Pincus john (57 Ergebnisse)

Zustand: Good. 20th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. 20. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Broschiert. Zustand: Gut. 176 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 235. …

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

gebundene Ausgabe. Zustand: Gut. 221 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 595. …

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. 167 Pp. First Edition. Chocolate Brown Cloth. Interior As New. Dj As New. Limited To 3000 Copies. Color Plates (illustrator).

78 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with the first retrospective show of the works of John Baldessari, held in two parts : "John Baldessari: Work 1966 - 1980," held at the New Museum, New York, Part I: March 14 - April 4, 1981 and Part II: April 8 - 28, 1981. Traveled to Contemporary Arts Center, Cincinnati, Ohio, January 14 - February 21, 1982 and Contemporary Arts Museum, Houston, Texas, March 6 - April 18, 1982. Also traveled as "John Baldessari: Art as Riddle," held at University Art Galleries, Wright State University, Dayton, OH, January 1982 and to additional venues. Essays by Marcia Tucker and Robert Pincus-Witten. Includes an interview with the artist by Nancy Drew. Includes bibliography and exhibition history by Dan Cameron and Lore Lennon and an index. Good. Rubbing to covers. Remnants of a sticker on recto cover. Contents clean and unmarked.…

gebundene Ausgabe. Zustand: Gut. 349 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 655. …

Sprache: Deu XV, 400 Seite. OriginalGanzleinen, etwas berieben u. bestoßen. Schnitt leicht angeschmutzt. Ehemaliges Bibliotheksexemplar aus der Auflösung einer internen Ministeriumsbibliothek mit Rückensignatur u. Stempeln. Insgesamt guter Zustand..

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

300 S. mit zahlreichen Abbildungen. Englische Ausgabe (neuwertiges Exemplar, noch eingeschweisst). Sprache: Englisch Gewicht in Gramm: 3200 Gr.4° (33,5 x 29 cm). Orig.-Leinen mit Orig.-Umschlag.

paperback. Zustand: very good(+). Second. Illustrated in black-and-white. 355 pages. Tall 4to, white pictorial wrappers. New York: Whitney Museum,1990.A good(+) copy.

Zustand: Gut. Erstauflage / First edition. Bll. + 356 S. Text, u. mit s/w. u. farbig. Abbildungen der Skulpturen, Installationen u.a. / Cremefarbig.-Papier sauber. Sprache: Englisch Gewicht in Gramm: 1500 4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Minimal nachvergilbt. Gutes Exemplar.

Zustand: Good / Bien. Barcelona: Sagitario, 1963.- 415 p.; 4º. Libro en español ECONOMÍA EXTRANJERA E INTERNACIONAL DE LOS SIGLOS XVI-XXI.

XV, 400 S. A.d.R.: The Atlantic Policy Studies. -Der OU mit leichteren Randläsuren und schwach gebräunt. -Aus der Bibliothek des Amerikahauses in München. -In englischer Sprache! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Englisch Gewicht in Gramm: 700 21,8x15,4 cm. cm. OLwd. mit OU. …

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,4100grams, ISBN:0721688640. …

First Edition. First edition. Oblong softcover. 77 pages. Exhibition catalog for a show that ran March 14 through April 4 and April 8 -28, 1981 at the New Museum in New York and then traveled for additional dates. Features essays by Marcia Tucker and Robert Pincus-Witten and with the text of an interview between Nancy Drew and Baldessari. Includes numerous illustrations, bibliography, list of selected exhibitions, and a checklist. A very good plus copy in wrappers with some light wear and some slight sunning to and along the spine. Internally a clean copy of this somewhat uncommon catalog.…

Zustand: Good. 221 pp., Hardcover, ex library else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Paperback. Zustand: Brand New. reprint edition. 278 pages. 10.00x8.00x1.00 inches. In Stock.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. Cover: Mel Bochner. Good. Edge wear including bumping and rubbing with a 5 mm. tear to top edge of recto near spine and a 2 mm. tear to right side edge of recto. Scratching of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los AngeIssue edited by John Coplans. Essays "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los Angeles: Barbara Munger," by Jane Livingston; "Los Angeles: The Market Street Program," by Peter Plagens and "New York reviews," by Robert Pincus-Witten, Joseph Masheck, Kenneth Baker, Lizzie Borden. Cover: Josef Albers. Good. Dusting and rubbing of covers, edge wear, handling wear and light creasing. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

78 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with the first retrospective show of the works of John Baldessari, held in two parts : "John Baldessari: Work 1966 - 1980," held at the New Museum, New York, Part I: March 14 - April 4, 1981 and Part II: April 8 - 28, 1981. Traveled to Contemporary Arts Center, Cincinnati, Ohio, January 14 - February 21, 1982 and Contemporary Arts Museum, Houston, Texas, March 6 - April 18, 1982. Also traveled as "John Baldessari: Art as Riddle," held at University Art Galleries, Wright State University, Dayton, OH, January 1982 and to additional venues. Essays by Marcia Tucker and Robert Pincus-Witten. Includes an interview with the artist by Nancy Drew. Includes bibliography and exhibition history by Dan Cameron and Lore Lennon and an index. Very Good. Light discoloration of covers from sunning. 1.5 cm. dent to recto carrying through to pages. 7 mm. black mark on verso. 3 mm. light stain to verso facing endpaper. Contents otherwise clean and unmarked.…

4°, 300 S. mit zahlreichen s/w und farbigen Tafeln und Abbildungen. Orig.-Leinen im Orig.-Umschlag. Erste Ausgabe.- Gutes Exemplar.

Zustand: Very good+/Near fine. John Baldessari, John Baldessari, The New Museum, New York, 1981. 202 x 230mm. 77pp. Exhibition catalogue printed black on white with yellow wraps. Published on the occasion of exhibitions at The New Museum, New York, The Contemporary Arts Center, Cincinnati, University Art Galleries, Dayton, and Contemporary Arts Museum, Texas. With essays by Marcia Tucker and Robert Pincus-Witten and an interview with the artist by Nancy Drew and Carrie Rickey. Condition: toning to spine, contents fine. Overall: Very good+/Near fine. …

Wraps. xi, [1], 89 p. Tables. Memorandum RM-3249-ISA. This was prepared for The Office of the Assistant Secretary of Defense/International Security Affairs. Marked "For Official Use Only" on front page. Marked "Unclassified" on back cover. This appears to be a contemporatory reproduction and bears the notation ARPA Order No. 189-61. THe aim of this Memorandum was to evaluate the use of formal criteria as a basis for cost-sharing negotiations in NATO and the Development Advisory Committee of the OECD. The purposed of this study was to examine both the theory and the policy implications of formal burden-sharing systems, as an aid to U.S. government negotiations in this field. The report was to be circulated to officials of the Departments of State and Defense, and was considered to also be of interest to those involved in economic development and international economies. It was expected that portions of this limited circulation report would be submitted to professional jounals. Fair. Stable bound. Stamps relatinged to cataloguing and when recieved. Title written on spine. Front and back pages shows some wear, soiling, creases and small tears.…

Hardcover. Zustand: Brand New. new title edition. 304 pages. 13.25x11.25x1.25 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Beige cloth-covered boards with title printed in reverse white on cover and stamped in white on spine; no dust jacket as issued. Paintings, drawings and sculpture by Cy Twombly. Essays (in English and German) by Eva Keller, Robert Pincus-Witten, Harald Szeemann, Heiner Bastian, John Berger, Ruth Langenberg, Carol Mancusi-Ungaro, Yve-Alain Bois, Beat Wismer, Philip Fisher and Katharina Schmidt. Additional photographs by Robert Rauschenberg. Includes a biography, catalog of works, selected bibliography, selected exhibitions and notes on the authors. 164 pp., with 42 four-color plates and numerous additional illustrations. 11-1/4 x 12-1/4 inches. Published on the occasion of an exhibition at Daros, Zürich. Fine. From the publisher: "One of the most important painters of today, Cy Twombly's epic yet intimate combinations of gestural abstraction, drawing, and writing have been moving viewers since the mid-1950s. This book presents a diverse array of short essays by leading art critics as they explore the many aspects of Twombly's work. Heiner Bastian considers the relation of Mallarmé's poetry to Twombly's visual language. John Berger meditates on language and words as they appear on the artist's canvases. Yve-Alain Bois muses on the scatological impulse. Philip Fisher dissects Twombly's zany neo-classicist storytelling. Robert Pincus-Witten tells us a few things about Twombly's relationship to Italy and the United States. And Harald Szeemann wonders about Twombly's very own brand of history painting. A rich and stimulating collection of writings, complemented by lavish plates showing many early works, Cy Twombly, produced in collaboration with the Daros Collection, is indispensable for anyone interested in deepening their understanding of the artist's work.".…

726 pp.; 27 x 20.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. Includes artists:Helena Almeida, Armando Alves, Giovanni Anselmo, António Areal, Richard Artschwager, John Baldessari, Manuel Baptista, Georg Baselitz, Eduardo Batarda, Lothar Baumgarten, Bernd & Hilla Becher, René Bertholo, Joseph Beuys, Mel Bochner, Christian Boltanski, Joaquim Bravo, Marcel Broodthaers, James Lee Byars, Fernando Calhau, Alberto Carneiro, Zulmiro de Carvalho, Manuel Casimiro, Lourdes Castro, António Charrua, Lygia Clark, Noronha Da Costa, José Escada, Öyvind Fahlström, Hans-Peter Feldmann, Robert Filliou, Robert Frank, Hamish Fulton, Gilbert & George, Imi Giese, Luis Gordillo, Dan Graham, José de Guimarães, Hans Haacke, Richard Hamilton, Ana Hartherly, Eva Hesse, Peter Hutchinson, Jörg Immendorff, António Manuel, Jorge Martins, Gordon Matta-Clark, Cildo Meireles, Mario Merz, Robert Morris, Ree Morton, Antonio Muntadas, Bruce Nauman, Rolando Sá Nogueira, Maria Nordman, Hélio Oiticica, Claes Oldenburg, Dennis Oppenheim, Blinky Palermo, António Palolo, Lygia Pape, A.R. Penck [Ralf Winkler], Jorge Pinheiro, Adrian Piper, Michelangelo Pistoletto, Sigmar Polke, Júlio Pomar, Vítor Pomar, Robert Rauschenberg, Paula Rego, Gerhard Richter, José Rodrigues, Joaquim Rodrigo, James Rosenquist, Dieter Roth, Susan Rothenberg, Edward Ruscha, Reiner Ruthenbeck, Julião Sarmento, António Sena, Richard Serra, Joel Shapiro, Nikias Skapinakis, Robert Smithson, Keith Sonnier, Ângelo de Sousa, Salette Tavares, Paul Thek, Francesc Torres, Richard Tuttle, Ana Vieíra, João Vieira, Pires Vieira, Andy Warhol, Lawrence Weiner, Gilberto Zorio, Vito Acconci, Eleanor Antin, David Askevold, Artur Barrio, Lynda Benglis, Chris Burden, Peter Campus, Merce Cunningham, Juan Downey, Valie Export, Hermine Freed, Anna Bella Geiger, Mako Idemitsu, Joan Jonas, Shigeko Kubota, David Lamelas, Paul McCarthy, Ana Mendieta, Susan Mogul, Nam June Paik, Charlemagne Palestine, Yvonne Rainer, Ulrike Rosenbach, Martha Rosler, Miralda Rossell, Gerry Schum, Paul Sharits, Michael Snow, T.R. Uthco, William Wegman, Hannah Wilke. Includes chronology, checklist and biographies for participating artists. Texts in English and Portuguese. Very Good. Light wear to covers and cover corners with light soiling from dust to page edges. Creasing of spine and 8 mm. tear to spine edge. Contents clean and unmarked. Due to very large size and weight additional shipping charges may be required.…

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Very Good. Light dust soiling of covers and 1.4 cm. crease/bumping to bottom of publication. 3 mm. tear to top edge of spine. Contents clean and unmarked.…

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair. 9 mm. long "1.00" written in blue ink on recto. Tearing along spine wrapping around to covers including 1.2 cm., 1 cm., 2.1 cm. and others. 1.2 cm. loss to top edge of spine. Bumping and chipping across top edge of recto and verso. 1.4 cm. loss to verso at spine. 5.3 cm. soiling to right side edge of first page. Contents otherwise clean and unmarked. …