pincus john (60 Ergebnisse)

Zustand: Good. 20th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 20th. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 20th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Broschiert. Zustand: Gut. 176 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 235.

gebundene Ausgabe. Zustand: Gut. 221 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 595.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Color Plates (illustrator). First Edition. 167 Pp. First Edition. Chocolate Brown Cloth. Interior As New. Dj As New. Limited To 3000 Copies.

Zustand: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

78 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with the first retrospective show of the works of John Baldessari, held in two parts : "John Baldessari: Work 1966 - 1980," held at the New Museum, New York, Part I: March 14 - April 4, 1981 and Part II: April 8 - 28, 1981. Traveled to Contemporary Arts Center, Cincinnati, Ohio, January 14 - February 21, 1982 and Contemporary Arts Museum, Houston, Texas, March 6 - April 18, 1982. Also traveled as "John Baldessari: Art as Riddle," held at University Art Galleries, Wright State University, Dayton, OH, January 1982 and to additional venues. Essays by Marcia Tucker and Robert Pincus-Witten. Includes an interview with the artist by Nancy Drew. Includes bibliography and exhibition history by Dan Cameron and Lore Lennon and an index. Good. Rubbing to covers. Remnants of a sticker on recto cover. Contents clean and unmarked.

Zustand: Good. *Price HAS BEEN REDUCED by 10% until Monday, June 1 (sale item)* 221 pp., Hardcover, ex library else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

gebundene Ausgabe. Zustand: Gut. 349 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 655.

Sprache: Deu XV, 400 Seite. OriginalGanzleinen, etwas berieben u. bestoßen. Schnitt leicht angeschmutzt. Ehemaliges Bibliotheksexemplar aus der Auflösung einer internen Ministeriumsbibliothek mit Rückensignatur u. Stempeln. Insgesamt guter Zustand!.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

300 S. mit zahlreichen Abbildungen. Englische Ausgabe (neuwertiges Exemplar, noch eingeschweisst). Sprache: Englisch Gewicht in Gramm: 3200 Gr.4° (33,5 x 29 cm). Orig.-Leinen mit Orig.-Umschlag.

paperback. Zustand: very good(+). Second. Illustrated in black-and-white. 355 pages. Tall 4to, white pictorial wrappers. New York: Whitney Museum,1990.A good(+) copy.

First Edition. First edition. Softcover. 421 pages. Published in conjunction an exhibition that ran January 31 through May 5, 1997 at the Corcoran Gallery of Art and then June 7 through September 14, Features text by Price Amerson, John Beardsley, Jack Cowart, Henry Geldzahler, and Robert Pincus. Includes numerous color illustrations, chronology, checklist, biography, bibliography, and list of selected collections. A clean very near fine copy in French style wrappers. One of the better books on Neri.

Zustand: Gut. Erstauflage / First edition. Bll. + 356 S. Text, u. mit s/w. u. farbig. Abbildungen der Skulpturen, Installationen u.a. / Cremefarbig.-Papier sauber. Sprache: Englisch Gewicht in Gramm: 1500 4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Minimal nachvergilbt. Gutes Exemplar.

Zustand: Good / Bien. Barcelona: Sagitario, 1963.- 415 p.; 4º. Libro en español ECONOMÍA EXTRANJERA E INTERNACIONAL DE LOS SIGLOS XVI-XXI.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,4100grams, ISBN:0721688640.

XV, 400 S. A.d.R.: The Atlantic Policy Studies. -Der OU mit leichteren Randläsuren und schwach gebräunt. -Aus der Bibliothek des Amerikahauses in München. -In englischer Sprache! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Englisch Gewicht in Gramm: 700 21,8x15,4 cm. cm. OLwd. mit OU.

First Edition. First edition. Oblong softcover. 77 pages. Exhibition catalog for a show that ran March 14 through April 4 and April 8 -28, 1981 at the New Museum in New York and then traveled for additional dates. Features essays by Marcia Tucker and Robert Pincus-Witten and with the text of an interview between Nancy Drew and Baldessari. Includes numerous illustrations, bibliography, list of selected exhibitions, and a checklist. A very good plus copy in wrappers with some light wear and some slight sunning to and along the spine. Internally a clean copy of this somewhat uncommon catalog.

Paperback. Zustand: Brand New. reprint edition. 278 pages. 10.00x8.00x1.00 inches. In Stock.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. Cover: Mel Bochner. Good. Edge wear including bumping and rubbing with a 5 mm. tear to top edge of recto near spine and a 2 mm. tear to right side edge of recto. Scratching of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los AngeIssue edited by John Coplans. Essays "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los Angeles: Barbara Munger," by Jane Livingston; "Los Angeles: The Market Street Program," by Peter Plagens and "New York reviews," by Robert Pincus-Witten, Joseph Masheck, Kenneth Baker, Lizzie Borden. Cover: Josef Albers. Good. Dusting and rubbing of covers, edge wear, handling wear and light creasing. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

78 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with the first retrospective show of the works of John Baldessari, held in two parts : "John Baldessari: Work 1966 - 1980," held at the New Museum, New York, Part I: March 14 - April 4, 1981 and Part II: April 8 - 28, 1981. Traveled to Contemporary Arts Center, Cincinnati, Ohio, January 14 - February 21, 1982 and Contemporary Arts Museum, Houston, Texas, March 6 - April 18, 1982. Also traveled as "John Baldessari: Art as Riddle," held at University Art Galleries, Wright State University, Dayton, OH, January 1982 and to additional venues. Essays by Marcia Tucker and Robert Pincus-Witten. Includes an interview with the artist by Nancy Drew. Includes bibliography and exhibition history by Dan Cameron and Lore Lennon and an index. Very Good. Light discoloration of covers from sunning. 1.5 cm. dent to recto carrying through to pages. 7 mm. black mark on verso. 3 mm. light stain to verso facing endpaper. Contents otherwise clean and unmarked.

4°, 300 S. mit zahlreichen s/w und farbigen Tafeln und Abbildungen. Orig.-Leinen im Orig.-Umschlag. Erste Ausgabe.- Gutes Exemplar.

Zustand: Very good+/Near fine. John Baldessari, John Baldessari, The New Museum, New York, 1981. 202 x 230mm. 77pp. Exhibition catalogue printed black on white with yellow wraps. Published on the occasion of exhibitions at The New Museum, New York, The Contemporary Arts Center, Cincinnati, University Art Galleries, Dayton, and Contemporary Arts Museum, Texas. With essays by Marcia Tucker and Robert Pincus-Witten and an interview with the artist by Nancy Drew and Carrie Rickey. Condition: toning to spine, contents fine. Overall: Very good+/Near fine.

Hardcover. Zustand: Brand New. new title edition. 304 pages. 13.25x11.25x1.25 inches. In Stock.

Wraps. xi, [1], 89 p. Tables. Memorandum RM-3249-ISA. This was prepared for The Office of the Assistant Secretary of Defense/International Security Affairs. Marked "For Official Use Only" on front page. Marked "Unclassified" on back cover. This appears to be a contemporatory reproduction and bears the notation ARPA Order No. 189-61. THe aim of this Memorandum was to evaluate the use of formal criteria as a basis for cost-sharing negotiations in NATO and the Development Advisory Committee of the OECD. The purposed of this study was to examine both the theory and the policy implications of formal burden-sharing systems, as an aid to U.S. government negotiations in this field. The report was to be circulated to officials of the Departments of State and Defense, and was considered to also be of interest to those involved in economic development and international economies. It was expected that portions of this limited circulation report would be submitted to professional jounals. Fair. Stable bound. Stamps relatinged to cataloguing and when recieved. Title written on spine. Front and back pages shows some wear, soiling, creases and small tears.