Pinchbeck michael (24 Ergebnisse)

Darklore, Volume 1: v. 1
Daniel Pinchbeck; Lynn Picknett; Clive Prince; Robert Schoch; Nick Redfern; Michael Grosso; Loren Coleman; Susan Martinez; Michael Prescott
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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240 pp.; 22.8 x 15.3 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 16 of the tri-annual arts and prose periodical Open City. Edited by Thomas Beller, Daniel Pinchbeck, and Joanna Yas. Contents include: "Contributors' Notes;" "The Crossing Guard," by Robert Bingham; "Four Poems," by Dana Goodyear; "Book Worms," by David Bunn; "Four Stories," by Joe Andoe; "Happens All the Time," by Deborah Shapiro; "Three Poems," by Nathaniel Bellows; "Dubrovnik," by Cannon Thomas; "Resuscitations of the Shih Tzu," by Ryan Kenealy; "Three Poems," by Craig Arnold; "Hope from the Third Person," by Evan Harris; "The Unread Unreadable.(bookmark)," by Matthew Brannon; "Four Poems," by Kevin Young; "From the Poetical Dictionary," by Lohren Green; "A Ticket for Kat," by Erich Eisenegger; "From the Sorted Books Project," by Nina Katchadourian; "From Arachnida Speak," by Ed Pavlic; "Two Poems," by Margaret Levine; "The Diver," by Lewis Robinson; "The First Visit to the Louvre," by Rafael Fernández de Villa-Urrutia; "Alley," by Peter Gray; "Lost," by Bruce Jay Friedman; "Her Deflowering," by Marilyn A. Johnson; "Private Beach Bitches," by Tim Wilson; "This Island Earth," by Bryan D. Dietrich; "Three Parts," by Matthew Higgs; "The Birdlady of Houston," by Michael Sledge; "Proust and the Rat," by Nick Tosches; "Two Letters," by Rick Rofihe and "Greetings from L.A.," by Allen Ruppersberg. Cover: Matthew Higgs. Very Good. Light bumping of corners with minimal handling wear. Contents clean and unmarked.…

Open City
Joanna Yas; Daniel Pinchbeck; Michael Brownstein; Hakim Bey; Anselm Berrigan; Craig Chester; Noy Holland
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Paperback. Zustand: Collectible-Like New. Open City features a dynamic mix of prominent writers, undiscovered aspirants, and lost treasures from writers of past eras. Including fiction, essays, poetry, and artwork by an exciting range of talents, Open City has presented new works by Michael Cunningham, Deborah Garrison, Rick Moody, David Foster Wallace, Geoffrey O'Brien, Sam Lipsyte, Meghan Daum, David Berman, and previously unpublished work by Delmore Schwartz, Richard Yates, Edvard Munch, and Ford Madox Ford. Praised in the pages of publications such as Harper's Bazaar, Library Journal, and The New York Times, Open City is today's most important literary journal. Open City #14 includes John Seabrook on ancestor hunting; Arthur Nersessian, from Fuck-Up to makeup; new fiction by Betsy Bern and Martha McPhee; and the original treatment for the improvised cult-classic film Waiting for Guffman.…

Sprache: Englisch
Verlag: The Jewish Museum / Yale University Press New York, NY 2014, 1966, 2014
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[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.…

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
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- Hardcover
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Hardcover. Zustand: New.

- Hardcover
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- Hardcover
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- Softcover
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.…

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Hardcover. Zustand: Brand New. 225 pages. 9.75x6.75x0.75 inches. In Stock.

- Hardcover
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Zustand: New. In English.

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Hardcover. Zustand: Brand New. 244 pages. 9.61x6.70x0.90 inches. In Stock.

- Softcover
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Taschenbuch. Zustand: Neu. Staging Loss | Performance as Commemoration | Michael Pinchbeck (u. a.) | Taschenbuch | XXII | Englisch | 2019 | Springer, Berlin | EAN 9783030404857 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

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Zustand: New. In English.

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Zustand: New. In English.

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Zustand: New. In English.

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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considersthe (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.…

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Zustand: New. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance.This book locates and critically theorises an emerging field of twenty-first cen.

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Paperback. Zustand: Brand New. 288 pages. 9.25x6.10x0.60 inches. In Stock.

- Hardcover
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Hardcover. Zustand: Brand New. 265 pages. 8.50x6.00x0.75 inches. In Stock.

- Softcover
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Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.
Weitere BilderVerlag: Art Workers Coalition, 1969
- Softcover
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In den WarenkorbSoft cover. Zustand: Very Good. Landmark document by the Art Workers Coalition which compiled documents and correspondence aggregated to push for better situations for artists. 121 pages in stiff stapled wraps, this original is quite scarce in any condition, this copy being quite decent with one or two notes, most significant of which is a large stain to front cover, alongside some similar but significantly smaller and more faint iterations on front and back panel. Couple of teeny tiny dot stains to front and rear free endpages but hardly so and no other stains besides. Offset toning to full vertical length of front panel, also a bit around the very edges of the margins of the covers and to a lesser extent the interior pages. Staples rusted but still seem quite sturdy, and seems binding should hold well. Interior is clean and free of marks. Covers now in mylar.…

Verlag: Art Workers Coalition New York, NY, 1969
- Softcover
- Erstausgabe
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In den Warenkorb142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.…