher in Großbritannien verehrt. Er war ein enger Freund William Hogarths (1697 - 1764) und Schüler des berühmten französischen Kupferstechers Bernard Picart (1673 - 1733). Er war Träger des "Bluemantle" des College of Arms von 1743 - 1747. Um 1735 gestaltete er eine Bilderserie von zehn Motiven, welche die Seeschlacht gegen die Spanische Armada zeigen, für das Britische Parlament aus. Das dazugehörige Werk "The Tapestry Hangings of the House of Lords" erschien 1739 in London. Seine großartige Arbeit wurde durch einen "Act of Parliament" festgehalten und seine lebenslangen Bezüge gesichert. Zur Vervollständigung der Bilderserie im Parlament fertigte er fünf weitere großformatige Kupferstiche an. John Pine (1690 - 1756) was admired in Britain as the foremost heraldic and decorative engraver of his generation. He was a close friend of William Hogarth (1697 - 1764) and a scholar the famous French engraver Bernard Picart (1673 - 1733). His first engravings exhibited the splendid ceremonial of the installation of the knights of the bath in 1725. These were followed by his admirable prints, ten in number, representing the tapestry hangings in the House of Lords, showing the fight against the Spanish Armada. These were so highly approved, that the Parliament passed an act to secure the emolument arising from their publication to him. He engraved five other plates of the same size, to accompany them, being/Diese zeigen: 1. "A Plan of the House of Peers; another of the House of Commons A View of the Creation of Charles Brandon, Duke of Suffolk, by Henry VIII. from a drawing in the College at Arms." 2. "The House of Peers, with Henry VIII. on the throne, the Commons attending, from a drawing by the then Garter King at Arms. Another View of the House of Peers, with Elizabeth on the throne, the Commons presenting their Speaker at t;he bar, from a painted print in the Cottonian Library. A copy of a beautiful Illumination of the Charter of Henry VI, to the Provost and College of Eton." 3. "The House of Lords, shewing his majesty on the throne, the Lords in their proper robes and seats, the Commons at the bar, and the Speaker addressing the throne." 4. "The House of Commons, shewing the Commons assembled in their House, the Speaker in his Chair, and sir Robert Walpole, the Minister, standing forth in his usual posture toward the chair." 5. "A View of the Court erected in Westminster Hall for the Tryal of Simon Lord Lovat." [Das seltene wie interessante Blatt leicht gebräunt und and den Rändern angestaubt.].

originaler Kupferstich/copper engraving ca.44x63cm (Darstellung/image size) von John Pine auf Bütten/hand-made paper (51x68cm) in der Platte typographisch betitelt, bezeichnet und datiert "29. September 1749"; John Pine London 1749 John Pine (1690 - 1756 in London) wurde zu seinen Lebzeiten als führender Kupferstecher in Großbritannien verehrt. Er war ein enger Freund William Hogarths (1697 - 1764) und Schüler des berühmten französischen Kupferstechers Bernard Picart (1673 - 1733). Er war Träger des "Bluemantle" des College of Arms von 1743 - 1747. Um 1735 gestaltete er eine Bilderserie von zehn Motiven, welche die Seeschlacht gegen die Spanische Armada zeigen, für das Britische Parlament aus. Das dazugehörige Werk "The Tapestry Hangings of the House of Lords" erschien 1739 in London. Seine großartige Arbeit wurde durch einen "Act of Parliament" festgehalten und seine lebenslangen Bezüge gesichert. Zur Vervollständigung der Bilderserie im Parlament fertigte er fünf weitere großformatige Kupferstiche an. John Pine (1690 - 1756) was admired in Britain as the foremost heraldic and decorative engraver of his generation. He was a close friend of William Hogarth (1697 - 1764) and a scholar the famous French engraver Bernard Picart (1673 - 1733). His first engravings exhibited the splendid ceremonial of the installation of the knights of the bath in 1725. These were followed by his admirable prints, ten in number, representing the tapestry hangings in the House of Lords, showing the fight against the Spanish Armada. These were so highly approved, that the Parliament passed an act to secure the emolument arising from their publication to him. He engraved five other plates of the same size, to accompany them, being/Diese zeigen: 1. "A Plan of the House of Peers; another of the House of Commons A View of the Creation of Charles Brandon, Duke of Suffolk, by Henry VIII. from a drawing in the College at Arms." 2. "The House of Peers, with Henry VIII. on the throne, the Commons attending, from a drawing by the then Garter King at Arms. Another View of the House of Peers, with Elizabeth on the throne, the Commons presenting their Speaker at t;he bar, from a painted print in the Cottonian Library. A copy of a beautiful Illumination of the Charter of Henry VI, to the Provost and College of Eton." 3. "The House of Lords, shewing his majesty on the throne, the Lords in their proper robes and seats, the Commons at the bar, and the Speaker addressing the throne." 4. "The House of Commons, shewing the Commons assembled in their House, the Speaker in his Chair, and sir Robert Walpole, the Minister, standing forth in his usual posture toward the chair." 5. "A View of the Court erected in Westminster Hall for the Tryal of Simon Lord Lovat." [Das seltene wie interessante Blatt leicht gebräunt und and den Rändern angestaubt.].