Pinchetti giacomo (6 Ergebnisse)

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. Limited Edition. [1st edition, 1st printing] ; Limited edition No. 4832 of 5000 (as stated on colophon) ; 301 p. (some folded) : chiefly color illustrations, maps, plans ; 30 cm. ; ISBN: 8821601269; 9788821601262 ; LC: NA9072.M55; Dewey: 711.5 ; OCLC: 23695425 ; text in Italian and English. ; Issued in Montedison-designed slipcase. ; black silk, with hand-laid paper ; photographic plate paste-down on front cover ; decorative black endpapers ; signed card of Montedison Director General Carlo Maria Columbo, laid in ; publisher Franco Maria Ricci initialled quality control card, laid in ; Design, Franco Maria Ricci, Laura Casalis; Grafica, Silvia Fois; Fotolito : Fotoincisioni Bassoli, Fotolito Storti, Milano; Stampa, Grafiche Milani ; Gruppo Ferruzzi ; "Edison was established in 1884 in Milan as a power utility. In 1966, Edison merged with Montecatini, to create Montedison"-wikipedia ; 'In 1801, Antolini was hired during the short-lived Repubblica Cisalpina to complete a massive plan for the center of Milan, a project later taken over by Napoleon and called the Foro Bonaparte. The city was designated the capital of Napoleonic Italy in 1805, and the Foro Bonaparte was part of a larger redevelopment project that consisted of cutting wide roads through the medieval center and constructing monumental government buildings and shopping areas that linked together the major neighborhoods of the city. The Foro was to be located in the area around the Castello Sforzesco.and Napoleon ordered the outer walls of the Castello to be updated with an ordered classical arrangement and a temple facade plan. Encircling this area Antolini designed 12.buildings to include a theater, museum, bathhouse and stock exchange.the plan was scaled down due to its high cost by Luigi Canonica in 1802."--Allison Lee Palmer ; Contents (English) : The publisher to the reader -- The Foro Bonaparte, a Jacobin utopia in Milan -- The first plans for the Foro Bonaparte (1801) -- La Bastiglia di Milano, un audace impresario, L'amico Sommariva -- The drawings of the Foro Bonaparte -- Designing the city : The 1801 Economic and Political Plan -- An architect for the Republic amid Doric and Freemasonry -- A man from the Romagna at the court of Pope Pius VI, The Doric comes to Faenza, The advantages of Freemasonry -- The Marengo column, A discussion with the First Consul, The schemings of the Commission -- Contrasting Pistocchi, Rectangle versus circle, A project in progress -- Enter the military, The astute Canonica, A question of money -- From project to model, The Description of the Foro Bonaparte -- Opposition to Antolini, the Letter from Citizen X to a friend -- Barabino, Canonical, Rossi : plans for the modification of the Foro Bonaparte -- Milan, Archivo Storico Civico Fin-de-siecle projects -- From utopia to bourgeoisie, Fin-de-siecle in Foro Bonaparte ; color tipped-in plates, 18 fold-out plates, several in full color ; artwork by Felice Giani, Giuseppe Camporesi, Domenico Lucchi, Hubert Robert, Feliz Albites, Alessandro Emanuele Marvuglia, Domenico Santi, Giovanni Lazarini, Fernando Bonsignore, Jacques-Louis David, Giacomo Pinchetti, Franz Hogenberg, Giovanni Battista Clarici, Arcangelo Lavelli, Adele Chavassieu d'Houdebert, Domenico Aspari, Vincenzo Magnani, Vincenzo Berenzi, Paolo Bargigli, Andrea Appiani, Luigi Rados, Giuseppe Pistocchi, Giuseppe Longhi, A.-G.-L. Boucher-Desnoyers, Luigi Canonica, Francisco Rosaspina, Luigi Cagnola, Gaspare Gallinari, Gaetano Berettini, Alois Schmid, Cesare Beruto, Pietro Gadda, Giuseppe Pirovano, Enrico Combi, Giovanni Giachi, A, Bellani, Romeo Botelli, and Luigi Montini ; a beautifully produced publication ; " (This volume is part of a special edition reserved for Montedison, and was printed in an edition of 5000 numbered copies under the direction of Franco Maria Ricci, Milan, in October 1989. The typeface used is Bodoni. The handmade paper was laid by Cartiere Miliani di Fabriano) ; fading spots to slipcase spine, else AS NEW/FINE. Book. …

Milano, Presso Gio. Cogliati Neg.te di Stampe. 1848, Grande carta geografica inc. su rame, montata su tela, suddivisa in quattro parti, in totale 48 riquadri, complessivamente cm 89x128; coloritura d'epoca. Cartiglio in alto a sinistra, e in basso a destra legenda con la spiegazione dei segni. Al margine inferiore si trovano le piante delle seguenti città: Como, Pavia, Lodi, Bergamo, Milano, Sondrio, Cremona, Brescia, Mantova, Verona, Vicenza, Rovigo, Padova, Venezia, Belluno, Treviso e Udine. Una pecetta al primo riquadro: Torino, presso l'editore Gio Battista Maggi.…

Grande carta murale del Regno Lombardo-Veneto incisa in rame (di cm. 85 x 129) con coloritura coeva ai confini, composta da 4 fogli montati su tela coeva a stacchi e conservata in astuccio coevo con camicia, cartiglio e cartellino alla costa. Seconda edizione della famosa carta incisa sotto la direzione del Brenna, stampata per la prima volta nel 1835. Nella parte inferiore vengono riprodotte le piante dei 17 capoluoghi di provincia del Regno con notizie statistiche. Cfr. Sceffer 112. Ottimo stato. (SH5).…

Milano, Cesare Crivelli Editore Stampatore in rame. 1859, La carta è stampata su 4 fogli in seta e misura cm 85x126, confini del Lombardo Veneto a colori cartiglio in alto a destra e in basso le piante delle città di: Milano, Como, Pavia, Lodi, Bergamo, Sondrio, Cremona Brescia, Mantova.

Large engraved map, in original outline colour, dissected and mounted on linen. Lacking the slipcase. Milan : Fratelli Bettalli.

Milan, 1808. Dissected and laid on linen as issued, total 810 x 575mm. Linen replaced. A scarce and detailed plan of Milan, engraved by Giuseppe Caniani, with extensive keys above and below the map. It was first published in 1801, when Milan was capital of Napoleon Bonaparte's Cisalpine Republic. By the time this edition was issued Napoleon had dropped any pretence of republicanism and had made himself monarch of the Kingdom of Italy.…